October 23rd was the rehearsal. The stylists were styling, the band was rehearsing, the dancers were dancing, the choreographer was guiding, the garments were adjusted ... it was a very busy place. During all this we did a quick set-up and took some photos of the dancers in the Bai Lou outfits. Bappa was there to check everything. The energy was amazing and it was a good indication that we had the makings for the best fashion show yet - the Slow Clothes Fashion Show.
On Thursday October 22nd, Bappaditya (Bappa) Biswas presented On the Banks of the Ichhamati. The woven textiles told the story of the famous blue mutiny - an uprising caused by British planters forcing the peasant population to grow indigo rather than food. Bappa spoke eloquently on Bengal, its history and weaving traditions. It was our first exhibition held at our new exhibition space in Maiwa East. Attendance was good and the space was full. Music was provided by Red Light Monastery. Here are some photos from the event.
Thursday, October 29, 2009
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Last night was our live video conference with the Jawaja artisans - it was a pivotal event but before we get to that post we need to catch up on a couple of lecture reviews.
Wild Fibres
Linda Cortright
On Thursday October 22, Linda Cortright gave her lecture Wild Fibers. Linda focused on cashmere goats and her travels to the Himalayas. She gave wonderful detail on some of the social aspects of the animals - few of us knew that goats were kept from freezing to death through the addition of sheep to the flock. Linda also told us everything we wanted to know about the fibers themselves - down to the width in microns. She talked about her travels generally, about offers of live goats to take home, about how many cups of butter tea she could drink to be hospitable and about how to stay warm in the desperate cold. Linda also explaned how she started Wild Fibers magazine - the very first issue of which focused on qiviuk - the subject of the next evenings lecture ...
Working Across Hemispheres: Arctic Fibre and Peruvian Weaves
Fernando Alvarez
On Friday the 23rd the hall was filled again to hear from Fernando Alvares. Fernando was born in Peru, moved to Canada, and saw an opportunity to interact with the Inuit to collect the downy underhairs of the Arctic musk ox known as Qiviuk. These he took back to peru where he met with traditional Andean spinners and knitters to spin the fiber (sometimes in combination with guanaco and vicuña). During the question and answer period Fernando introduced Marcelina Charri and Maria Lima who travelled from Peru to teach their workshop. The audience asked: given how many fibers the women had worked with, which was their favourite? The answer without hesitation - qiviuk.
Warped up ...
Tonight Elizabeth Barber delivers her lecture - Women’s Work: The First 20,000 Years. (sold out) and tomorrow night we are pleased to present Bridging Cultures Through Design: The Importance of Place with Mimi Robinson.
Wild Fibres
Linda Cortright
On Thursday October 22, Linda Cortright gave her lecture Wild Fibers. Linda focused on cashmere goats and her travels to the Himalayas. She gave wonderful detail on some of the social aspects of the animals - few of us knew that goats were kept from freezing to death through the addition of sheep to the flock. Linda also told us everything we wanted to know about the fibers themselves - down to the width in microns. She talked about her travels generally, about offers of live goats to take home, about how many cups of butter tea she could drink to be hospitable and about how to stay warm in the desperate cold. Linda also explaned how she started Wild Fibers magazine - the very first issue of which focused on qiviuk - the subject of the next evenings lecture ...
Working Across Hemispheres: Arctic Fibre and Peruvian Weaves
Fernando Alvarez
On Friday the 23rd the hall was filled again to hear from Fernando Alvares. Fernando was born in Peru, moved to Canada, and saw an opportunity to interact with the Inuit to collect the downy underhairs of the Arctic musk ox known as Qiviuk. These he took back to peru where he met with traditional Andean spinners and knitters to spin the fiber (sometimes in combination with guanaco and vicuña). During the question and answer period Fernando introduced Marcelina Charri and Maria Lima who travelled from Peru to teach their workshop. The audience asked: given how many fibers the women had worked with, which was their favourite? The answer without hesitation - qiviuk.
