Friday October 14th was the opening of "Warm Biz" an exhibition of the textiles of Jorie Johnson. Put on by the Silk Weaving Studio and Maiwa Handprints, this exhibition offers a chance to see many of the pieces that were talked about at Jorie Johnson's lecture "In Praise of Sheep"


The exhibition was introduced by Diana Sanderson and Jorie was present to speak about the inspiration and origins of her works.


The exhibit will run until November 15th, 2011. We encourage everyone to visit the Silk Weaving Studio and check out these incredible felted works.

Masterworks - before the doors open.

A discerning crowd of textile artists and enthusiasts give the works a detailed inspection.

Gale Anderson-Palm (right) and Jane Stafford - two assistants in the Mastersclass, explain works that they have contributed to the exhibition.

 In addition to the works sent by the participants of the workshop, the exhibit included works by the Maiwa organizers, and assistants. These were not commissioned by the foundation, but rather were contributed by the individuals.

The Naad Collective add music to the evening.

Comments are welcome.

Jorie Johnson addresses the crowd before the lights go down and the show starts.

Diana Sanderson introduces Jorie Johnson

Jorie's talk was introduced by Diana Sanderson of the Silk Weaving Studio (located on Granville Island). Diana and Jorie were busy most of the afternoon eyeing how best to display Jorie Johnson's exhibit which has its opening this Friday October 14th.

Tonight (October 13) is the opening of the Masterworks Exhibition. We've been transforming Maiwa East, once again into a gallery environment to showcase a collection of exceptional textiles.

Charllotte and Sophena Kwon decide on the placement of textiles for the Masterworks exhibit

Sophena fine tunes the hanging of one of the textiles.

8 pm. Saturday October 22.

That's when the doors will open for the Maiwa Fashion Show WRAPTURE: UNSTITCHED and ENFOLDED. (sold out). Location: Net Loft, Granville Island

Also note that we will be using the entrance by Paper Ya as the hall from our usual entrance for lectures will be taken over by tech and changing rooms. Unlike our lectures, we will be clearing the Net Loft when it closes at 7pm in order to transform it into a spectacular space for the show.

See you there. 

Michel Garcia reviews three types of tannin.

Chemist, botanist and natural dye specialist Michel Garcia is back in Vancouver. He has just begun teaching the first of his two workshops at Maiwa East. The class opened with a review of fibre types and an introduction to the different types of tannins.

The opening moments Michel's class at the Maiwa East Dye Studio

The class opened the morning after Michel spoke to a sold-out crowd at his lecture: Why we Dye: Secrets from the Chromatic World. For many, Michel's lecture was an eye opener. His explanation of the role of tannins and colourants from a plant's perspective - illustrating how they enhance various survival mechanisms - gives a greater, more holistic understanding of the relationships of dye chemistry.

Michel answer questions from the floor at his lecture.

In 2009, Michel first spoke at the Maiwa Symposium, delivering a talk recounting the establishment of the garden of natural dye plants in Lauris, France. Michel's first lecture is available on our podcast page.

In the first part of 2011, the Maiwa Foundation brought Michel to India to lead a masterclass workshop for experienced, traditional dyers. The results of this week-long intensive will be on exhibit next week as the Masterworks Exhibit. Some tickets are still available.

On deck for our next lecture is Alison Ellen with Yarns and Lines: New Directions in Hand Knitting. Some tickets are still available.

Charllotte Kwon teaches behind a battery of dye vats.

Charllotte Kwon's natural dye workshop closed on Thursday. For some it was a life-changing experience. It was a chance to learn, not only the range of colours possible from natural sources, but also the motivation and philosophy behind all that natural dyes mean. Combine this with an historic and cross-cultural perspective, and it becomes clear why some students have tried for over six years to take this course.

Michael Brennand-Wood in front of his wall installation at the Colston Hall, Bristol, UK.

The Net Loft was full to capacity on Saturday night for the first lecture of the Maiwa Textile Symposium, Material Evidence: Reinventing Textiles. World renowned artist Michael Brennand-Wood took the audience on a journey of ideas through the making of his artworks and three-dimensional embroideries. Charllotte Kwon welcomed everyone to the first lecture of the 2011 Symposium and Tim McLaughlin introduced Michael. We've had a number of requests for those texts - we are happy to publish them here.

Few things give me greater joy than introducing an audience to the opening of the Maiwa Textile Symposium.

To arrive at this point the Maiwa staff have dedicated their knowledge, skills, considerable abilities and most importantly their enthusiasm. We wouldn’t be here tonight without them. As the director it is my privilege to see my vision and desires brought to life through the hard work of an incredible team.

We are a team that exists to transmit energy. In our life in textiles we encounter such fantastic work. Work that is the very pinnacle of human achievement. Work made through love, through mastery, skill, and knowledge. Work that is the connection between mother and daughter and often between father and son. Work that is the reason a community exists. Work that expresses what words cannot. Work that is often the result of such time consuming and intricate processes that it seems impossible.

