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the MAIWA JOURNAL



2009 Maiwa Textile Symposium
An Exhibition of Cambodian Ikat
The Institute for Khmer Traditional Textiles
No Charge - Please RSVP

Introduced by Morimoto Kikuo


“In the past, villagers had only to reach out their hands to find lac nests or abundant plants to serve as materials for natural dyeing. The revival of the natural environment for the lac insect amounts to the revival of the colour of ikat... .

“Our purpose will be achieved if we can revive and perpetuate the tradition and experience of those people who viewed the light of the moon on the Bayon over the course of many hundreds of years, and if we can pass these down to the next generation.”


From Bayon Moon: Reviving Cambodia’s Textile Traditions by Morimoto Kikuo.

All pieces will be available for sale.

MORIMOTO KIKUO

Morimoto Kikuo was born in Kyoto, Japan, in 1948. In 1975, after a five-year apprenticeship, he started his career in yuzen, the Japanese textile technique of painting and dyeing kimono fabric. In 1980 he made his first visit to Bangkok where he discovered Khmer traditional silk ikat textiles at the National Museum.

In 1983, Morimoto moved to Thailand to serve as a volunteer in refugee camps in the northeast. In the following years he worked encouraging natural dye traditions and in 1990, as a collaborating researcher for The Textile Museum (Washington, DC), he compiled a report entitled “Traditional Dyeing Methods in Northeast Thailand.”

In 1995, Morimoto was asked by UNESCO Cambodia to serve as a consultant for the revival of traditional silk weaving. He remained in Cambodia where he started another project, this time to raise silkworms in Takaor village, Kampot province.

In 1996, Morimoto founded IKTT (the Institute for Khmer Traditional Textiles) in a suburb of Phnom Penh. Four years later the Institute moved to Siem Reap and added a workshop for weaving and dyeing with the goal of enabling elder craftspeople to hand on their skills to younger generations.

In 2002, Morimoto purchased five hectares of land north of Angkor Wat to begin his next project, the establishment of a self-sufficient weaving village. He now lives and works there as he oversees a project named “Wisdom from the Forest.” The village grows locally everything needed (dyes, cotton, silk) to create traditional Camodian Ikat. In 2004, Morimoto received a Rolex Award for Enterprise.

Tuesday, June 30, 2009 No comments


2009 Maiwa Textile Symposium
An Exhibition of Andean Weaving
The Center for Traditional Textiles of Cusco
No Charge - Please RSVP

Introduced by Nilda Callañaupa Alvarez



“In today’s world, we take cloth for granted. We are surrounded by it from the time we get up and put on our clothes in the morning, until we go to bed under our blankets at night. It comes from machines, it costs little and we throw it away without a second thought when it is worn out.

“But there is another kind of cloth, and that is the kind of cloth you will learn about in this [exhibition]. It is cloth made thread by thread, by the hands of the people. Each piece has its own life, a reflection of the spirit, skill, and personal history of the maker.”


From Weaving in the Peruvian Highlands: Dreaming Patterns, Weaving Memories by Nilda Callañaupa Alvarez.

All pieces will be available for sale.

NILDA CALLAÑAUPA ALVAREZ

Nilda Callañaupa Alvarez is an expert weaver who has travelled extensively to teach and give presentations at Harvard, Cornell, the University of Vermont, Brown, the Textile Museum in Washington, DC, and other institutions. Her expertise is recognized by international scholars of Inca textiles and culture. Nilda joins us from Peru.

Nilda is the founder and director of the Center for Traditional Textiles of Cusco. She has established weaving associations throughout the Andean highlands to preserve a splendid tradition of fine handmade textiles and to promote economic development. She has appeared in documentaries as a spokesperson for her culture. Nilda’s weavings have been exhibited in Peru, the US, and elsewhere. Nilda lives in Cusco, Peru, with her husband and two children.

Sunday, June 28, 2009 No comments


A collaboration between the Maiwa Foundation and Chai Gallery

One Night on the Silk Road
Sunday July 5
at 7:30 pm
The Chai Gallery

above East is East 3239 West Broadway

$35 includes the famous Chai Gallery Buffet of Indian and Afghan food.
An exotic evening to support the Maiwa Foundation: Silent Auction, Door Prizes.

Visit Chai Gallery Online www.eastiseast.ca/
Space is limited. Please RSVP to MAIWA at 604 669 3939 or maiwa@maiwa.com



At Chai Gallery they have created a community of artists, musicians and passionate individuals of like taste to make the world better through a celebration of music, dance, culture and selfless service.

Chai food consists of thoughtfully prepared recipes that will take you on a cuinary journey along the silk and spice road. All the food at Chai Gallery is organic, local where possible, and lovingly prepared using Ayurvedic principles to bring the different aromas, colours and flovours of the silk route to you.