Warped up ...
Tonight Elizabeth Barber delivers her lecture - Women’s Work: The First 20,000 Years. (sold out) and tomorrow night we are pleased to present Bridging Cultures Through Design: The Importance of Place with Mimi Robinson.
Wednesday, October 28, 2009
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The denial of a visa by the Canadian High Commission to Indian dignitary Ashoke Chatterjee is making waves in India. On Sunday October 25 India's paper DNA ran a quarter page article on the situation. In addition we have received a number of letters expressing support for both the symposium and the artisans and outrage at the denial. The Jawaja presentation will still take place via a special video conference set-up.
Here is a link to the paper (archives require a membership) and the full text of the article:
Denied visa, artisans miss global meet
Canadian high commission refuses permission to AAJ members citing lack of legitimate business purpose
DNA Correspondent
The achievements of artisans from a hamlet Jawaja in Ajmer district of Rajasthan went in vain when their team accompanied by former director national Institute of Design, Ashoke Chatterjee was denied visas to attend global Maiwa symposiusm being organised in Vancouver by the Maiwa foundation.
The symposium, opened on October 19, provides a platform for craft development and allows craft artisans to display their talent.
According to Chatterjee, the Canadian authorities in Delhi stated that visas were denied due to lack of "legitimate business purpose".
The group belonging to Artisan Alliance of Jawaja (AAJ) had been invited to share three decades of development experience through an experiment that is globally acknowledged for its significance and has had an influence well beyond craft sector.
The artisans, who were scheduled to attend the symposium, are disappointed as they lost a golden opportunity to show their talent globally.
"We have worked for 30 years to develop and hone this art but a lifetime opportunity is lost for not-so-strong a point. We fulfiled all formalities for issuing of visa but the authorities denied it," said Sukhdev Bhatt, a leather craftsman with Artisan Alliance of Jawaja.
One representative each from the leather group and the weaver group of the alliance were to attend the symposium.
Now, with the help of some groups in Canada, the artisans have been allowed to participate in the symposium through a video conferencing to be held on October 28 at IIMA's Ravi J Matthai Centre in Ahmedabad. Nearly six members of both leather and weaver groups of the alliance are planning to participate in the video conferencing and recover some loss of opportunity.
The AAJ has been recognised as a remarkable development effort over last three decades and its artisans are known for linking traditional craft skills with contemporary opportunities and demonstrating ability of the poorest to work for change.
Chatterjee rued that visa rejection is symbolic of both neglect of crafts at high level of decision making worldwide and enormous gap between the rhetoric of donor nations and what they can actually deliver on the ground level.
Sunday, October 25, 2009
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Sheila Paine, who presented her talk on October 20th. Handed us a letter the other day. She has kindly granted us permission to reprint it here.
October 22, 2009
Dear Charllotte
I was very moved by Ashoke Chatterjee's talk last night, both by what he told us of the plight of Indian craftsmen and by the whole story of the power of politicians in preventing him coming to Canada.
I was also last night that I realized what a great achievement Maiwa is. You have a lot to be proud of and I feel really priviledged to have been invited to take part in your symposium - it is very much more than just the textile gathering I had presumed it to be.
I send my congratulations on all your work and my best wishes for the future of Maiwa. I am greatly enjoying the symposium and thank you for all your kind hospitality.
October 22, 2009
Dear Charllotte
I was very moved by Ashoke Chatterjee's talk last night, both by what he told us of the plight of Indian craftsmen and by the whole story of the power of politicians in preventing him coming to Canada.
I was also last night that I realized what a great achievement Maiwa is. You have a lot to be proud of and I feel really priviledged to have been invited to take part in your symposium - it is very much more than just the textile gathering I had presumed it to be.
I send my congratulations on all your work and my best wishes for the future of Maiwa. I am greatly enjoying the symposium and thank you for all your kind hospitality.
