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the MAIWA JOURNAL

Registration opens December 7th at 10am.
Register online here

2016 Maiwa Spring Workshops
Workshop: Textile History
Tisha Singer

$150 includes $25 lab fee
February 16, 23 & March 1, 8 - Class Limit 20
Maiwa Loft: Above the Net Loft, Granville Is. Vancouver BC



The vision of the Maiwa School of Textiles is to break new ground in the textile arts. To bring this vision to life we are proud to offer our first seminar workshop.

Textile History will be an in-depth exploration of what textiles are socially, aesthetically, politcally, and historically. This workshop is delivered by Tisha Singer, a specialist in the History of the Textile Arts who has taught at both Simon Fraser University and Capilano University.

In these groundbreaking workshops the big questions about our relationship to textiles will be put on the table. The answers will prove fertile territory for artisans, writers, and those with a passionate interest in the fibre arts. 

The four seminars will follow the themes below:

The study of textiles and cloth as cultural experience - Case Study: Prehistoric Textiles.
Cloth as the Disseminator of Ideas - Case Study: The Silk Road and Sassanian Textiles.
The economics of Cotton and Political Upheaval - Case Study: Gandhi and Indian Independence.
Cloth as Ethnic Identity - Case Study: Sub-Saharan African Textiles.


Instructor Bio

Born and educated in Montreal, Tisha first taught Art History at Concordia University. Moving to Vancouver in 1989, she began teaching at Simon Fraser University and at Capilano College/University where she designed two Art History courses ion the History of Textile Arts, her area of specialization. While conducting research in textile history she has been fortunate to travel the world and is often a guest lecturer on the subject.




Tuesday, November 17, 2015 No comments
Registration opens December 7th at 10am.
Register online here

2016 Maiwa Spring Workshops
Workshop: Introduction to Shibori & Indigo Dyeing
Natalie Grambow

$295 includes $75 lab fee
March 4, 5, 6 - Class Limit 14
Maiwa East: 1310 Odlum Drive, Vancouver BC


The magnificence of indigo blues have thrilled artisans of almost all cultures and times. The transformation of cloth dipped in indigo suggests a potency recognized by craftspeople all over the world. When combined with the many variations of shibori resist techniques the result is blue and white patterning that ranges from simple motifs to elegant three-dimensional pleating.

This highly focused three-day workshop presents the opportunity to connect with traditional artisans through making and maintaining an indigo vat and applying a beautiful array of resist patterns on cotton and silk. Students will work through a variety of shibori methods and will complete the workshop with a finished project on silk. They will work on all-natural fibres using natural indigo.


Instructor Bio

Natalie Grambow has an extensive background in design, teaching, and textile arts. An accredited Interior Designer, she spent many years in Ottawa working within the architectural design field and teaching Design Theory. Natalie’s first deep exploration of textiles began during her Visual Arts/Photography studies at the University of Ottawa when she experimented with non-silver techniques of transferring photographic imagery onto cloth. She subsequently studied at the École d’Impression Textile à Montréal and later travelled to Asia and Latin America where she spent six months learning to weave with local Mayan weavers in Guatemala. Shortly after completing the Textile Arts program at Capilano College in 2001, she was awarded the BC Craft Association’s Award of Excellence. 

Natalie has exhibited her textile art installations in the Lower Mainland, Vancouver, Vancouver Island, and the Sunshine Coast. She  has also developed a line of naturally dyed and printed fabrics and has been commissioned by such clients as the city of North Vancouver. Currently living in Roberts Creek, BC, she continues her art practice and studies from her studio. 

Tuesday, November 17, 2015 No comments
Registration opens December 7th at 10am.
Register online here

2016 Maiwa Spring Workshops
Workshop: Creative Studio
Natalie Grambow

$295 includes $65 lab fee
February 26, 27, 28 - Class Limit 14
Maiwa Loft: Above the Net Loft, Granville Is. Vancouver BC


This workshop is one of our most inspiring and creative, so much so that we have students who have taken it more than once. Students come to answer the question: How can creativity be tapped, mined, or made to flow when we need it most? In this original workshop, students will travel on an exploratory adventure, discovering techniques and letting go of assumptions that may hold them back.

The class will provide a wealth of images, sounds, and sensory inspirations. These will be combined with a variety of studies exploring the elements and principles of creative design. Such ideas as balance, symmetry, harmony, contrast, and unity will provide a toolbox that may be opened to understand both what we like about an artwork and what we want to work toward in our own work.

Using collage, image deconstruction, mono-printing, writing, and drawing, students will learn to narrate their stories incorporating personal references and applying design principles. Students will leave the workshop with a creative journal, the beginning of their ongoing artistic journey, as well as a series of small textile art pieces.


Instructor Bio

Natalie Grambow has an extensive background in design, teaching, and textile arts. An accredited Interior Designer, she spent many years in Ottawa working within the architectural design field and teaching Design Theory. Natalie’s first deep exploration of textiles began during her Visual Arts/Photography studies at the University of Ottawa when she experimented with non-silver techniques of transferring photographic imagery onto cloth. She subsequently studied at the École d’Impression Textile à Montréal and later travelled to Asia and Latin America where she spent six months learning to weave with local Mayan weavers in Guatemala. Shortly after completing the Textile Arts program at Capilano College in 2001, she was awarded the BC Craft Association’s Award of Excellence. 

