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the MAIWA JOURNAL

Jabbar and Adam Khatri carefully place a block on a new masterpiece.
Friday September 13th was the Five Artisans Exhibition at Maiwa East. The exhibition was up for one night only. On display were recently created masterworks by all five artisans: Ajrakh block printers Jabbar and Adam Khatri, weaver by Shamji Vishram Vankar and bandhani tied resist by Jabbar and Abdullah Khatri. In addition to the display of masterworks there were demonstrations in the techniques used by all the craftspeople present.



Shamji Vishram Vankar demonstrates weaving technique on the custom built portable looms that arrived for his workshop.





Jabbar and Abdullah Khatri introduce a bandhani piece before removing the resist threads.

Saturday, September 21, 2019 No comments

MASALA QUILTS
MADE FROM THE BEST OF MAIWA'S HONEST CLOTH


Maiwa's Masala Quilts are your chance to experience the best of Maiwa's artisan cloth. Pieced together from the work of craftspeople located throughout India, these quilts feature naturally dyed,  handwoven, block printed, ikat, and resist patterned cloth.

This is the first time we are offering these quilts online. There is only one quilt in each style. Each quilt is unique.  The perfect compliment to any bed.


PICK A PATTERN








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BENGAL PATCHWORK QUILTS
NATURAL INDIGO AND RUNNING STITCH
Meet our newest kantha quilts: Bengal Patchwork. These are made from naturally dyed indigo textiles by artisans in rural Bengal. They are a wonderful wandering grid covered with course running stitch. We have paired them with a selection of cushion covers in two sizes. Both quilts and cushion covers have a playful, country charm.





PATCHWORK QUILTS


PATCHWORK CUSHIONS

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Maiwa's Masala & Bengal Quilts are available at Maiwa on Granville Island
7 days a week between 10am and 7pm
And Online at maiwa.com


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MASALA QUILT ON EXHIBIT
AT THE PENLAND  GALLERY


FURTHER EVIDENCE: THE ART OF NATURAL DYES
AT THE
JOHN + ROBYN HORN GALLERY
Tuesday May 28 – Sunday July 14, 2019
PENLAND SCHOOL OF CRAFT


Two textiles featuring natural indigo will be on display as part of Further Evidence: The Art of Natural Dyes (curated by Catherine Ellis and Kathryn Gremley). The work features a collaboration between a wealth of artisans widely distributed througout India. 

Charllotte and Sophena Kwon (through Maiwa) in collaboration with Chandana Srinath (ikat weaver, Telengana, India), Bappa Biswas (yarn dyer & weaver, Bengal, India), Mahesh Dosaya (indigo dyer & dabu block printer, Rajasthan, India), Malka Weavers (yarn dyers & handweavers, Andhra Pradesh, India), WomenWeave (yarn dyers & handweavers, Madhya Pradesh, India).


Also featured in the exhibition will be the complete 2019 batch of cochineal ink made by Maiwa's Tim McLaughlin. Tim's Ink Takes Shape project is an annual collaboration between artisans. In addition to 120 ampules of ink made from natural dyes, Tim has sent photography, pens, pigment, and one of his journals. Tim will lecture on ink and natural dyes at the Maiwa School of Textiles this fall. You can follow his ink work at @artisan_ink.







Wednesday, May 22, 2019 No comments

Master craftsmen Jabbar and Adam Khatri demonstrated the art of ajrakh in front of a full house at the Maiwa East exhibition space on September 16, 2017. The evening was introduced by Charllotte Kwon.


Jabbar Khatri plotting the lines of a new piece.

The Khatris have been taking the traditional art of hand block printing into new territory with the production of works that are considered to be on the masterpiece level. These works involve the custom cutting of special blocks and the laborious charting of new geometries. Unlike anything which has been seen before in the ajrakh tradition these pieces are ample evidence of the evolution of the art by skilled hands.

Adam Khatri takes over from his father and plots the outline with pencil.

Double sided ajrakh print inspired by islamic tilework.

These masterworks show innovation both in design and in the shades of natural dyes.

Masterworks inspired by the natural world.

Imagery included images from over twenty years of Maiwa's relationship with the Khatris.

Detail of a masterwork showing Jabbar and Adam's flawless printing technique.

At the end of the evening Jabbar reviews the progress of the piece ...


