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the MAIWA JOURNAL
On Thursday June 12th Charllotte Kwon, owner of Maiwa Handprints and founder of the Maiwa Foundation, received an honorary doctorate from the University of the Fraser Valley for her work empowering artisans from developing nations and battling poverty by providing a market for their traditional crafts.

It was a proud moment for us all.

UFV Chancellor Brian Minter and President Mark Evered
present Charllotte with her hood and honourary degree, Doctor of Letters.

It was a beautiful day in June. The auditorium was filled with the friends and family of all the graduating students. As part of the convocation ceremony Charllotte gave a short address to the audience. We are pleased to reprint it here.




I’d like to express my gratitude for this honour. I am moved and humbled by the recognition.

When I was told that I was to be awarded an honourary degree from the University of the Fraser Valley I was very excited. But I was more joyful for the recognition that this award confers on what I think is most important: to elevate the status of craft and artisans. That is my passion and the idea that motivates all that I do.

When I thought about how to address an auditorium of graduates, I thought: each person is like a length of cloth.

For many of the artisans I work with, cloth is believed to be a living thing. Something invested with potential. As a cloth ages, it records a narrative. Like a person, its best qualities become more pronounced with time, and like a person, it can be stained or tainted. Like a life it can unravel, or be torn apart.

But it can also be mended, cleansed, renewed, embroidered, patched, and ultimately coveted.

The ultimate prestige textiles, the ones that make collectors weep, are not the ones that display a machine-like perfection, instead they are the ones that exhibit the most human of qualities. They are the ones that come from a particular tradition or culture, and yet speak in an individual voice. I work mostly in India. There, uncut cloth (fabric taken from the loom and not cut or tailored) is considered holy. 

Your life is a cloth that you yourself are weaving.

And what will make you competent weavers is your ability to learn. If you are graduating here today, you have already spent years in an environment where everyone is learning. I want to emphasize just how rare that culture is. The ultimate goal of education is simple: to encourage your curiosity to the point where it becomes self-sustaining. By teaching you how to learn, an education provides a mechanism through which your curiosity is never stifled, instead it becomes the passion that guides your life.

In my own life, I follow two passions: a passion for business and a passion for textiles. My love of textiles gives a purpose and focus to my business. When I encounter highly-skilled artisans who are loosing a market for their craft, I put the business to work to create new markets for traditions that are often hundreds of years old. When I have been discouraged or faced terrible challenges, the beauty of the textiles, and the integrity of the makers, keeps me going.

A successful business is, for me, one that leads you to a new place of learning each day. Although I am proud that my books are balanced and my staff have a medical plan, ultimately I am driven as an explorer is driven, by an insatiable curiosity to discover and learn.

I am happy that my business is successful. But my fundamental business decisions are made with a goal that is never mentioned in business school. Everything I do is decided with a simple set of questions: will this elevate skills? Will this improve the lives of artisans, the people who are making the things that I am selling? Will this make the world a better place?

For example, current business theory is that you should carry minimum inventory. Much to by accountant’s dismay, I don’t do that. I will order enough handwoven, naturally dyed, blockprinted cloth to keep a family of artisans in business. If that family business thrives, an entire network of other people is also supported — from the farmers of natural dye plants, to growers of organic cotton.

Work should generate not only income — it should generate meaning.

It is a rare opportunity to be able to address a class of university graduates. The world needs people like you. It needs individuals who don’t see education as vocational training, to be set aside once you have landed your first job. The world needs individuals who don’t see work as something you do only to pay for your future retirement.

If I could tell you one thing, I would say, never dull your passion. Never let others diminish it. Keep your vision.

Weave your passion and your work together with a lifetime of learning into a coveted cloth.

Thank you.

Congratulations to everyone who graduated and a heartfelt thanks to all those who made this day possible.

The University of the Fraser Valley has also posted a feature on those receiving honourary degrees. Charllotte's may be found here: http://blogs.ufv.ca/blog/2014/06/colourful-commitment-craft-leads-ufv-honorary-degree-charllotte-kwon/





Monday, June 16, 2014 9 comments

We’ve been doing registrations since 2004 and we’ve noticed a pattern. It’s a rush. The line up forms early. But we have a highly efficient team of Maiwa veterans to guide the process. Here are some tips for successful registration.