Since eating communally is a cornerstone of all Eastern cultures, the food is presented in an Eastern-style banquet to create a sense of togetherness and community. We invite you to experience the diversity of the silk route with all your senses.

This evening will be set to live music with Tambura Rasa, I am Solidus, and Chika Buston.




Thursday, June 25, 2009 No comments
When the dust settled we looked over our neatly organized stacks of registrations and found that there were still some empty spaces in a few classes - some of them in very choice workshops (Nilda Callañaupa Alvarez is visiting from Peru, Morimoto Kikuo is visiting from Cambodia, and the Jawaja leatherworkers arrive from India). Here is an update on the remaining workshop openings - valid as of June 24, 2009. Check out the links for full descriptions and the online registration page. These workshops are quite likely to fill up soon.


Knitwork - Learn to Knit September 26 - Christa Giles
Knitwork - Stitch Sampler Workbook September 27, 28 - Christa Giles
Knitwork - Colour Construction September 29, 30 - Christa Giles
Colour by Accident September 28, 29 - Ann Johnston
Dyed to Clamp September 30, October 1, 2 - Ann Johnston
Indigo: The Natural Vat October 8, 9, 10 - Vivien Prideaux
Rozome: Japanese Batik October 13 - 17 - Betsy Sterling Benjamin
Andean Knitting October 18 - Nilda Callañaupa Alvarez
Cambodian Dyeing Traditions October 20, 21 - Morimoto Kikuo
Leatherwork October 23, 24 - Jawaja Leatherworkers
Knit Felt Embellish October 29, 30, 31 - Venessa Bentley
Wednesday, June 24, 2009 No comments

Things have been a bit quiet on the blog for the past few days. All our resources have been focused on one thing and one thing only - registrations for the 2009 symposium. It is a hopeful note in these drear economic times that the symposium has grown this year. The number of offerings has grown and the audience has considerably expanded.

How busy was it? The lineup for walk in registrations began to form at seven am. There were a lot of drop spindles in the line and more than a few pairs of knitting needles clicking away. At our opening time of ten am it led around two sides of the Net Loft building.

When ten am hit the phones rang constantly, and, due to the massive traffic on our website, the online processing was flooded. It did not function in all cases with the grace and precision we have come to expect of it. It was hammered with requests for workshops. The most popular sold out in the first manic seconds of opening day. Behind the scenes, upstairs in the Maiwa Loft we had a complete second set of staff, processing registrations, checking internet and advising on alternative courses.

By the time our day ended at midnight, 90% of the workshop places had been filled. This is good for us, great for instructors, but difficult for students who saw spaces fill without them. Often it was simply a case of great demand and a limited number of openings. It was a hectic day, but we are always impressed with how patient and warm spirited people are. One woman, after waiting in line and not getting into a course, said; "you know, its sad for me, but I truly hope that you are always this rushed on opening day. I may not have got in, but when I think of the larger picture it makes me happy."

Tuesday, June 23, 2009 No comments
Our latest podcast just went up.

Part 2 - Question and Answer
Gasali Adeyemo


In this lecture master craftsman Gasali Adeyemo fields questions from the audience about traditional techniques and about working in Africa and Santa Fe. Gasali concludes with a story about the role of clothing and cloth in life.

Recorded at the 2007 Maiwa Textile Symposium on October 25, 2007
Posted June 2009
Here is Part 1
Subscribe in iTunes


The adire eleko (starch-resist) cloths of the Yoruba are immediately identifiable by their hand-drawn patterning and unique symbolism with its wealth of proverbial meaning. The lines, traditionally drawn with a quill, give these cloths the characteristics of a large illustrated canvas.

The adire oniko (tied resist) is often used as a woman’s wrap. Small wraps are first folded then tie-dyed to create spiral designs. One special variation, known as the etu (guinea-fowl pattern) is so prized that when untied it is neither washed nor ironed.

Gasali Adeyemo

Gasali Adeyemo grew up in Ofatedo, Nigeria, where he put himself through high school by sketching portraits at social gatherings. He studied for six years at the Nike Centre for Arts and Culture and then remained an additional four as a teacher.

In 1995 Gasali exhibited his textiles in Bayruth, Germany, and his international reputation was born. A participant in the Iowa Color Congress 2002, the World Batik Conference, and Fiber Arts Center, Gasali has made it his life’s work to give workshops, presentations, and lectures in order to communicate the beauty of adire textiles and share the Yoruba culture
Tuesday, June 16, 2009 2 comments

It is almost exactly one week until registration opens for the 2009 Maiwa Textile Symposium. We've put together a set of frequently asked questions (and answers).