Natalie has exhibited her textile art installations in the Lower Mainland, Vancouver, Vancouver Island, and the Sunshine Coast. She  has also developed a line of naturally dyed and printed fabrics and has been commissioned by such clients as the city of North Vancouver. Currently living in Roberts Creek, BC, she continues her art practice and studies from her studio. 

Sunday, November 15, 2015 No comments
Registration opens December 7th at 10am
Register online here

2016 Maiwa Spring Workshops
Workshop: Silkscreen Printing
Natalie Grambow

$295 includes $75 lab fee
February 19, 20, 21 - Class Limit 12
Maiwa East: 1310 Odlum Drive, Vancouver BC


This invaluable three-day workshop is essential for anyone starting a silkscreen business or for those using the technique as a design element in textile projects. Participants will learn to print on a variety of cloth surfaces from t-shirts to yardage.They will learn to master a range of single-pull printing methods (repeating patterns, rainbow prints, registration, etc.). All projects are done on 100% natural fibres using high quality, water-soluble fabric paint.

The photographic process of putting an image on a screen will be covered in depth. Each student will learn how to prepare the screen and expose the image. We will work with high-quality, 18” x 20”  wood-frame silkscreens. At the end of the workshop, students will take home the screens and the many samples they have created.

Feel free to bring a small project from home to print on.


Instructor Bio

Natalie Grambow has an extensive background in design, teaching, and textile arts. An accredited Interior Designer, she spent many years in Ottawa working within the architectural design field and teaching Design Theory. Natalie’s first deep exploration of textiles began during her Visual Arts/Photography studies at the University of Ottawa when she experimented with non-silver techniques of transferring photographic imagery onto cloth. She subsequently studied at the École d’Impression Textile à Montréal and later travelled to Asia and Latin America where she spent six months learning to weave with local Mayan weavers in Guatemala. Shortly after completing the Textile Arts program at Capilano College in 2001, she was awarded the BC Craft Association’s Award of Excellence. 

Natalie has exhibited her textile art installations in the Lower Mainland, Vancouver, Vancouver Island, and the Sunshine Coast. She  has also developed a line of naturally dyed and printed fabrics and has been commissioned by such clients as the city of North Vancouver. Currently living in Roberts Creek, BC, she continues her art practice and studies from her studio. 
Sunday, November 15, 2015 No comments
Registration opens December 7th at 10am
Register online here

2016 Maiwa Spring Workshops
Workshop: Complex Cloth
Natalie Grambow

$295 includes $75 lab fee
February 5, 6, 7 - Class Limit 12
Maiwa East: 1310 Odlum Drive, Vancouver BC


The Complex Cloth is a cloth layered through the application of  many procedures. This challenging and rewarding three-day workshop takes the artisan who has worked with individual methods into new territory where pattern, texture, colour, and technique all come together.

The workshop opens with a survey of the creative potential of a variety of methods. This overview includes culturally diverse samples from all over the world. The class will then dive into the hands-on use of oxides and tannins, combinations of dyes and discharge agents, the burn-out technique of devoré, surface design techniques such as silkscreen and blockprint, and finally manipulation techniques such as shibori.

Students will study how techniques may be used in combination to achieve special effects rather than explore individual techniques in detail. This class is specially formulated to give the student an opportunity to apply a range of processes in a relatively short time.

Students will finish the course with a sample book showcasing a variety of techniques and will work a bit of textile magic: transforming a silk scarf into a complex cloth.


Instructor Bio

Natalie Grambow has an extensive background in design, teaching, and textile arts. An accredited Interior Designer, she spent many years in Ottawa working within the architectural design field and teaching Design Theory. Natalie’s first deep exploration of textiles began during her Visual Arts/Photography studies at the University of Ottawa when she experimented with non-silver techniques of transferring photographic imagery onto cloth. She subsequently studied at the École d’Impression Textile à Montréal and later travelled to Asia and Latin America where she spent six months learning to weave with local Mayan weavers in Guatemala. Shortly after completing the Textile Arts program at Capilano College in 2001, she was awarded the BC Craft Association’s Award of Excellence. 

Natalie has exhibited her textile art installations in the Lower Mainland, Vancouver, Vancouver Island, and the Sunshine Coast. She  has also developed a line of naturally dyed and printed fabrics and has been commissioned by such clients as the city of North Vancouver. Currently living in Roberts Creek, BC, she continues her art practice and studies from her studio. 
Sunday, November 15, 2015 No comments
Registration opens December 7th at 10am
Register online here

2016 Maiwa Spring Workshops
Workshop: Mend Your Wardrobe
Sheila Wong

$95 includes
January 31 - Class Limit 10
Maiwa Loft: Above the Net Loft, Granville Is. Vancouver BC



Mending is an art in itself. In some cases it showcases skills that rival those of construction. Whether you desire an invisible repair or a notable addition to a garment, mending can bring new life to an item.

In this beginner-level class, students are encouraged to bring in pieces from their own wardrobe that they wish to mend. Students will work through several basic mending solutions to make pieces wearable again.

Students are encouraged to bring and learn on their own machines. In situations where this is not possible, Maiwa has a limited number of machines that can be reserved prior to the workshop.


Instructor Bio

The fashion industry thrives on creativity, diversity and innovation.

The same 3 concepts can be used to describe Sheila Wong Fashion Design Studio, or SWFDS as it is more commonly known in the Vancouver fashion circuit. The company, founded by Sheila Wong, who herself is a walking example of diversity (being French-Chinese Canadian), helps develop all aspects of fashion design, whether it be skills, creativity, marketing or simply making the numbers work.