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Sunday, June 15, 2014 No comments


Maiwa East

In Store Exhibition

We have hand-picked a number of remarkable illustrated cabinets from India. The jewel in the crown of this recent collection is a piece that has been illustrated by Salman Chetan. 

This piece shows a masterful collection of scenes with exquisite detail. Each panel of the cabinet has been hand-painted in the style of Indian miniatures. The brush-work and attention to detail is remarkable. There are hundreds of faces on this cabinet and each one is unique. This cabinet features paintings on the sides, front doors, and inside panels of the doors. There are scenes of celebration including a depiction of the Holi festival of colour.

Approx. 76" tall, 48" wide and 18" deep.
$4000.00.

This remarkable cabinet is on display at Maiwa East with a number of smaller illustrated works.

Maiwa East
1310 Odlum Drive,
Vancouver BC, Canada 

Click for enlargement.









Maiwa East
1310 Odlum Drive,
Vancouver BC, Canada


Open Thursday, Friday, Saturday
10am - 5pm

Open Sunday
11am - 5pm



Friday, June 13, 2014 No comments

The Berber women of Morocco are in Paris, in an exhibition of Berber clothing, jewellery, and culture. The exhibit is installed at the Fondation Pierre Bergé – Yevs Saint Laurent until July 20, 2014.


The exhibition is dedicated to Berber women who are seen as the key to the survival of the Berber culture. As the exhibition text makes clear:
It is an occasion not only to share the richness of the Amazigh civilization, but also to honor Berber women, to whom the Amazigh culture owes its survival. The survival of a culture depends on the transmission of language, but also on certain, essentially feminine, skills, such as weaving or, in the northern region of the Kingdom, pottery. The exhibition is an opportunity to display the diverse and extraordinary beauty of Berber adornments.  


We visited the exhibition on our way back from Morocco. It is an extraordinary collection of textiles, jewellery and artifacts. The work is exquisitely staged and augmented by the black and white photography of Jean Besancenot an ethnologist who travelled throughout Morocco while serving with the French military. The exhibition catalogue is presently the only printed collection of his photography available.

Yves Saint Laurent and Pierre Bergé developed a life long relationship with Morocco after their first visit in 1966. In Marrakech they purchased the Majorelle Garden, founded by painter Jacques Majorelle. The garden had fallen into disrepair. Bergé and Saint Laurent renovated, opened the garden to the public, and established The Berber Museum on the grounds. For more information see the Berber Women of Morocco press release.

Maiwa has created a display of Morocco jewellery in our main store. There are pieces of Berber, Arabic and Tuareg origin. This distinctive work is for sale. Here is a small sample of some of the pieces that are in the store.




Monday, June 09, 2014 No comments

2014 Maiwa Textile Symposium
Event What I Felt - Rutsuko Sakata Exhibition
Rutsuko Sakata 

October 29 6-8 pm
Silk Weaving Studio
Please RSVP to Maiwa (604) 669-3939
or Silk Weaving Studio (604) 687-7455





Rutsuko Sakata creates textile artworks that are a synergy of felted wool, silk, and the profound iconography of the forest. Sakata’s work is thematically bold with a strength of character that demands to be seen. Join us for an exhibition of her unique works at the 
Silk Weaving Studio.

Exhibition runs October 29–November 15

Friday, May 16, 2014 No comments

[2014 Symposium registration opens June 23 at 10am.]

2014 Maiwa Textile Symposium
Event The Orissa File
Charllotte Kwon

$15 October 25, 7:45 pm
Net Loft: Granville Is. Vancouver BC



Over a decade has passed since Maiwa’s last major research trip to Orissa. During that time many things have changed and a new generation of weavers and artisans have taken over the work of creating Orissa’s cultural future.

Join us as we take you through some of the most beautiful villages in India. You will see streets with stretched warps, bolts of brilliant fabric freshly cut from the looms, wild silks, tribal potters, and even a prince in his family palace.

During the THREADS EVENT it is customary to sell everything in the Maiwa store at 20% off. All proceeds from this evening go directly to the Maiwa Foundation.


