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the MAIWA JOURNAL


On Thursday September 26th Anna Heywood-Jones delivered her lecture "Metamorphosis" to the Maiwa audience. Anna offered a manifesto to the plant kingdom and explored, in creative detail, how one could consider new ways to think about plant intelligence. She offered a poetic exploration of fathom as well as a poignant summary of a personal project exploring memory and identity which was made in collaboration with her father, who is suffering from Alzheimer's Disease. 

Anna was introduced by Tim McLaughlin:

Good evening.
Sometimes one meets an artist and one wonders what type of person they might be in another life. What type of person they might have become if things had worked out differently and they never became an artist.

Looking over the works of Anna Heywood Jones, one gets the sense that she would follow a career in which she puts things in order; as a lexicographer puts words in order, as a cartographer puts places in order. One gets the sense that she is a grammarian of the natural world, quietly sampling, testing, sorting, considering, organizing.

For example, one of her works, titled “Tinctorial Cartographies” consists of twelve months of harvesting and mapping the natural dye plants of Nova Scotia. She is mapping in many varied  senses of that word: Geographical, ecological, biological, social, emotional, chromatic.

In 2013 Anna graduated from the Emily Carr University, in 2016 she completed her Masters of Fine Arts at the Nova Scotia College of Art and Design. Before, after, and throughout her formal education she embarked on projects, exhibitions, residencies and lectures where she considered the natural world, how it is transformed and is transforming. She is a master of the trace.

The range of her exhibitions now covers most of North America from Nova Scotia to San Francisco. We are most fortunate to have her with us tonight

It gives me great pleasure to welcome Anna Heywood Jones.

http://www.annaheywood-jones.com/
Saturday, September 28, 2019 No comments


Tuesday September 24th was the Wonderlust Evening with India Flint. It was an exceptional night of stories and bundle dyeing. India led the way through a eucalyptus scented evening where participants experienced the magical transformation of eco colour.

The evening was introduced by Tim McLaughlin:

What do you think about when you go out walking?
India Flint says: “The work of each day begins with a walk”

And where she walks
the work begins.
And the walking work
is slow waking;

an apprenticeship renewed
each day in the morning,
an understudy to the light,
a novice in the garden.

Appreciate that everything has a secret
be it stone or plant,
metal or water

Walk the wide world
and listen,

essence is a colour,
essence is a shape,
essence is the trace

of a word wrapped
in cloth,
that gives its meaning
to the wider world

understand that everything
may be transformed
on a day where the work begins
with a walk.







Friday, September 27, 2019 No comments


WE EXIST TO MAKE ...
exquisite, beautiful, artisan clothing that will remain timeless.
That means we have to work a little differently ...


Maiwa has been collaborating with artisans in India for almost thirty years. Our clothing is all about the artistry and passion that goes into each and every piece of cloth. We are bringing out the essence of technique and the joy of making. Our cloth is different. Our clothes are different. 


  SEE THE NEW MAIWA CLOTHING


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The Amritsar Duster is designed to show off the beauty of  hand block-printed organic cotton. This is an elegant long dress that can also be worn open as a duster. Contrasting detailing in the patti, pocket and hem brings it to life. A beautiful long fit through the body.




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The Yalya Kurta is a flowing kurta in lightweight block-printed cotton. It features an asymmetric neck with ties that may be worn open or closed. Distinguished seam lines contain traditional Mughal pockets on both sides.



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A long-sleeved dress is an essential staple for fall. The Santara Dress is cut in the a-line style. Block printed linen (our specialty) in a subtle vine pattern. Perfect for a twirl on its own, layered over another skirt, or with pants or leggings. 



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The Suriya Shirt shows off the genius of handweave. This is an adorable loose-fitting button-up shirt with a dropped shoulder. We've deigned it playfully, with the lines alternating directions to bring attention to the back seam and the front placket.




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The Kama Shirt is a classic long sleeve shirt, fitted around the shoulders and flared at the waist. Our hand-woven cotton delicately bunches at the button-up cuff. It is finished with side pockets in the seam. It wears elegant and true.


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The Santara Tank is a lovely new variation on our favourite tank. Designed to have a wider back, shortened strap, and clean elegant lines. This garment is a must-have to wear under flowing open shirts, dresses, or paired with our pants and skirts. Did we mention how well it goes with our shawls and scarves? 








Maiwa clothing is available at Maiwa on Granville Island 
7 days a week between 10am and 7pm
And Online at maiwa.com



READ MORE
ABOUT THE THE ARTISANS WE WORK WITH TO MAKE OUR CLOTHING.