Shelia Paine
Saturday, October 24, 2009
1 comments
[Update Dec 4, 2009. The visa issue resurfaces in The Vancouver Globe and Mail - full text here ]
We run here Charllotte Kwon's introduction to Ashoke Chatterjee's presentation From Gandhi to Globalization: Craft and Human Development. Those of you who were at the lecture will understand why. Those who could not attend, please read on...
It is perhaps one of the proudest moments of my life to be able to introduce Ashoke Chatterjee as a presenter in the Maiwa Textile Symposium. Ashoke is one of the most eloquent voices for craft and artisans that we have ever known. He is both an activist and has a great presence which commands attention. He has clarity that guides and gently corrects us. Be we makers, farmers, or traders. He helps us find our own clarity and we rediscover why we do what we do.
At this point in holding our fifth symposium I deeply needed him to share his perspective on this symposium and I wanted the audience to be exposed to his ideas. He is direct and honest. I wanted him to give his opinion on the value of the symposium. I was prepared for one of two answers: Yes this has a great impact and is of importance to the survival of craft. No, Charllotte, your energy could be better spent elsewhere.
But it is with great sadness, frustration and a building anger that I must tell you that he cannot be here in person.
We run here Charllotte Kwon's introduction to Ashoke Chatterjee's presentation From Gandhi to Globalization: Craft and Human Development. Those of you who were at the lecture will understand why. Those who could not attend, please read on...
It is perhaps one of the proudest moments of my life to be able to introduce Ashoke Chatterjee as a presenter in the Maiwa Textile Symposium. Ashoke is one of the most eloquent voices for craft and artisans that we have ever known. He is both an activist and has a great presence which commands attention. He has clarity that guides and gently corrects us. Be we makers, farmers, or traders. He helps us find our own clarity and we rediscover why we do what we do.
At this point in holding our fifth symposium I deeply needed him to share his perspective on this symposium and I wanted the audience to be exposed to his ideas. He is direct and honest. I wanted him to give his opinion on the value of the symposium. I was prepared for one of two answers: Yes this has a great impact and is of importance to the survival of craft. No, Charllotte, your energy could be better spent elsewhere.
But it is with great sadness, frustration and a building anger that I must tell you that he cannot be here in person.
As many of you may know it is difficult to get Canadian visa’s for Indian artisans. We understand that there are many bureaucratic hoops and much paperwork involved in this process. But we have persevered over the years and been successful in bringing weavers from Bengal, embroiderers from the Kutch Desert, and blockprinters from Bagru and Kutch.
We begin this process in April in order to ensure a visa by October. We anticipate at least three rejections. You should know what is in the “Binder” that we provide for ALL artisans visiting from outside Canada. Three years of financial statements for Maiwa, letters from the Vancouver Museum, Welcome letters from the Governor General of Canada, The Minister of Culture, The Mayor of Vancouver. Three years of past Symposium books, promotional materials etc. The binder is about two inches thick when complete. We send a binder like that for each and every person we hope to visit Canada.
We were, however, quite shocked then when we were told that Mr. Ashoke Chatterjee, a man with impeccable credentials was denied a visa for entry to Canada. Mr Chatterjee spent 25 years as head of the India’s NID - National Institute of Design. He has been involved with institutional development at Shristi School of Design (Bangalore), Indus Valley School of Design and Architecture (Karachi), Royal College of Art (UK). He has been the director of Crafts Council of India and is currently honourary advisor. He holds a current US visa, a current UK visa and an expired Canadian visa.
The reasons given by the Canadian Government are that Mr Chatterjee has no business ties to Canada. Neither is the Maiwa Symposium considered a "legitimate business purpose." The denial is final and not open to appeal.
We had hoped to read welcoming letters sent to us from the Governor General of Canada and other political representatives and dignitaries. However, after this shocking and farcical refusal, we are too ashamed and embarrassed to accord that honour to a representative of the Canadian Government. The farce deepens when we read recent reports of the Canadian Government’s attempts to increase trade with India and Prime Minister Harper’s pending visit of November of this year.