Sheila Wong started showing interest in design at a very young age. While other teenagers aspired to be models on a runway, she was much more interested in the garments and accessories that made the models shine.  At the age of 18 she started her first company designing outfits and managing dance performers at music festivals in her home town of Calgary, Alberta. She knew she had found her passion the first time she saw her designs showcased in front of a large energetic crowd.

But ideas and talent don’t always guarantee success, so Sheila made sure she was ready to tackle whatever obstacles the industry might have. She first completed a Bachelors of Applied Business and Entrepreneurship Degree at Mount Royal University, with a focus on International Business. She then went on to obtain her Fashion Design Diploma from Vancouver’s own Blanche Macdonald Fashion Design Center. It was here that she fine tuned her skills and developed her ideas. Her time at Blanche Macdonald allowed her to shine in front of her peers and industry professionals, earning her the Design Portfolio of the Year award. After years of making sure she had the education to support her goals, she sought real-world experience, taking on positions like Studio Assistant at the Fashion Exchange building, Production Manager at clothing retailer Aritzia, and even instructing at Blanche Macdonald Fashion Center and Vancouver Community College in the Fashion Design programs. 

What truly makes Sheila Wong stand out in the industry, however, is her desire to help other artists succeed. Sheila loves collaborating with other designers and artisans, and has this to say to anyone who has ever wanted to see their own name on a piece of clothing: 

“Anyone can design and construct a garment, you just need the right amount of guidance and motivation. My goal is to help inspire people to create beautiful things. If you are passionate and driven, there is no reason why you cannot be creative every day.”
Sunday, November 15, 2015 No comments
Registration opens December 7th at 10am
Register online here


2016 Maiwa Spring Workshops
Workshop: Introduction to Garment Construction
Sheila Wong

$395 includes $40 lab fee
January 21, 22, 23, 24 - Class Limit 10
Maiwa Loft: Above the Net Loft, Granville Is. Vancouver BC


Ready to make clothes? This course is for you. The focus will be on understanding the sequence of steps in garment construction and how flat fabric changes into a three-dimensional form through intermediate sewing techniques.

With guidance, students will work their way through two sample garments: straight skirt with zipper closure and a short-sleeved top with placket and button closure. Both garments are made with woven (non-stretch) fabrics. A set of sizes will be available for students to choose from.

Intermediate sewing techniques covered include: invisible zipper installation, button and hand-sewn button bar, hook-and-eyes, in-set sleeves, darts, interfacing, neckline facings, and a variety of hand-sewn finishes to hems and closures. As well, we will cover how to read industry patterns for apparel; how to best place pattern pieces onto fabric, and pin, cut, and mark fabric accordingly; and finally, how to sequence steps in garment construction.

This is an intermediate-level workshop. Students must be competent in the operation of a sewing machine and possess basic sewing skills. Students will be required to purchase materials (fabric, zipper, buttons, and matching thread) for the two projects. Supply lists will be given at registration, with fabric recommendations. Students are encouraged to bring and learn on their own machines (a working zipper foot is required for this workshop). In situations where this is not possible, Maiwa has a limited number of machines that can be reserved prior to the workshop. 


Instructor Bio

The fashion industry thrives on creativity, diversity and innovation.

The same 3 concepts can be used to describe Sheila Wong Fashion Design Studio, or SWFDS as it is more commonly known in the Vancouver fashion circuit. The company, founded by Sheila Wong, who herself is a walking example of diversity (being French-Chinese Canadian), helps develop all aspects of fashion design, whether it be skills, creativity, marketing or simply making the numbers work.

Sheila Wong started showing interest in design at a very young age. While other teenagers aspired to be models on a runway, she was much more interested in the garments and accessories that made the models shine.  At the age of 18 she started her first company designing outfits and managing dance performers at music festivals in her home town of Calgary, Alberta. She knew she had found her passion the first time she saw her designs showcased in front of a large energetic crowd.

But ideas and talent don’t always guarantee success, so Sheila made sure she was ready to tackle whatever obstacles the industry might have. She first completed a Bachelors of Applied Business and Entrepreneurship Degree at Mount Royal University, with a focus on International Business. She then went on to obtain her Fashion Design Diploma from Vancouver’s own Blanche Macdonald Fashion Design Center. It was here that she fine tuned her skills and developed her ideas. Her time at Blanche Macdonald allowed her to shine in front of her peers and industry professionals, earning her the Design Portfolio of the Year award. After years of making sure she had the education to support her goals, she sought real-world experience, taking on positions like Studio Assistant at the Fashion Exchange building, Production Manager at clothing retailer Aritzia, and even instructing at Blanche Macdonald Fashion Center and Vancouver Community College in the Fashion Design programs. 

What truly makes Sheila Wong stand out in the industry, however, is her desire to help other artists succeed. Sheila loves collaborating with other designers and artisans, and has this to say to anyone who has ever wanted to see their own name on a piece of clothing: 

“Anyone can design and construct a garment, you just need the right amount of guidance and motivation. My goal is to help inspire people to create beautiful things. If you are passionate and driven, there is no reason why you cannot be creative every day.”
Sunday, November 15, 2015 No comments
Registration opens December 7th at 10am
Registration online here

2016 Maiwa Spring Workshops
Workshop: Introduction to Dyes
Natalie Grambow

$395 includes $100 lab fee
January 28, 29, 30, 31 - Class Limit 14
Maiwa East: 1310 Odlum Drive, Vancouver BC


This intensive four-day workshop is the perfect entry into the fascinating art of achieving colour on fabric. It is designed to be a clear and thorough introduction to the (sometimes intimidating) world of dye types and procedures.