Saturday, September 23, 2017 No comments


Mo Kelman brought the audience along on a journey of artistic discovery on September 7th. It was, to quote a surrealist inspiration, as beautiful as the chance juxtaposition of a sewing machine and an umbrella on a dissecting table. Mo is known for her skeletal frameworks which are suspended tethered to the wall and covered with a skin of textile. Sometimes the skin is shibori but sometimes it is a more literal skin. 

The lecture went on under adverse circumstances as Granville Island was without power that night. About two hours before Mo was due to take the stage a transformer blew and completely eliminated power on the island. Maiwa rigged up a generator, added some candles and lanterns and the lecture wend on. It was, in fact, a most beautiful and magical evening.

For those of you who could not attend the lecture, there is an exhibition of Mo's sculptural textiles at the Silk Weaving Studio. It will remain up until September 22nd. We strongly encourage you to see it to fully appreciate her stunning work.



Thursday, September 14, 2017 No comments
For our readers who live too far away to visit our new exhibition. Here are some photographs taken during opening night. The show remains up in the North end of the Monte Clark Gallery until October 1, 2016.

The pop up shop and the Monte Clark Gallery are both open:
Tuesday to Saturday 10am - 5:30pm.
525 Great Northern Way, Vancouver, Canada


Charllotte Kwon and Tim McLaughlin introduce the show to a full house.

Charllotte Kwon points out some aspects of the design process.

Sophena Kwon admires one of the largest embroideries.

Tim McLaughlin signs a book.

Outside of 525 Great Northern Way, the entrance to the pop up shop in the dusk.

The pop up shop - full of Banjara embroidery.

This room was set up for opening night only. These pieces are now in the pop up shop.

Neelavva watches over a poster of herself.

The poster box. Opening night guests interact with images of the Banjara women.








Sunday, September 25, 2016 No comments



Meet the Banjara through image and stitch.

OPENING NIGHT
Thursday September 22, 6-9pm
Free Admission
Exhibition runs until October 1, 2016

MONTE CLARK GALLERY
#105 - 525 Great Northern Way, Vancouver, BC, Canada.


BANJARA is an exhibition of photography and textiles focusing on the semi-nomadic
Banjara tribe of India. Distant relations of the European Roma, the Banjara are a formidable
cultural presence beset by the forces of modernity.

For the Banjara, embroidery as cultural expression is worked within a set of oppositions:
the communal and the individual, the historic and the contemporary, the traditional and
the modern. Materials, motifs, colours, and execution are combined to create utilitarian
artifacts that have both talismanic and auspicious powers; works are made to act as
highly visible displays of wealth and artistic skill.

Tim McLaughlin’s photographs invoke the tensions of visual ethnography — the spectacle
of the other and the necessity of understanding the play of difference in the construction
of identity. Stylistically indebted to the early work of Irving Penn, the portraits
are often made on-site with a portable studio. The resulting decontextualization isolates
the subject and removes the touchstone of reference.

The Banjara, as an ethnic group, were the site of conflict between colonial and tribal
powers during the reign of the British Raj in India. Medieval merchants operating on a
grand scale, the Banjara controlled most inland transport routes through the deployment
of pack trains of up to one-hundred thousand laden oxen. Construction of railways and
paved roads ended Banjara autonomy and the group were criminalized by the British
in 1871. The Indian subcontinent, however, is far from homogenous and many Banjara
continue to live untouched by modern influences.

BANJARA is also the occasion for the North American release of the hardcover book
Textiles of the Banjara: Cloth and Culture of a Wandering Tribe by Charllotte Kwon and
Tim McLaughlin, Thames and Hudson, 2016.

CHARLLOTTE KWON is the owner of Maiwa Handprints and the director of the Maiwa
Foundation. She is a documentary filmmaker and author and is internationally recognized
as a specialist in natural dye use.

TIM MCLAUGHLIN is a photographer and author who has published works in the United
States, Canada, and Great Britain. His previous book, Portraits: Found and Taken
received a silver award in the 2014 Paris Photo Prize. His works have been reviewed in
the New York Times, the L.A. Times, and The Globe and Mail. His work has shown at Le
Mois de la Photo and he features in the Encyclopedia of Literature in Canada. For over
fourteen years he has collaborated with Charllotte on numerous Maiwa projects.

Wednesday, September 21, 2016 3 comments
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