Thursday, September 26, 2019 No comments
Sky Blanket, detail. Rolf Bettner photo, courtesy Haida Heritage Center at Kaay Llangaay.

On September 19th The Maiwa School of Textiles was proud to present a lecture by Meghann O'Brien titled: Threads That Do Not Break. Meghann is a textile artist working in a variety of materials and media including weaving and basketry. In her lecture she presented a thoughtful and considered exploration of her relationship to her materials, the act of creating, and her heritage. The videos presented during Meghann's lecture, as well as links to her works may be found on her website: https://meghannobrien.com/

The evening was introduced by Tim McLaughlin.

Threads That Will Not Break. 

I’d like to begin by recognizing that the modern city of Vancouver was founded on the traditional territories of the Musqueam, Squamish and Tsleil-Waututh First Nations and that these territories were never ceded through treaty. 

This evening we have the pleasure of welcoming Meghann O’Brien to lecture. 

I think it may be safe to say that few artists exist in as many worlds simultaneously as does Meghann O’Brian. She grew up in Alert Bay, off northern Vancouver Island. And she entered the textile world in a dramatic way - as a professional snow boarder turned textile artist. It’s a rare trajectory to be sure. But there is more to her story than this. Meghann herself can tease out the similarities between the two - because for her, both have required her to be dedicated, to have patience, to be brave, to believe in the future of her ability, and to engage the world in ways that are the exact opposite of trivial. Meghann is deeply engaged with place, object, fibre, ancestry, and most of all tradition. She works with, around, and against the grain of all of these. 

Often in an introduction, the task of the introducer is to give the audience a sense of who someone is. I could try this for Meghann by giving you a long list of artistic accomplishments, galleries that have shown her work, films she has made or been featured in, international engagements and residencies, collaborations, and of course, finished artworks that are exceptional in their vision and execution. But, one gets the sense that Meghann is always shifting worlds. So rather than a list, I wish to introduce Meghann with her own words.

She says: “As an artist I wish to create work that is able to be worn in a way that gives reference and reverence to the materials and techniques of my ancestors, yet allows it to transform into a contemporary form for the everyday, one that reconnects our ancestral past to the communal present, the global present, where all cultures and worlds are converging and colliding.”

Please join me in welcoming Meghann O Brien


Tuesday, September 24, 2019 No comments

On Tuesday September 17th, Tim McLaughlin presented his lecture: Artisan Ink and the New Calligraphers: Handmade Ink and the Return of Penwork. Tim opened with a collage of films in which writing and calligraphy played a pivotal role. He then toured the audience through a history of ink with special emphasis on the relationship of inks to natural dyes and traditional textile techniques.

Each year Tim makes a limited edition of handmade ink. For 2019 he made two shades of cochineal ink, bottled in collaboration with Thomas Little (@a.rural.pen) and launched it on lecture night. A boxed set of two ampules of this ink are available on the Maiwa website.

Tim concluded with a short film which he made specially for the lecture. We've uploaded it to the Maiwa Youtube site.




Tim's 2018 lecture, The Poetics of Textiles is now available as a podcast here.
Sunday, September 22, 2019 No comments
Jabbar and Adam Khatri carefully place a block on a new masterpiece.
Friday September 13th was the Five Artisans Exhibition at Maiwa East. The exhibition was up for one night only. On display were recently created masterworks by all five artisans: Ajrakh block printers Jabbar and Adam Khatri, weaver by Shamji Vishram Vankar and bandhani tied resist by Jabbar and Abdullah Khatri. In addition to the display of masterworks there were demonstrations in the techniques used by all the craftspeople present.



Shamji Vishram Vankar demonstrates weaving technique on the custom built portable looms that arrived for his workshop.





Jabbar and Abdullah Khatri introduce a bandhani piece before removing the resist threads.

Saturday, September 21, 2019 No comments

On September 11th brothers Jabbar and Abdullah Khatri presented "Pattern Recognition" a lecture about the art of bandhani tied resist. A short way into the presentation the brothers opened a piece that had recently been tied. The tying these works can take weeks and months to complete. Opening them takes only seconds.



A skilled pull along the diagonal and all the ties pop off. The threads that were used to do the tying are removed and the finished textile is set free.


The evening was introduced by Tim McLaughlin.

Jabbar and Abdullah are brothers with the now-famous last name of Khatri. The khatris are craftspeople, specifically the name khatri denotes a dyer. But Jabbar and Abdullah are unusual even among the artisans of Kachchh. Their family has a long tradition of working in the bandhani resist technique, but generations ago they abandoned the craft. Then in 1992, Abdullah and Jabbar made the decision to return to it. The reason for this return, what motivated them to return to a life of making after wandering away for generations, is the subject of tonight’s lecture.