Through a series of complete hands-on projects, students will be guided through the dye process and will gain an understanding of scouring, assists, and resists. They will also learn the advantages and strengths of the different dye types such as fibre-reactive, acid, and natural dyes. A key component of this workshop will survey the different types of fabrics, and special consideration will be given to the understanding of natural fibres.


Instructor Bio

Natalie Grambow has an extensive background in design, teaching, and textile arts. An accredited Interior Designer, she spent many years in Ottawa working within the architectural design field and teaching Design Theory. Natalie’s first deep exploration of textiles began during her Visual Arts/Photography studies at the University of Ottawa when she experimented with non-silver techniques of transferring photographic imagery onto cloth. She subsequently studied at the École d’Impression Textile à Montréal and later travelled to Asia and Latin America where she spent six months learning to weave with local Mayan weavers in Guatemala. Shortly after completing the Textile Arts program at Capilano College in 2001, she was awarded the BC Craft Association’s Award of Excellence. 

Natalie has exhibited her textile art installations in the Lower Mainland, Vancouver, Vancouver Island, and the Sunshine Coast. She  has also developed a line of naturally dyed and printed fabrics and has been commissioned by such clients as the city of North Vancouver. Currently living in Roberts Creek, BC, she continues her art practice and studies from her studio. 
Sunday, November 15, 2015 No comments
Registration opens December 7th at 10am
Register online here

2016 Maiwa Spring Workshops
Workshop: Sewing Techniques
Sheila Wong

$495 includes $90 lab fee
January 8, 9, 10 and February 12, 13, 14 - Class Limit 10
Maiwa Loft: Above the Net Loft, Granville Is. Vancouver BC


Students will work through a series of techniques of vital importance to the professional sewer or the aspiring designer. Participants will come away with a solid grounding in all techniques: stitches, markings and seams, seam finishes, hems, buttons and buttonholes, fasteners, and pockets.

This class is in two parts with a generous break between sessions. Students will be expected to work on samples during the break and will benefit from bringing completed work and questions back to the final stage of the workshop. They will complete the workshop with new confidence in a variety of skills leading to an expanded understanding of garment construction.

This is an intermediate-level workshop. Students must be competent in the operation of their sewing machines and already possess basic sewing skills. Students are encouraged to bring and learn on their own machines (this workshop requires a working zipper foot). In situations where this is not possible, Maiwa has a limited number of machines that can be reserved prior to the workshop. Basic sewing tools and supplies will be available to use during the workshop; however, students are encouraged to bring their own sewing kits.


Instructor Bio

The fashion industry thrives on creativity, diversity and innovation. .

The same 3 concepts can be used to describe Sheila Wong Fashion Design Studio, or SWFDS as it is more commonly known in the Vancouver fashion circuit. The company, founded by Sheila Wong, who herself is a walking example of diversity (being French-Chinese Canadian), helps develop all aspects of fashion design, whether it be skills, creativity, marketing or simply making the numbers work.

Sheila Wong started showing interest in design at a very young age. While other teenagers aspired to be models on a runway, she was much more interested in the garments and accessories that made the models shine.  At the age of 18 she started her first company designing outfits and managing dance performers at music festivals in her home town of Calgary, Alberta. She knew she had found her passion the first time she saw her designs showcased in front of a large energetic crowd.

But ideas and talent don’t always guarantee success, so Sheila made sure she was ready to tackle whatever obstacles the industry might have. She first completed a Bachelors of Applied Business and Entrepreneurship Degree at Mount Royal University, with a focus on International Business. She then went on to obtain her Fashion Design Diploma from Vancouver’s own Blanche Macdonald Fashion Design Center. It was here that she fine tuned her skills and developed her ideas. Her time at Blanche Macdonald allowed her to shine in front of her peers and industry professionals, earning her the Design Portfolio of the Year award. After years of making sure she had the education to support her goals, she sought real-world experience, taking on positions like Studio Assistant at the Fashion Exchange building, Production Manager at clothing retailer Aritzia, and even instructing at Blanche Macdonald Fashion Center and Vancouver Community College in the Fashion Design programs. 

What truly makes Sheila Wong stand out in the industry, however, is her desire to help other artists succeed. Sheila loves collaborating with other designers and artisans, and has this to say to anyone who has ever wanted to see their own name on a piece of clothing: 

“Anyone can design and construct a garment, you just need the right amount of guidance and motivation. My goal is to help inspire people to create beautiful things. If you are passionate and driven, there is no reason why you cannot be creative every day.”
Sunday, November 15, 2015 No comments
Registration opens December 7th at 10am
Register online here

2016 Maiwa Spring Workshops
Workshop: Introduction to Sewing - offered twice
Sheila Wong

$295 includes $95 lab fee
First Offering - January 16, 17 - Class Limit 10
Second Offering - February 20, 21 - Class Limit 10
Maiwa Loft: Above the Net Loft, Granville Is. Vancouver BC


This workshop is ideal for individuals who have never used a sewing machine or those who need a refresher of basic sewing techniques and machine operation.