Charllotte Kwon is the owner of Maiwa Handprints Ltd. and the director of the Maiwa Foundation. Through Maiwa, Charllotte also runs a textile archive and research library located on Granville Island. Under her direction Maiwa has produced four documentary films and a number of print publications. She also guides Maiwa’s substantial web presence.

Charllotte travels extensively each year to research handcraft and to supplement her natural-dye research. Always looking to extend natural dye use, she also teaches dyeing workshops with artisans around the world and has planned a series of natural dye master classes to bring exceptional practising artisans together.
Friday, May 16, 2014 No comments

[2014 Symposium registration opens June 23 at 10am.]

2014 Maiwa Textile Symposium
Event - Sound of Nature - Kyoko Ueda and Noriko Narahira 

October 17 6-8pm.
Silk Weaving Studio
Please RSVP to Maiwa (604) 669-3939
or Silk Weaving Studio (604) 687-7455




Kyoko Ueda works through layering silk gauze. Her expressions, created through multiple layers of thin fabrics, create a profoundness that causes one to fixate on the fabric. It can be said that these are the traces of her days—layered over each other. 

Noriko Narahira sensitively constructs fabrics that have an ethereal, otherworldly presence. The emotional impact of these works connects directly with viewers, many of whom have a profound reaction in the presence of the work. 

Join us for a joint exhibition of these two remarkable artists at the Silk Weaving Studio.

Exhibition runs October 17–26

Friday, May 16, 2014 No comments
[2014 Symposium registration opens June 23 at 10am.]


2014 Maiwa Textile Symposium
Event - Threads:
The Art and Life of Surayia Rahman

with Director Cathy Stevulak

$15  September 25, 7:45pm
Net Loft: Granville Is. Vancouver BC



She transformed the nakshi kantha quiltwork of Bangladesh into an elaborate form of tapestry that could rival any in the world. 

She began to train and employ destitute women to help her stitch these kantha tapestry masterworks. She drew stories from history, poetry, and daily life, and a company of highly skilled women brought her visions to perfection. She worked constantly, tirelessly. She worked until she could no longer draw and even then she made plans to provide a future for the hundreds of artisans who stitched these magnificent works.

This is Surayia Rahman’s story: a complex tale of how she came to be an artist, of how she lost control of her designs, and of how ultimately fate decided that the work needed to come back to her.

It is also the story of how one woman’s art can empower hundreds—and transform their lives.

Cathy Stevulak first experienced Surayia’s art when she lived and worked in Bangladesh. Threads is the result of over four years of research, filming, and still photography in locations around the world. 

Cathy will provide a behind-the-scenes talk after the film and answer questions. She will also have some of Surayia’s work on hand for the audience to examine. 

Surayia Rahman’s work has been gifted to world leaders including Queen Elizabeth II to Kim Il-Sung and is held in museums and private collections around the world.


Cathy Stevulak, international project manager and filmmaker, is co-founder of Kantha Productions LLC.  In cooperation with filmmakers in Bangladesh, Canada, and the United States, Cathy is leading the Threads project to document the life, textile stories, and social contributions of artist Surayia Rahman of Bangladesh.

Cathy grew up in Alberta, Canada, and had multiple craft projects on the go throughout her early life. She has had a lifelong interest in beauty made by hand.  With Nova Scotia College of Art and Design, Cathy co-organized the exhibition and lecture “Traditional Textiles of Bangladesh” (2005).  She advised the Textile Museum of Canada in its early development of corporate partnerships. Cathy was Senior Governance Adviser with United Nations Development Programme in Bangladesh and has lived and worked internationally for over 20 years. 
www.kanthathreads.com

Friday, May 16, 2014 No comments
[2014 Symposium registration opens June 23 at 10am.]

2014 Maiwa Textile Symposium
Event Water Carries Colour, Water Waves Air 
Reiko Sudo

September 5 6-8pm
at the Silk Weaving Studio
No Charge. 
Please RSVP to Maiwa (604) 669-3939
or Silk Weaving Studio (604) 687-7455



Masayoshi Ohashi studied under the direct lineage of Japan’s first Living National Treasure, Keisuke Serizawa, and has since gone on to research and transmit traditional Japanese dyeing techniques to new generations. His recent works based on his intimate knowledge of water processes have secured him a place of honour in the world of Japanese dyeing.

Reiko Sudo works with endangered weaving traditions throughout Japan, actively seeking to preserve and further engage artisan skills toward contemporary designs. 