Certainly they have been successful in plying their craft.

In 2006 and 2007 they received the UNESCO seal of Excellence. They have been regular participants in the Santa Fe International Folk Art Market for over ten years. In 2017 the brothers received the Living Tradition Award from the Santa Fe Folk Art Market, and award which honours those who are extraordinary artisans and who contribute to the preservation of their culture through reviving and strengthening a traditional folk art, with a strategy for passing on the tradition to future generations.The brothers who market themselves as SIDR, employ over 200 craftswomen from 8 villages in Kutch, Gujarat, India. The women are able to work from the comfort of home, at their own convenience.  This income is extremely valuable to their families, and in some cases, is their sole means of support.

Please join me in welcoming Abdullah and Jabbar Khatri.
Friday, September 13, 2019 No comments

Last night September 10th, Shamji Vishram Vankar delivered his presentation "Bhujodi Weaving Talk & Trunk Show." Shamji showed the audience Bhujodi village and gave them a sense of the history and culture that has given birth to a range of magnificent weaving techniques. The presentation began with a short film. Shamji then spoke about his family and their traditional relationship with the Rabari and Ahir communities. Shamji pointed out that during the 1960s things began to change. On the one hand acrylic yarns and fabrics began to appear, but on the other hand they also were able to access merino wools, and a number of silks such as tussar, eri, and muga. The local market began to shift and a new international market began to develop.


The evening included the presentation of many historic pieces which Shamji brought specifically for the event. There were  some remarkable turban cloths as well as contemporary masterpieces executed in natural dyes.

The evening was introduced by Tim McLaughlin. We've included the full text of the introduction below:

It gives me great pleasure this evening to introduce one of the most steadfast, determined, dedicated and soft-spoken men I have ever met. 

Soon you will meet him also. This is a wonderful opportunity for you, because unless you were to make a special trip and fly to India you would probably never meet him.

Well, actually, that is now no longer true. You might have met him last year if you were in Osaka Japan surrounded by 17 other master artisans from the Kachchh desert. Weaver’s, dyers, and block printers. This was only the last visit in what is becoming a long list of international engagements. 
It is hard not to see this international recognition as karma - as a reward to those who have kept the faith of their craft and dedicated themselves to it - even when that was clearly the more difficult path to take.

When he presents to you I would ask you to keep a question in your mind: The question is this: “What does it mean to carry a tradition?” What does it mean to dedicate your life to something that is, on the one hand, so much bigger than you, and on the other hand, so delicate and fragile that all you need to do is ignore it for a short period of time and it will falter, and fall apart, and be lost forever.  

What does it mean to carry a tradition?

Shamji knows the answer to that question. He is one of six brothers. Each of them has pursued an education and then returned to the family weaving business and dedicated themselves to maintaining, expanding, and improving that business. They can all weave - a skill which they learned at the hands of their father who was himself a National Award winner.

Please join me in welcoming Shamji Vishram Vankar.


Wednesday, September 11, 2019 No comments

NATURAL DYES ARE GOING TO BE BIG THIS YEAR!

SO WE'VE PRICED OUR LARGE SIZES AT WHOLESALE RATES

Wednesday, September 11, 2019 No comments
STARTS THIS WEEK!

LECTURES START SEPTEMBER 10TH
$15.00 EACH


See the Full Workshop, Lecture & Event Listing Here


Featuring top artisans & craftspeople from around the world.

Tickets purchased online after August 19th will be held at the door.

Tickets available online at schooloftextiles.com
or in the Maiwa store on Granville Island


DON'T MISS YOUR CHANCE TO SEE:



BHUJODI WEAVING TALK & TRUNK SHOW

One of India's finest hand weavers, heir to centuries of traditional skill. Shamji Vishram Vankar is also one of six brothers who are leading a hand-weaving revival. Join Shamji as he talks techniques, skills, family, tradition, natural dyes and more ...



PATTERN RECOGNITION

In Japan tied resist is known as shibori, in India it is called bandhani. Indian tied resist has developed an astonishing vocabulary of patterns involving variations and techniques to produce multiple colours. Join Brothers Jabbar and Abdullah Khatri as they lead the audience through the history and future of this art as it is practiced in the desert city of Bhuj.



 ARTISAN INK & THE NEW CALLIGRAPHERS

It is a surprising fact that image-based social media has ignited a return to calligraphy and pen work. A new generation is taking on the hand-made script. They are also rethinking  ink and pigment production as artisans. Join Maiwa's Tim McLaughlin as he maps the creative landscape and shares some of his own ink-making secrets. 