Work step by step on two fun beginner sewing projects: a set of pillow cases and a reversible apron with pockets.

Basic theory practised:

-Understanding of beginner construction techniques such as seams, seam finishes, and hems.
 Sequence of steps while sewing.
-How to thread, and trouble shoot a domestic sewing machine.
-How to read basic industry patterns.
-How to sew a straight line and curved line with ease.
-How to prepare, pin, cut, and mark fabric before construction.
-How to operate an over-lock (serger) machine to finish raw edges.
-How to present a professional looking project with proper pressing skills.

Students are encouraged to bring and learn on their own machines. In situations where this is not possible, Maiwa has a limited number of machines that can be reserved prior to the workshop.


Instructor Bio

The fashion industry thrives on creativity, diversity and innovation. .

The same 3 concepts can be used to describe Sheila Wong Fashion Design Studio, or SWFDS as it is more commonly known in the Vancouver fashion circuit. The company, founded by Sheila Wong, who herself is a walking example of diversity (being French-Chinese Canadian), helps develop all aspects of fashion design, whether it be skills, creativity, marketing or simply making the numbers work.

Sheila Wong started showing interest in design at a very young age. While other teenagers aspired to be models on a runway, she was much more interested in the garments and accessories that made the models shine.  At the age of 18 she started her first company designing outfits and managing dance performers at music festivals in her home town of Calgary, Alberta. She knew she had found her passion the first time she saw her designs showcased in front of a large energetic crowd.

But ideas and talent don’t always guarantee success, so Sheila made sure she was ready to tackle whatever obstacles the industry might have. She first completed a Bachelors of Applied Business and Entrepreneurship Degree at Mount Royal University, with a focus on International Business. She then went on to obtain her Fashion Design Diploma from Vancouver’s own Blanche Macdonald Fashion Design Center. It was here that she fine tuned her skills and developed her ideas. Her time at Blanche Macdonald allowed her to shine in front of her peers and industry professionals, earning her the Design Portfolio of the Year award. After years of making sure she had the education to support her goals, she sought real-world experience, taking on positions like Studio Assistant at the Fashion Exchange building, Production Manager at clothing retailer Aritzia, and even instructing at Blanche Macdonald Fashion Center and Vancouver Community College in the Fashion Design programs. 

What truly makes Sheila Wong stand out in the industry, however, is her desire to help other artists succeed. Sheila loves collaborating with other designers and artisans, and has this to say to anyone who has ever wanted to see their own name on a piece of clothing: 

“Anyone can design and construct a garment, you just need the right amount of guidance and motivation. My goal is to help inspire people to create beautiful things. If you are passionate and driven, there is no reason why you cannot be creative every day.”
Sunday, November 15, 2015 No comments
Registration opens December 7th at 10am
Register online here

2016 Maiwa Spring Workshops
Workshop: Knitting: Basics & Beyond
NaomiBelle Rozell

$295 includes $85 lab fee
January 28, February 4, 11, 18, 25 and March 3 - Class Limit 15
Maiwa Loft: Above the Net Loft, Granville Is. Vancouver BC


Join NaomiBelle for six consecutive Thursday evenings to explore the craft of knitting.  Anyone able to execute basic knitting elements such as casting on, creating knit and purl stitches, and binding off will find this workshop to be a skill-building stepping stone to knitting proficiency.

Each week will introduce techniques such as cast on, bind off, increase and decrease stitches, lace, and cable stitch patterns. Students will learn how to read written knitting patterns, charts, and most important of all the knitted stitch.  The ability to read knitted stitches empowers a knitter to create without restrictions. Weaving in yarn ends and blocking the final knitted pieces will round out the list of skills introduced.

Students are encouraged to practise what has been learned between classes. To facilitate this each person will cast on a sampler scarf in the first evening. This scarf will serve as a canvas for creative exploration, as students repeat and combine techniques. On the last evening the sampler scarf will be bound off and everyone will go home with a finished item.

Instructor Bio

Naomi Rozell cannot recall a time when creativity was not part of her daily life.  Although she works with many types of crafts, most of her days are taken up with knitting. You can find her most Saturdays in Maiwa’s Supply Store in the Netloft on Granville Island. 

She dedicates her work to her mother who knit her father’s dress socks for much of their married life. As Naomi writes, “Although I did not learn to knit from my mother, she is my inspiration for sock knitting. I well remember her putting aside her coffee cup and novel (yes, she read while she knit) as she focused on ‘turning the heel.’ Once complete she propped up her book, poured a fresh cup, and resumed her knitting as she read and enjoyed her coffee.  I can still hear her needles softly clicking, creating stitch after stitch after stitch.”
Sunday, November 15, 2015 No comments
Registration opens December 7th at 10am
Register online here

2016 Maiwa Spring Workshops
Workshop: Learn to Knit
NaomiBelle Rozell

$60 includes $20 lab fee
January 14 - Class Limit 15
Maiwa Loft: Above the Net Loft, Granville Is. Vancouver BC



This three-hour evening workshop is perfect for beginning knitters.  Anyone who is brand new to knitting, who has forgotten how, or who never quite grasped the concept of casting stitches onto a needle will find themselves in the right place.

The very basic elements of knitting will be explored: casting stitches onto a needle, executing knit and purl stitches, and binding stitches off. Instruction will be given for the two most common knitting styles, English and Continental, with the emphasis on practice to see which method works best for the individual.