Those of you who know me know that one of my most poignant feelings is that this work simply must not disappear. For that would be a tragedy of unthinkable proportions. In my mind it would be the equivalent of loosing a type of flower, a species of tree, a language or a friend.

This work has power in it. The power to inspire, the power to motivate, and the power to impress us with that which is possible. The role of the Maiwa Textile Symposium is to transfer this energy to a wider audience – to you.

And so at this point with speakers arriving, with workshops opening each day, with events being set up, my schedule is very full – but so is my heart.

Welcome everyone to the Maiwa 2011 Textile Symposium

Charllotte Kwon

The artworks of Michael Brennand-Wood are so unusual, so independently original that one is often bereft of a framework to discuss them. If we were to look at only one of his innovations – the migration of embroidery into a self-contained three dimensional object, and his manufacture of artifacts that are composed of these objects, we could spend the evening entranced. These are – if I were to describe them to someone who had never seen them – tiny diaramas of colour and texture. To look at the complexity and the detail of these fragmentary landscapes is to be, for a moment, an Alice who, having been shrunk quite tiny, wanders through a fantastic new terrain. The surface of one of Mr. Brennand-Wood’s creations is always in bloom – it is a field that has sprouted possibility.

It should come as no surprise that he has garnered considerable accolades in his long career. Peter Dormer, writing in Crafts Magazine has called him one of “the most influential and inventive artists of his generation.”

Joseph McBrinn, in his essay on Brennand-Wood’s work found in the recent publication “Pretty Deadly” summarizes Michael’s career path as follows:

Brennand-Wood, who initially entered art school in 1969 to train as a painter and sculptor, became intrigued by thread rather than paint. He was attracted by ‘the idea of drawing with a needle and thread and working with three dimensional line.’ He completed a foundation year at Bolton, a B.A. at Manchester, and an M.A. at Burmingham, in which he sought to push embroidery to its limits and move textile art away from the ‘hairy’ and ‘scary’ works that dominated textile art of the 1970-80s. He delved into the patterned and the decorated, and he pioneered in textiles, the sensory, the political, and the critical, and set siege to the out-dated hierarchies of an increasingly alienating and obsolete art-world.

In addition to his work as a practicing visual artist who has established and maintains a packed exhibition schedule, Michael is active as a curator, lecturer, and instructor.

Maiwa is very privileged to be able to bring Michael to the Textile Symposium for his Vancouver debut. Please join me in welcoming Michael Brannand-Wood.

Tim McLaughlin

We just received an email from Stephanie French of the Craft Council of BC that the Prohibition Tea Party fundraiser event is canceled. The online auction fundraiser is still open. 

Inspired by all the textile activity going on at the Maiwa Symposium, Julia Manitius of URBANITY has arranged two exhibitions to add to the action.

The first opens just next week. Running from September 14th until the 28th is an exhibition of contemporary head-dresses from Jools Elphick. The opening reception will be held on September 15 from 7 - 9pm at URBANITY.

Jools was born in Amsterdam and now lives in Whitney, Oxfordshire, England.

Billed as "designs for the theatre of life" Jools writes that she is "inspired by tribal art as much as contemporary culture, I fuse elements of both in my work."

We have sad news, and happy news.

The sad news is that the Green Zebra Coupon Book is being discontinued. Full details on how the Green Zebra coupons work can be found in our original post. At the end of August we received a letter saying:

"The Board of TB Vets Charitable Foundation announced to the staff last Thursday afternoon that, for economic reasons, they are closing all the Business Unit and social enterprise aspects of TB Vets. This means that Green Zebra has closed its doors and the 2012 book will not be printed."

We are happy to pass on notice of this event from the Craft Council of British Columbia. Maiwa will support this event through the contribution of a table setting that will be auctioned. We encourage everyone who makes or loves craft to consider attending.

New Arrivals at Maiwa East - Here are some highlights. Each of our items is unique. All have personality.

Sophena Kwon and Aaron Nazrul pose in front of the Boom Boom Bus and the new backdrop.

No, these are not natural dyes. These are Procion MX dyes, and they are exactly what you need for a quick and colourful - intensely colourful - backdrop for a six-piece Latin-soul-funk-rock-reggae band. Sophena takes us through the process:

One team from APSC 263 (L-R) Joon Hyuk (Martin) Jung, Umair Rana, Moses Chan, and Sungjin Kim.

This is a follow-up post to our New Challenges for 2011 post, where we outlined four artisan-related engineering problems given to students at the University of British Columbia (UBC). On April 5, 2011, students presented solutions in a poster session. We had outlined the problems on March 8th, thus giving students a little more than a month to design, research, and present their ideas.

It's rare that we do two posts on Maiwa East in a row, but there is so much arriving right now that we wanted to share some of the highlights. Each of our items is unique. All have personality.

Hand-cast brass statue - $249.00

Maiwa East has just received some hand-cast brass statuary of the god Shiva. These items are all between 12" and 18" high and are solid. They have exquisite detailing especially in the faces. The first statue appears to be a subtle depiction of the Ardhanarishvara Shiva with Indonesian or Cambodian stylings.