We had gone through the application for the two Jawaja artisans – one a weaver and one a leatherworker. We knew this would be a challenge and were prepared. We’ve gone through three applications. Maiwa and the artisans met every question with an accepted answer and we both met every requirement - but still the application was denied.
This lecture tonight is really in two parts. To really understand the full scope of what is happening you must come back on the 27th to the Jawaja lecture. In my opinion this whole symposium is incomplete without the voice of the Jawaja group. It is, after all, for the artisans that we even have these discussions.
They have worked now for over a year preparing a workshop and a presentation. Next Tuesday when you will be priviledged to witness the multimedia presentation that they had hoped to present while they sat among us. This was created in collaboration with a team of NID students. This is part of their story. In addition they have prepared a lecture and samples of their work.
For the Jawaja group this was literally the opportunity of a lifetime. The first time ever that they were able to tell their story themselves.
We have organized a video conference solution to these problems. We have had a fantastic symposium thus far. We are mustering our strengths to overcome these difficulties. And I, personally am making a plea. We have all enjoyed an amazing program so far – we have learned, been moved, changed, been inspired, now I am asking you to come and support the Jawaja artisans next Tuesday. Tell your friends, tell your family, advocate. I assure you, you will not be disappointed – both tonight and the 27th will be very special evenings.
These are the issues of human development and trade. We are not speaking in the abstract. And so let me present Mr. Ashoke Chatterjee.
We encourage those who are indignant to express this in writing to any or all of the following:
Trade Minister Stockwell Day
Immigration Minister Jason Kenney
The Honourable Kevin Krueger, British Columbia Minister of Tourism, Culture and the Arts
Your local Member of Parliment
We were, however, quite shocked then when we were told that Mr. Ashoke Chatterjee, a man with impeccable credentials was denied a visa for entry to Canada. Mr Chatterjee spent 25 years as head of the India’s NID - National Institute of Design. He has been involved with institutional development at Shristi School of Design (Bangalore), Indus Valley School of Design and Architecture (Karachi), Royal College of Art (UK). He has been the director of Crafts Council of India and is currently honourary advisor. He holds a current US visa, a current UK visa and an expired Canadian visa.
The reasons given by the Canadian Government are that Mr Chatterjee has no business ties to Canada. Neither is the Maiwa Symposium considered a "legitimate business purpose." The denial is final and not open to appeal.
We had hoped to read welcoming letters sent to us from the Governor General of Canada and other political representatives and dignitaries. However, after this shocking and farcical refusal, we are too ashamed and embarrassed to accord that honour to a representative of the Canadian Government. The farce deepens when we read recent reports of the Canadian Government’s attempts to increase trade with India and Prime Minister Harper’s pending visit of November of this year.
We had gone through the application for the two Jawaja artisans – one a weaver and one a leatherworker. We knew this would be a challenge and were prepared. We’ve gone through three applications. Maiwa and the artisans met every question with an accepted answer and we both met every requirement - but still the application was denied.
This lecture tonight is really in two parts. To really understand the full scope of what is happening you must come back on the 27th to the Jawaja lecture. In my opinion this whole symposium is incomplete without the voice of the Jawaja group. It is, after all, for the artisans that we even have these discussions.
They have worked now for over a year preparing a workshop and a presentation. Next Tuesday when you will be priviledged to witness the multimedia presentation that they had hoped to present while they sat among us. This was created in collaboration with a team of NID students. This is part of their story. In addition they have prepared a lecture and samples of their work.
For the Jawaja group this was literally the opportunity of a lifetime. The first time ever that they were able to tell their story themselves.