On completion of this workshop, students are encouraged to continue to practise knitting. To facilitate practice, the instructor will supply a cowl pattern that incorporates everything learned in the class:  casting on, binding off, garter stitch, stockinette stitch, and reverse stockinette stitch.

Students interested in learning more are encouraged to register for Knitting:  Basics and Beyond.

Instructor Bio

Naomi Rozell cannot recall a time when creativity was not part of her daily life.  Although she works with many types of crafts, most of her days are taken up with knitting. You can find her most Saturdays in Maiwa’s Supply Store in the Netloft on Granville Island. 

She dedicates her work to her mother who knit her father’s dress socks for much of their married life. As Naomi writes, “Although I did not learn to knit from my mother, she is my inspiration for sock knitting. I well remember her putting aside her coffee cup and novel (yes, she read while she knit) as she focused on ‘turning the heel.’ Once complete she propped up her book, poured a fresh cup, and resumed her knitting as she read and enjoyed her coffee.  I can still hear her needles softly clicking, creating stitch after stitch after stitch.”
Sunday, November 15, 2015 No comments
If you can't make it to the V&A's Fabric of India Exhibition, you may wish to take the tour through the 248 page hardcover book of the same name.

We've posted a full review of the book here, which ties together the book, the exhibition, a little bit of the history of the Victoria and Albert Museum, and some questions for the future of artisan-designer relations.




For many the Fabric of India book will rival the exhibition as it has additional textiles and wealth of supporting text that is not found in the exhibition. The only thing it cannot do is let you gaze upon the actual objects to catch the glint of the fibres and the drape of the cloth. The text is punctuated by a series of "objects in focus" sections which highlight pieces of historical importance, including the Kashmir map shawl, Tipu Sultan’s tent, a remarkable 18th-century temple hanging from South India and many more.

We have a few copies of the book available for sale in the Maiwa stores and in our online store. Again for our European readers, it may be best to purchase it from the V&A bookstore.

Friday, November 13, 2015 No comments
Installation view of The Fabric of India at the V&A
 (c) Victoria and Albert Museum, London

The Fabric of India is a subtle spectacle threaded with moments of euphoria. Charllotte and I spent close to four hours in the galleries containing the show. We probably could have stayed even longer, but we were excited to keep our appointment with Rosemary Crill, who together with Divia Patel, curated the exhibition.

The Victoria and Albert Museum contains the greatest collection of Indian Textiles in the world. As Director Martin Roth explains in the accompanying book, many of these textiles have been brought out of storage for the first time since they were acquired in the nineteenth century.

The show announces its intentions in the first gallery. Overhead the marquee for the show is written in dots. From the centre of each dot a red thread emerges, traverses the space, and is gathered at a far wall, where, hank-like, they descend to the floor. Allusions to warp and weft are clear, as well as the promise that these threads will lead us through the exhibition space, connecting us to what follows.

Under the marquee, a massive cotton floor cloth measuring over nine meters long and four meters wide is mounted vertically. It is impressive not only in size but also as a brilliant example of the long history of dye printing. Made around 1650 this Mughal piece is flanked by two contemporary works; one by Manish Arora (Butterfly dress) and another by Abraham & Thakore (Houndstooth sari).

Installation view of The Fabric of India at the V&A
 (c) Victoria and Albert Museum, London

Around the corner hang fabrics dyed in rich natural colours. Displayed beneath each piece is the raw dye-stuffs that gives the colour. Cakes of indigo and lac point towards the profitable trade in natural dyes that took place in the nineteenth century. In subsequent cases Ismail Khatri’s samplers show the stages of Ajrakh production. The Maiwa collection also has one of these samplers. In our stores we field so many questions about the Ajrakh process that we had smaller versions made up to sell.

Jason Singh designed a separate soundscape for each exhibition hall. In the first room the sounds of blockprinting (the gentle thump, thump, ka-thump of wooden blocks being pounded on cotton) mix with the signature clacking of flying shuttles. These environmental sounds punctuate an ambient music that could have been scored by Harold Budd or Brian Eno.

There are many pieces in the Fabric of India exhibit that are simply mind-boggling. There is no other way to describe them. My personal favourite is the cartographic shawl (never intended to be worn) made in 1870 as a commission by Maharaja Ranbir Singh. Another is the far-older talismanic shirt: made of starched white cotton, it displays the entire text of the Qur’an written in ink and embellished with red and gold paint.

Map shawl, woollen embroidery, Kashmir
Victoria and Albert Museum, London (Click for enlargement)

I had a powerful emotional reaction when I spent some time sitting on a bench inside Tipu Sultan’s tent. The tent, made sometime between 1725-50 from panels of blockprinted cotton, possibly in Burhanpur, was brought to England in 1803 (Tipu lost to the British in 1799). It stands as an excellent example of the longevity of natural dyes. The tent would have seen decades of field use (the exterior is indeed, quite faded) and yet the interior sides of the panels are clear and bright – even in the subdued museum lighting. It is the mood, however, which this historic piece generates that seems to compel visitors to return for another moment under its canopies.

Under Tipu's Tent - Installation view of The Fabric of India at the V&A
 (c) Victoria and Albert Museum, London
Tipu's Tent, National Trust Images

The staging of the show is superb. The theme of the red thread (found at the entrance) is repeated to great effect. One corridor leading into the gallery space has its walls made from these red threads (about the width of shoe-strings) and even with no one in the corridor, groups of the cords began to vibrate – in sympathy to something I could not detect.