Maiwa has removed this content because it was out of date.
Sunday, June 14, 2009 No comments
The original book was published almost ten years ago. Since then WILD COLOUR has been an inspiration to those wanting to take the plunge - and start natural dyeing. It has also been a friendly and accessible reference to those who fire up the burners under the dye pots on a regular basis. Sadly it has been out of print for years and its popularity has ensured used prices of around the $100 dollar mark.

Luckily for us, Jenny started a blog last October. Wild Colour is just about the best natural dye blog we've seen. With sections on her natural dye garden, inspiration, musings and much more. Curious about a cold alum mordant? Wondering what shades you might get from fungi? Or interested in Jenny's dye tips and recipes? Its all here, illustrated with beautiful photos and written in Jenny's engaged and delightful style.

Publishers can be slow. Here at Maiwa we've offered to place a substantial order of Jenny's book Wild Colour if it will help speed up the reprint process. It would be difficult to overstate the influence of this book. But while we all wait for a new edition it is good to know that the blogosphere has helped deliver the wild colours.

Friday, June 12, 2009 1 comments
Thursday June 25 - 7:30 pm
The Net Loft, Granville Island

Treenway Silks and Maiwa present:

Woven Soul

An evening with
Kongthong
Master weaver and founder of
Phaeng Mai Gallery, Vientianne, Laos


During some of the most challenging years in Laos' history a widowed mother sent all four of her children to university - by making and selling elaborate silk weavings.

Kongthong was one of those four children. Together with her mother, brothers and sisters, she created Phaeng Mai Gallery. The gallery teaches Laotian women the art of natural dyeing and silk weaving. It also markets their exquisite cloth worldwide.

Kongthong will give a slide presentation about her work, the importance of weaving to Lao women, and the meaning of the patterns woven into the cloth. There will be beautiful silk items for sale and an opportunity to meet with Kongthong after the presentation.

There is no charge for admission but due to limited space please RVSP
contact Maiwa at 604 669 3939 or
maiwa@maiwa.com

Hosted by Treenway Silks www.treenwaysilks.com and Maiwa.


Tuesday, June 09, 2009 No comments
New to the store. Woad products

The latin name for the woad plant, isatis tinctoria is derived from the greek "isadso" which means "cure." The leaves were often used in poultices throughout the regions where the plant grows. The greek physician Hippocrates (after whom doctors take the Hippocratic oath) advocated the healing powers of the plant and it shows up in historic texts as having dermatological benefits.

The source of woad's strengths may be found in the seeds of the plant which yield rich essential fatty acids; Omega 3, 6 and 9. These are soft, gentle, and sublime on the skin.

Everything from Graine de pasted is made in the Occitan region of France by local artisans. The woad soaps, shampoos and creams are paraben and phenoxyethanol free, have no petrochemical derivatives or genetically modified ingredients. The products are not tested on animals and the raw materials are traceably formulated under pharmaceutical control and approved by dermatological and ocular tests.

Maiwa Supply carries a full range of woad products - from writing ink to pastel crayons to soaps, shampoos, and creams. 

Friday, June 05, 2009 No comments
New to the store in June 2009

During the Renaissance, woad from the Occitan region of France was considered to be the best in Europe. Exports went to London, Antwerp, Hamburg, Bilbao, and San Sabastien. The wealth that this dye brought in forged the legend of “Pays de Cocagne” (land of milk and honey) an area known as the “Blue Triangle;” Toulouse, Carcassonne, and Albi in the Southwest of France.

To make the blue woad dye the green leaves were harvested and crushed into a pulp, left outside to ferment for six months, formed into balls by hand, and once dried, dispatched to dyers.

The colour is very similar to indigo (the woad plant contains indigotin) but it is considered by many to be more subtle and delicate – naturally suited to the sun of the more temperate regions of the northern hemisphere. Woad was used extensively in Europe, especially on wool. It eventually lost ground to imported indigo from India and then to both synthetic indigo and other synthetic blue dyes.

Today woad is being revived as an ecological colourant. The renewed popularity of the dye is largely due to the efforts of Henri and Denise Lambert of Bleu de Lectoure. Based in Lectoure, France, the couple are woad-crazy: incorporating the pigment into everything from automotive paint to plastics to traditional art supplies.

Available for online purchase in the Natural Dyes section of the Maiwa Supply Store.

Denise and Henri Lambert will be at the 2009 Maiwa Textile Symposium and will give both a lecture and a workshop.

Wednesday, June 03, 2009 No comments
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      • An Exhibition of Cambodian Ikat
      • An Exhibition of Andean Weaving
      • Chai Gallery - One Night on the Silk Road
      • Workshop Openings
      • Symposium 2009 - The Gates Open
      • African Textiles: The Heart of the Yoruba - Part 2
      • Tips for 2009 Symposium Registration
      • Jenny Dean's Wild Colour
      • Visiting Master Weaver from Laos
      • Woad - Graine de pastel
      • Woad - Natural Dye
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