We have organized a video conference solution to these problems. We have had a fantastic symposium thus far. We are mustering our strengths to overcome these difficulties. And I, personally am making a plea. We have all enjoyed an amazing program so far – we have learned, been moved, changed, been inspired, now I am asking you to come and support the Jawaja artisans next Tuesday. Tell your friends, tell your family, advocate. I assure you, you will not be disappointed – both tonight and the 27th will be very special evenings.
These are the issues of human development and trade. We are not speaking in the abstract. And so let me present Mr. Ashoke Chatterjee.
We encourage those who are indignant to express this in writing to any or all of the following:
Trade Minister Stockwell Day
Immigration Minister Jason Kenney
The Honourable Kevin Krueger, British Columbia Minister of Tourism, Culture and the Arts
Your local Member of Parliment
Here are some links to support materials:
Canada: Globe and Mail Dec 4 Rick Salutin - Or you can play the Jewish Card
India: Times of India Nov 17 Avoid Canada. Our ties with the country will grow better.
Canada: Globe and Mail Nov 13 Opportunity Knocks - Time to Pursue Free Trade With India
India: DNA - Ahmedebad Oct 24 Denied visa. artisans miss global meet
Canada: Globe and Mail Aug 22 India is Booming - Trade with Canada Isn't
Canada: Globe and Mail Dec 4 Rick Salutin - Or you can play the Jewish Card
India: Times of India Nov 17 Avoid Canada. Our ties with the country will grow better.
Canada: Globe and Mail Nov 13 Opportunity Knocks - Time to Pursue Free Trade With India
India: DNA - Ahmedebad Oct 24 Denied visa. artisans miss global meet
Canada: Globe and Mail Aug 22 India is Booming - Trade with Canada Isn't
Thursday, October 22, 2009
7
comments
It is late at night and we have just come back from the lecture hall. Last night (Oct 18) Mr. Morimoto gave his lecture describing the origins, development and purpose of the Center for Khemer Traditional Textiles. It was a compelling talk from a man who has dedicated his life to always endeavouring to make textiles more beautiful. The audience gave Mr. Morimoto a standing ovation at the end. Above he signs a copy of his book Bayon Moon - Reviving Cambodia's Textile Traditions.
Today Mr. Morimoto introduced the audience at the Exhibition of Cambodian Ikat
Nilda Callañaupa Alvarez Pattern Dreams: Weaving in the Peruvian Highlands
Tonight's lecture was delivered by Nilda Callañaupa Alvarez. The stage was packed both before and after the lecture. The textiles were exceptional. One attendee described Nilda like this "You know, she is from the village, she has left and gone beyond the village, but she's never stopped being for the village." It was a reference to Nilda's time in the United States studying at Berkely and her return to start the Center for Traditional Textiles of Cusco. Nilda talked candidly about the evolution of skills within the Andean groups, how they are always striving to raise the quality of spinning, knitting and weaving, about the challenges they face, and about how a successful project works only because of the combined efforts of so many committed people. Nilda is the perfect representative of the artisans. Her only regret was that the promotional duties kept her from her weaving which had always been her true love. It was an educational and compelling talk.
Monday, October 19, 2009
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On Friday evening Michel Garcia delivered his lecture Creating a Garden of Natural Dye Plants. Michel brought his deep knowledge of botany and natural dye chemistry, combined it with a subtle humour and wonderful storytelling style to relate how the Lauris Garden of Natural Dye plants was founded and established. Sadly he also told us how, due to local politics and management conflicts the garden is now closed indefinitely. The audience was visibly moved and during the question period people asked what could be done. The garden is the only one of its type in the world, completely dedicated to botanical sources of natural colour.
Michel's ability to explain the role of colourants in the world of flora is unique. Participants in his workshop (which began today) had an opportunity to experience this perspective first hand as they began the preparation of colour lakes.
Here Bappaditya Biswas watches as Michel filters a madder mixture. We have had many inquiries about Michel's lecture and we are happy to answer that, yes it will be one of our future podcasts.