Many of pieces are examples of the substantial trade relationships that Indian artisans and merchants created. India had an uncanny ability to generate unique textiles in response to distinct markets. This trade went as far as Africa and Japan. The trade also had great longevity—the oldest pieces of Indian cotton were preserved outside India.

Another impressive piece is a Karuppur Shawl, on loan from the Metropolitan Museum of Art. Originally from the Hindu Maratha court at Thanjavur, the entire textile (including silver-wrapped threads) has been over-dyed with a brick red colour. It stands out in a room already filled with extraordinary pieces.

The exhibition concludes with a number contemporary pieces. These works point towards artisan-designer relationships and the creative tension between tradition and innovation.

Installation view of The Fabric of India at the V&A
 (c) Victoria and Albert Museum, London

The buzz around this exhibition is well deserved. Vogue called it "the most stunning exhibition you will see in London this Fall." If you live anywhere within reach of London (or if you can route your trip there) the exhibition is a must-see.

Tim McLaughlin

The Fabric of India exhibition is also collected in a substantial hardcover book. An in depth review has been posted here. We will post some excerpts from that review in our next post.




Thursday, November 12, 2015 No comments
The 2016 Spring Workshops
A collection of foundation courses in the textile arts
is being offered by the
Maiwa School of Textiles
Registration opens December 7th at 10am.
(registration.maiwa.com) 

See our School of Textiles pages for registration details.

Below is a link to our full course calendar.
2016 Spring Workshops Course Calendar
In opens in ISSUU - to let you read it online.
We hope to see you there!


Wednesday, November 11, 2015 No comments


Tim McLaughlin and Charllotte Kwon have contributed a feature article to V&A Magazine's special issue on the Fabric of India.

It is available in the Maiwa Online Store.

Ordinarily the magazine is available in the V&A gift shop or to V&A members or subscribers. But we have ordered a number of copies for the Maiwa Online store. We also have placed some in our retail stores on Granville Island.

The feature describes the richness of hand block print traditions in three locations and ties them into the resistance to industrial production methods that characterized India's response to the British Raj.

Full information on this issue can be found on the V&A Magazine website. UK residents may wish to purchase copies from the V&A Shop.

Charllotte and Tim have recently visited the Fabric of India exhibition and will be posting a review soon.


Friday, November 06, 2015 No comments
Charllotte Kwon - Return to Jawaja
Charllotte Kwon delivered the 2015 Threads lecture to a sold out house on Thursday night. The subject this year was the Jawaja Cooperative and their successful resistance to an attempt to force them off their land.

Charllotte told the story with the passion and conviction. When it finally concluded the audience gave her a standing ovation.The evening was a success in many way — it also raised considerable funds for the Maiwa Foundation.



It was the end of an exceptional symposium season and the Maiwa staff honoured Charllotte's commitment with a bouquet of flowers at the end of the evening.


Friday, October 30, 2015 1 comments
Chad Alice Hagen talks felting, cats, books, and life.

On Wednesday October 28th Chad Alice Hagen gave a spirited and lively run through her life in craft. From her art-school inspirations and large-scale felted works to her career shift into bookmaking and her longstanding delight in pattern, colour and creativity.

The evening was introduced by Liberty Erickson — we are happy to reproduce it here.


Liberty Erickson
Hello everyone, and welcome to this evenings lecture. Tonight we get a glimpse into the wonderful world of Chad Alice Hagen.

Chad has been a felt maker since 1979, a resist dyer since 1985 and a book maker since 2005. She is the author of 3 books about felting  and her work has appeared on the covers of Surface Design Journal, Fiberarts, and Shuttle Spindle & Dyepot.  She holds a BA and MA from the university of Wisconsin and teaches extensively through out the US and Europe. We are happy to welcome her here to Vancouver for tonigh'ts talk and this weekend's workshops "Resist Felting" and "Books with a twist." 

Stepping into the world of Chad Alice Hagen is like stepping into a chapter of Alice in Wonderland. Only in this case it is Chad Alice in Wonderland.

Her felted works are FULL of vibrant colors, delicious textures, and weird and wonderful shapes. Her books seem to have a life all their own and practically dance right out of their own pages ... dancing no doubt,  towards a mad-hatter's tea party.

Waiting for that next clean cup and next new adventure, I imagine Chad Alice Hagen sitting at the head of this tea party table with her deaf cat Leon (a chashire cat no doubt) there she conducts the magic of her creations and becomes like a maestro to those of us that wish to follow her down that wonderful dark rabbit hole of life.

Yet she assures us that there IS light way down there—but also a hell of a lot of doors and windows to look into on the way.

So tonight we will take an adventure with a woman who is ever evolving and full of imagination to take a peek into those doors and windows of her life and her work, and, perhaps by the end, have opened some doors and windows of our own ...

Please welcome Chad Alice Hagen.
Thursday, October 29, 2015 2 comments


The Gallery of BC Ceramics
has partnered with
Devil May Wear and Maiwa Handprints
to bring you 

EARTH & WEAR

A collection of locally made fashion and ceramics.
Meet the makers and get inspired at our 
exclusive one-night exhibition.