THREADS THAT DO NOT BREAK

After a decade following the strict ceremonial weaving protocols of the Haida and Kwakwaka’wakw people, Meghann O᾽Brien is excited to share a point of change in understanding as her practice stretches to transform and occupy twenty-first-century space. 



METAMORPHOSIS

Through her work, Heywood-Jones strives to convey notions of slow loss and transformation, examining the metamorphic nature of human, vegetal, and geological expressions of existence. She uses methods of structure found within weaving and natural dyeing practices to make sense of the world, to give form to chaos, to create wordless poetry.



THE FUTURE OF MAKING 

The artisans we know are heroic figures. Champions of a way of life that has creativity at its very centre. They are often beset by larger forces outside of their control - and yet artisan work continues and creativity flourishes. Join Charllotte and Tim for a look at the nature of creativity, design, art, and craft in this fascinating and thought provoking lecture.

This is the THREADS lecture delivered on behalf of the Maiwa Foundation. As is usual everything in the Maiwa Store will be 20% off and all proceeds go to the Maiwa Foundation.



EVENTS
NO CHARGE
(RSVP REQUIRED)


FIVE ARTISANS EXHIBITION

MAIWA EAST
Weaving. Block printing. Bandhani. An exhibition of exceptional work being done by some of India’s most accomplished contemporary artisans.



NOREN EXHIBITION 

THE SILK WEAVING STUDIO
“Noren” is the name given to traditional Japanese cloth dividers that hang in doorways and windows. Noren artist Yoko Kano once took on, as a personal project, the creation of noren for every business in a historic Japanese town. 

The works in this exhibit will feature both traditional and contemporary designs. Yoko is assisted by her daughter Kazuho Kano (who will also be present at the opening).







Monday, September 09, 2019 No comments
BANDHANI SILK

TINY DOTS 
BANDHANI TIED ON SILK
SCULPTURAL SHAPED SHAWLS


VIEW THEM ONLINE


The name “Bandhani” derives from the Sanskrit term meaning “to tie.” Tied resist is a traditional technique that has been practiced in India for centuries.

Each dot is the result of creating a tiny peak in the cloth and then tightly wrapping thread around the peak to resist the dye. Artisans work with precision as they slowly pattern the entire cloth - a lengthy process with an exquisite outcome. In Japan, this type of shaped resist is known as shibori. In the West small tie-and-dye pieces were widely traded and became known as “bandanas” - after the term bandhani. 

To achieve multiple colours with this process requires skill and patience as each new colour needs either a new tie or a separate dip in the dyebath. The result of applying bandhani on silk is a sculptural textile with a unique life of its own.

Maiwa works directly with bandhani artisans working Kutch Desert of Gujarat, Western India. This year they are visiting Maiwa to teach workshops, give a lecture and present their work (see below).



Close up of the sculptural effect of bandhani.
The cloth develops a natural elasticity and a life of its own.

Bandhani sculptural shawls are also available at Maiwa on Granville Island 
7 days a week between 10am and 7pm




Want to become a bandhani artist yourself? Join us for a

TRADITIONAL BANDHANI WORKSHOP
WITH JABBAR & ABDULLAH KHATRI


 SEPTEMBER 12-15 (THUR-SUN 10AM-4PM)

Join brothers Jabbar and Abdullah Khatri as they teach the traditional bandhani techniques of resist tying cloth and the secrets of colouring the prepared cloth using natural dyes.

Bandhani tying is a process whereby a small portion of cloth is gathered and then wrapped tightly with threads to form a resist. In the Kachchh area of western Gujarat this technique has evolved to incorporate multiple colours. Pride is taken in forming patterns from the smallest dots imaginable. Students will learn the traditional methods as well as contemporary variations. In addition students will learn how patterns are designed, the aesthetic and repertoire of motifs, and how patterns are transferred onto cloth in such a way that the designs can be accurately realized over and over again. Students will also learn the dye techniques used to achieve gradations (ombre). Finally, the bandhani technique will be augmented by including some clamp resist methods.  READ MORE...


Can't make the workshop? Make certain you join us for their lecture:
  

PATTERN RECOGNITION
NET LOFT, GRANVILLE ISLAND, VANCOUVER CANADA

READ MORE



Want to see some amazing bandhani close up? Come to the


FIVE ARTISANS EXHIBITION
MAIWA EAST, VANCOUVER CANADA

READ MORE




Wednesday, September 04, 2019 No comments
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      • REVIEW: Metamorphosis
      • REVIEW: Wonderlust Evening
      • New Maiwa Clothing – Why We're Passionate About Cloth
      • REVIEW: Threads That Do Not Break
      • REVIEW: Artisan Ink and the New Calligraphers
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