Stephen Huyler Daughters of India: Art and Identity
Last night Stephen Huyler was in top form, delivering a stunning collection of images from his book Daughters of India. Mr Huyler has been travelling to India for 38 years and has been welcomed into the homes and heart of this vast and diverse country. The portraits of individuals show an intimacy and connection that is magical to witness.
For those who were inspired by the stories and imagery here are some of the links to Stephen Huyler's online works.
Daughters of India This site features Daughters of India: Art and Identity the subject of his lecture.
Another way of Seeing This site features Stephen's recently released book "Sonabai: Another Way of Seeing".
StephenHuyler.com This site contains an overview of his works, biographical information and a gallery of images.
Stephen Huyler's online presence is beautifully contructed, colourful and richly animated. We encourage everyone to visit his sites. Stephan is also participating in the Working Traveller workshop (sold out).
Warped up ...
Tonight's lecture is by Morimoto Kikuo who will present Wisdom from the Forest: Cambodian Textile Revivals and tomorrow the Maiwa Store is transformed as we present An Exhibition of Cambodian Ikat from The Institute for Khmer Traditional Textiles.
Michel's ability to explain the role of colourants in the world of flora is unique. Participants in his workshop (which began today) had an opportunity to experience this perspective first hand as they began the preparation of colour lakes.
Here Bappaditya Biswas watches as Michel filters a madder mixture. We have had many inquiries about Michel's lecture and we are happy to answer that, yes it will be one of our future podcasts.
Stephen Huyler Daughters of India: Art and Identity
Last night Stephen Huyler was in top form, delivering a stunning collection of images from his book Daughters of India. Mr Huyler has been travelling to India for 38 years and has been welcomed into the homes and heart of this vast and diverse country. The portraits of individuals show an intimacy and connection that is magical to witness.
For those who were inspired by the stories and imagery here are some of the links to Stephen Huyler's online works.
Daughters of India This site features Daughters of India: Art and Identity the subject of his lecture.
Another way of Seeing This site features Stephen's recently released book "Sonabai: Another Way of Seeing".
StephenHuyler.com This site contains an overview of his works, biographical information and a gallery of images.
Stephen Huyler's online presence is beautifully contructed, colourful and richly animated. We encourage everyone to visit his sites. Stephan is also participating in the Working Traveller workshop (sold out).
Warped up ...
Tonight's lecture is by Morimoto Kikuo who will present Wisdom from the Forest: Cambodian Textile Revivals and tomorrow the Maiwa Store is transformed as we present An Exhibition of Cambodian Ikat from The Institute for Khmer Traditional Textiles.
Sunday, October 18, 2009
No comments
[Update: Here is a link to The Center for Traditional Textiles of Cusco.]
The day began early when we picked up Nilda Callañaupa Alvarez and her sister Antonia, drove through the Vancouver rain and arrived at Granville Island. Nilda is very organized and soon we were putting the finishing touches on the set-up for today's exhibition in the Net Loft building. Antonia was plying two strands of wool using a drop spindle, and when we moved down to the main Maiwa store she set up her backstrap loom among the exhibit pieces. One had the clear sense that she could be at home anywhere so long as she had some wool with her.
Nilda gave a clear, direct and witty presentation as she guided the audience through the different pieces and explained technique, colour and weave. Some pieces she said are woven so tightly that they can hold water and there is a competition to take the finished piece and see how long it can hold a certain amount of water.
Nilda will present more of her stories and give a thorough tour of the andean weaving traditions in her lecture: Monday October 19th. Pattern Dreams: Weaving in the Peruvian Highlands. Tickets are still available.
The day began early when we picked up Nilda Callañaupa Alvarez and her sister Antonia, drove through the Vancouver rain and arrived at Granville Island. Nilda is very organized and soon we were putting the finishing touches on the set-up for today's exhibition in the Net Loft building. Antonia was plying two strands of wool using a drop spindle, and when we moved down to the main Maiwa store she set up her backstrap loom among the exhibit pieces. One had the clear sense that she could be at home anywhere so long as she had some wool with her.