Cash bar
hors d'oeuvres will be served

Tuesday November 3rd
7-10 pm

Gallery of Ceramics
1359 Cartwright Street
Granville Island
Vancouver, Canada
Wednesday, October 28, 2015 No comments

On Monday October 26th Wendy Garrity took the audience on a weaver's journey through Bhutan. Few places could be as attractive for a weaver - for Bhutan has enshrined weaving as a national treasure. 

The evening was introduced by Toby Smith. We received requests to post her comments and so here they are. 

This summer I’ve been reading in the philosophy of craft.

There’s lots of opinions. There is some remarkable stupidity.

Such as the art historian who writes that modern craft is just a hobby, like collecting baseball cards. Well, I’ve been actively studying hand weaving for ten years now. I read everything I can find. I have taken about 30 workshops and courses. I go to weaving conferences. I belong to study groups and a large studio. I weave hundreds of samples. But I’m just a baby beginner weaver. I know nothing and my weaving is full of inexactitudes. Honestly, not to besmirch card collecting, but I think after ten years, I’d have had the whole baseball card thing down by now. 

Moving on, there are more interesting writers in the philosophy of craft. Sociologist Richard Sennett refers to what he calls Craft Time. This is time slowed down as the craftsman achieves a synthesis between hand, eye, brain, and materials that takes decades to achieve. It requires total absorption and engagement.This mindful practice of one’s craft is a kind of contemplation on materials. This is craft as a form of meditation. It is, in a way, its own spiritual practice. Be it fibre, clay, wood, glass, or metals, it is a slow business, this learning a craft to the master level. There may be Master Baseball Card Collectors, but I doubt it.

The expert manipulation of materials is as important as other knowledge. In the realm of High Art you can be a famous artist without having to master the craft of actual material production. You don’t even have to know how to draw. You can have famous ideas. I’m thinking here of Marcel Duchamp’s famous sculpture called “Fountain”, one of the icons of 20th century art. It was a men’s urinal laid on its back. You can’t get away with that in craft. [Strangely, that piece has been lost.]

Master craft is a deep thing. All cultures have had it since the beginning of time. It is something that connects us to human history in as real a way as DNA. Every time we practice craft, we perpetuate our humanity. It is a small victory of the human over the electronic.

Understand this. As you watch Wendy Garrity’s images of Bhutanese weavers, remember it is not just the weaver’s product that is important. The practice is a thing in itself. It is a state of being and as much the expression of cultural belonging and Self as it is the vehicle for production. No toilets masquerading as art here; this is Craft Time.

Wendy's Biography

Wendy Garrity comes to us from Perth, Australia. She has a Bachelor of Music Education and a Masters in Music Performance. She has been playing the flute since she was 16 and continued to play and teach until 2010 when she felt the need for a career break.

Wendy Garrity’s interest in textiles and weaving began as a child, when her mother taught her to knit and sew, and her grandmother taught her to weave. She loves the mental work-out of creating something, negotiating the puzzle of colour, shape, and design.

Wendy’s textile travels began with three fabric purchases in Thailand in 2001. Interested to find out more about them, she researched who made them and how. You can find out more on her terrific website called Textile Trails. This refers both to the geographical trails and to the research trails Wendy follows as she explores the textiles that fascinate her. After she finds out how the textiles are made, she goes to see this process herself. Often she is able to interact with local artisans and learn these techniques, as in Bhutan. While Wendy is interested in all textile production, she is particularly drawn to local weaving and dyeing activities. On her website she includes a great Resources page with books and websites for further information.

Wendy also travels all over the world giving workshops and presentations on the techniques and cultures she has encountered. She is teaching two workshops in the Maiwa Symposium. Wendy is someone who understands the contemplative nature of craft and she has seen how its spirit inhabits the world’s textiles and their cultures.

Please welcome Wendy Garrity.



Tuesday, October 27, 2015 No comments
(R-L) Steve Nistor, Lonnie Holley and Kelly Pratt at St. James Hall, Vancouver.

On Friday October 23rd the Maiwa Textile Symposium presented Lonnie Holley and Guests with the Gee's Bend Quilters at St. James Hall in Vancouver, Canada. Lonnie Holley, is an artist, sculptor, performer and musician. In his sculptures, Holley's use of recycled and found materials is an example of the will to make under impoverished conditions that also exemplifies the Gee's Bend Quilts. The Vancouver audience were treated to an example of the type of raw creativity that gave birth to entire musical genres such as blues and jazz.

Louisiana Bendolph and Matt Arnett.

The evening opened with a conversation about quilting and art in the Deep South led by Louisiana Bendolph and Matt Arnett. For many members of the Gee's Bend community their optimism, fortitude and generosity is rooted in religious faith and there is no hard line between faith, music, singing, and social activities like quilting. Holley is closely tied to the quilters, frequently travels with them, and has personally attended all of their exhibition openings. 

In this context Holley's music can be seen as a kind of secular gospel that has merged with his own unique performance style. Holley's work is improvised not only musically but also texturally as his songs build on thoughts and ideas he wants to express. His set list, sitting on top of his keyboard, does not contain the names of songs, but rather key ideas that he will form into songs on the spot. 

Lonnie Holley and Kelly Pratt.
Holley was joined by Steve Nistor and Kelly Pratt, seasoned musicians each with a long list of accomplishments on their own. The trio have performed together in the past, notably at the 2014 Pickathon Music festival. This was Holley's first appearance in Western Canada. We have posted a short video clip below.


Saturday, October 24, 2015 No comments
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