Presented here is a selection of fascinating textiles created by these two educators, both known for their intense interest in craft, their in-depth research, and their dedication to education.

Exhibition runs September 5–26, 2014

Friday, May 16, 2014 No comments

[2014 Symposium registration opens June 23 at 10am.]

2014 Maiwa Textile Symposium
Workshop Between the Colours - Creative Resist
Natalie Grambow

$295 includes 75 lab fee
November 28, 29, 30,  - Class Limit 14
Maiwa East: 1310 Odlum Drive, Vancouver BC



This very popular workshop has returned. This course is an ideal introduction to resist as a vital element of surface design. Here students will obtain a comprehensive understanding of resists: what advantage each might have, what effects can be obtained, and what the proper techniques are for manipulating fabric, colour, and resist. 

The class will work with fibre-reactive dyes, fabric paints, discharge agents, and water-based paste resists including flour paste, potato starch, corn dextrin, and devore. Students will also study a variety of pre-made resists such as wax emulsion, Presist, Sabra-silk, gutta, glue gels, and puff pigments (to create puckered effects).

Finally, students will study hot wax resist and a range of shibori resists including pole-wrapping clamped resist and stitch-bound resist. Students will leave the workshop with many samples showing a variety of techniques and effects. A final project will also be completed.


Instructor Bio

Natalie Grambow has an extensive background in design, teaching, and textile arts. An accredited Interior Designer, she spent many years in Ottawa working within the architectural design field and teaching Design Theory. Natalie’s first deep exploration of textiles began during her Visual Arts/Photography studies at the University of Ottawa when she experimented with non-silver techniques of transferring photographic imagery onto cloth. She subsequently studied at the École d’Impression Textile à Montréal and later travelled to Asia and Latin America where she spent six months learning to weave with local Mayan weavers in Guatemala. Shortly after completing the Textile Arts program at Capilano College in 2001, she was awarded the BC Craft Association’s Award of Excellence. 

Natalie has exhibited her textile art installations in the Lower Mainland, Vancouver, Vancouver Island, and the Sunshine Coast. She  has also developed a line of naturally dyed and printed fabrics and has been commissioned by such clients as the city of North Vancouver. Currently living in Roberts Creek, BC, she continues her art practice and studies from her studio. 

Tuesday, May 13, 2014 No comments

[2014 Symposium registration opens June 23 at 10am.]

2014 Maiwa Textile Symposium
Workshop The Creative Studio - Second Offering
Natalie Grambow

$295 includes 65 lab fee
November 21, 22, 23 - Class Limit 14
Maiwa Loft: Above the Net Loft, Granville Is. Vancouver BC



Due to intense demand the Creative Studio has been expanded to a three-day workshop.

This workshop is one of our most inspiring and creative, so much so that we have students who have taken it more than once. Students come to answer the question: How can creativity be tapped, mined, or made to flow when we need it most? In this original workshop, students will travel on an exploratory adventure, discovering techniques and letting go of assumptions that may hold them back.

The class will provide a wealth of images, sounds, and sensory inspirations. These will be combined with a variety of studies exploring the elements and principles of creative design. Such ideas as balance, symmetry, harmony, contrast, and unity will provide a toolbox that may be opened to understand both what we like about an artwork and what we want to work toward in our own work.

Using collage, image deconstruction, mono-printing, writing, and drawing, students will learn to narrate their stories incorporating personal references and applying design principles. Students will leave the workshop with a creative journal, the beginning of their ongoing artistic journey, as well as a series of small textile art pieces.


Instructor Bio

Natalie Grambow has an extensive background in design, teaching, and textile arts. An accredited Interior Designer, she spent many years in Ottawa working within the architectural design field and teaching Design Theory. Natalie’s first deep exploration of textiles began during her Visual Arts/Photography studies at the University of Ottawa when she experimented with non-silver techniques of transferring photographic imagery onto cloth. She subsequently studied at the École d’Impression Textile à Montréal and later travelled to Asia and Latin America where she spent six months learning to weave with local Mayan weavers in Guatemala. Shortly after completing the Textile Arts program at Capilano College in 2001, she was awarded the BC Craft Association’s Award of Excellence. 