Nilda gave a clear, direct and witty presentation as she guided the audience through the different pieces and explained technique, colour and weave. Some pieces she said are woven so tightly that they can hold water and there is a competition to take the finished piece and see how long it can hold a certain amount of water.
Nilda will present more of her stories and give a thorough tour of the andean weaving traditions in her lecture: Monday October 19th. Pattern Dreams: Weaving in the Peruvian Highlands. Tickets are still available.
Friday, October 16, 2009
No comments
... tonight with Charllotte Kwon's talk "The True Miracle Fibres: Natural Threads of the World." We are all very excited. Tonight launches the core of the Textile Symposium and we have been planning for this event over a year now. Recently we welcomed Michel Garcia and Bappaditya Biswas to Canada. It is Michel's first visit to North America and Bappaditya's first visit to Canada. Here Michel and Bappaditya are joined by Charllotte Kwon and Maiwa editor Tim Mclaughlin on the Granville Island Ferry Slip.
This afternoon at the Vancouver International Airport we picked up Nilda Callañaupa Alvarez and her sister. After a quick tour of Granville Island and the preparations for the Exhibition of Andean Weaving we dropped our guests at their hotel.
Everyone looks a little excited ...
This year's symposium is among other things a celebration of natural fibers. It is a global theme as 2009 is the International Year of Natural Fibers. Follow the link for more information.
This afternoon at the Vancouver International Airport we picked up Nilda Callañaupa Alvarez and her sister. After a quick tour of Granville Island and the preparations for the Exhibition of Andean Weaving we dropped our guests at their hotel.
Everyone looks a little excited ...
This year's symposium is among other things a celebration of natural fibers. It is a global theme as 2009 is the International Year of Natural Fibers. Follow the link for more information.
Thursday, October 15, 2009
1 comments
This is an art quilt show featuring cloth dyed by master dyer, Elin Noble (who some of you may remember as an instructor in our 2007 Textile Symposium). Five of Elin's latest works will be shown along with fouteen by Other Strong Women, a group of Canadian and American quilters who meet once a year in Port Townsend. Three of the artists are from BC; two from Vancouver Island.
The show runs October 10 to November 28, 2009. Opening Reception is October 10 from 10am to 2 pm. The exhibition will be held at Penn Cove Pottery. Follow the link for further details.
The show runs October 10 to November 28, 2009. Opening Reception is October 10 from 10am to 2 pm. The exhibition will be held at Penn Cove Pottery. Follow the link for further details.
Friday, October 09, 2009
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We received an e-mail from Indigo specialist Jenny Balfour-Paul updating us on Yo-Yo Ma’s Silk Road Connect project the other day.
Here is Jenny’s update:
We did the Silk Road Connect teacher training workshop in New York last week. This included having a row of indigo dye vats in a narrow concrete walkway next to a children's playground in Harlem, as well as Silk Road musicians doing a drum circle and a National Geographic team doing genome sampling. (Though indigo is the main thread for the pilot project it fits in the wider theme of making connections and encouraging ‘passion-driven education’, to quote Yo Yo Ma). The whole project is a fascinating work in progress that includes many partners such as Harvard educators, New York City educators and curriculum developers, museums such as the Met, and institutions like FIT, Manhattan School Music etc. A lot now depends on the experience of the teachers in the five pilot schools, with much backing, including young ‘indigo fellows’ and an indigo co-ordinator who will liaise with the schools in NYC.
The teachers and indigo co-ordinators are wonderful. I also spent a day in the Met, developing ideas for an ‘indigo trail’, among other things. Great fun and a new way to approach visiting a vast museum. Several other cities are keeping an eye on this very innovative pilot project, so let’s hope it’s a great success. It’s been good to do such positive work this year and fascinating to see the project take shape. It’s not something I have done before with indigo and I have found it an amazing experience and have had to learn a lot too.
Thanks very much to Jenny for sending on the updates and granting us permission to post it here.
Here is Jenny’s update:
We did the Silk Road Connect teacher training workshop in New York last week. This included having a row of indigo dye vats in a narrow concrete walkway next to a children's playground in Harlem, as well as Silk Road musicians doing a drum circle and a National Geographic team doing genome sampling. (Though indigo is the main thread for the pilot project it fits in the wider theme of making connections and encouraging ‘passion-driven education’, to quote Yo Yo Ma). The whole project is a fascinating work in progress that includes many partners such as Harvard educators, New York City educators and curriculum developers, museums such as the Met, and institutions like FIT, Manhattan School Music etc. A lot now depends on the experience of the teachers in the five pilot schools, with much backing, including young ‘indigo fellows’ and an indigo co-ordinator who will liaise with the schools in NYC.
The teachers and indigo co-ordinators are wonderful. I also spent a day in the Met, developing ideas for an ‘indigo trail’, among other things. Great fun and a new way to approach visiting a vast museum. Several other cities are keeping an eye on this very innovative pilot project, so let’s hope it’s a great success. It’s been good to do such positive work this year and fascinating to see the project take shape. It’s not something I have done before with indigo and I have found it an amazing experience and have had to learn a lot too.
Thanks very much to Jenny for sending on the updates and granting us permission to post it here.
Monday, October 05, 2009
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[Update: We've added the names of the looms in the photos to give a bit more information.]
Yesterday instructor Jane Stafford arrived from Salt Spring Island with a van full of looms. We carried them up the stairs to the Maiwa loft for the Weaving in the Maiwa Tradition workshop. It was the last day of September and the late afternoon light was just hitting the golden hour. The looms were prepared with warps inspired by Bengal weaving and in particular the work of Bappaditya Biswas. It is always fascinating to see works in production and here we had a room full of looms ready for tomorrow's students to turn them into textiles.
Also in the loft that afternoon was Fernando Alvarez who was meeting with us to finalize details for the fashion show. Fernando works with Qiviuk (Musk Ox) from the arctic and he also has great familiarity with vicuña, guanaco, alpaca, and merino wools. Soon Jane and Fernando were talking fibers, knits, weaves, and twists. We felt like this was what the symposium was all about, putting one master of rare fibers in the same room with a master of weave structures. We just stand back and watch the energy flow.
A "folded" Jane. This loom is named after Jane Stafford. It is an 8 shaft loom produced by Louet North America. The most versatile portable loom we've seen.
A Schacht Wolf Pup. A 4 shaft loom warped and ready to go.
The Maiwa table with two open Janes and a homemade loom at the far end of the table.
Yesterday instructor Jane Stafford arrived from Salt Spring Island with a van full of looms. We carried them up the stairs to the Maiwa loft for the Weaving in the Maiwa Tradition workshop. It was the last day of September and the late afternoon light was just hitting the golden hour. The looms were prepared with warps inspired by Bengal weaving and in particular the work of Bappaditya Biswas. It is always fascinating to see works in production and here we had a room full of looms ready for tomorrow's students to turn them into textiles.
Also in the loft that afternoon was Fernando Alvarez who was meeting with us to finalize details for the fashion show. Fernando works with Qiviuk (Musk Ox) from the arctic and he also has great familiarity with vicuña, guanaco, alpaca, and merino wools. Soon Jane and Fernando were talking fibers, knits, weaves, and twists. We felt like this was what the symposium was all about, putting one master of rare fibers in the same room with a master of weave structures. We just stand back and watch the energy flow.
Here are the looms being set up for the workshop.
A "folded" Jane. This loom is named after Jane Stafford. It is an 8 shaft loom produced by Louet North America. The most versatile portable loom we've seen.
A Schacht Wolf Pup. A 4 shaft loom warped and ready to go.
The Maiwa table with two open Janes and a homemade loom at the far end of the table.
Thursday, October 01, 2009
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