Natalie has exhibited her textile art installations in the Lower Mainland, Vancouver, Vancouver Island, and the Sunshine Coast. She  has also developed a line of naturally dyed and printed fabrics and has been commissioned by such clients as the city of North Vancouver. Currently living in Roberts Creek, BC, she continues her art practice and studies from her studio. 

Tuesday, May 13, 2014 No comments
[2014 Symposium registration opens June 23 at 10am.]


2014 Maiwa Textile Symposium
Workshop Advanced Rug Hooking
Michelle Sirois-Silver

$295 includes 75 lab fee
November 7, 8, 9,  - Class Limit 12
Maiwa Loft: Above the Net Loft, Granville Is. Vancouver BC



In this workshop hand-hooking artists will expand their repertoire of materials and techniques.

Embracing a bold and expressive approach, participants will explore two- and three-dimensional forms. Students will work with alterative materials to incorporate qualities such as texture, depth, tone, and colour into their hooking. The course will cover the different methods needed to fully integrate these materials.  

Advanced rug hooking will focus on exploration and experimentation. Students will assemble a sample book that includes materials, resources, and methods. Each day students will design and make small art pieces (6x6 inches).  These art pieces will combine the hand-hooked surface with techniques such as hand stitch, needle felt, and the fixing of metal grommets and wire. Hand hooking will be done with a range of materials from traditional wool fabrics, synthetics, and cottons to leather.

Michelle has packed the three days as fully as possible. This is an intensive workshop designed to challenge the artist. Rug hooking experience is necessary. 


Tuesday, May 13, 2014 No comments
[2014 Symposium registration opens June 23 at 10am.]


2014 Maiwa Textile Symposium
Workshop Down the Silk Road
Carol Soderlund

$595 includes 150 lab fee
November 5, 6, 7, 8, 9 - Class Limit 16
Maiwa East: 1310 Odlum Drive, Vancouver BC



This is an opportunity to journey with precision dyer Carol Soderlund Down the Silk Road. In her own words:

“Let’s adventure together down the Silk Road, learning all about silk, that lovely seductive cloth which intrigues us with its lustre and sensuous drape. On our journey we will use Procion MX dyes as a reactive dye and as an acid dye, increasing the creative opportunities and expanding the possible colour range.”

In this workshop students will sample multiple possibilities/solutions as they compare cold batch methods and steaming methods.

In addition to focused colour studies, students will explore patterning of the silk with a variety of application processes, including low water immersion, pole-wrapped, stitched, and clamped shibori, as well as free-form knotting, crinkling, and shaping. 

Discussions will include studio safety, fabric preparation and selection, and simple ways to work from a home studio. Students will use a variety of silk fabrics and scarves to develop a full appreciation of this incredible fibre.


Instructor Bio

Carol Soderlund’s works have been exhibited nationally and internationally since 1985 in such venues as Visions and American Quilting Society shows and have received numerous awards, including Best of Show at the 1989 International Quilt Festival and Best Use of Color at the Pennsylvania National Quilt Exhibition 2000. She has taught colour, fabric dyeing, colour-mixing techniques, and quilting throughout North America and is currently working on a book on these subjects. 

“My work is primarily driven by a passion for colour interactions, the illusions they create, the luminosity they can bring to a surface. I love creating my own palette of fabric through painting, dyeing, and other surface design processes including discharge, shibori, stamping, screening, and foiling. My goal in design is to have a piece that intrigues the viewer at first glance and then continues to reveal surprises upon every inspection.”  www.carolsoderlund.com
Tuesday, May 13, 2014 No comments
[2014 Symposium registration opens June 23 at 10am.]

2014 Maiwa Textile Symposium
Workshop Shaped Resist
Joan Morris

$495 includes 80 lab fee
October 31 - November 4, - Class Limit 16
Maiwa East: 1310 Odlum Drive, Vancouver BC



This workshop will introduce students to shaped resist dyeing with acid dyes and discharge dyeing. With this technique it is possible to float defined areas of shaped-resist patterns on solid-coloured grounds using vibrant colour schemes. 

Shaped resist dyeing (also referred to as shibori, a Japanese word meaning to compress or to squeeze) is one of the oldest ways of patterning cloth. By pinching, pleating, stitching, wrapping, and folding silk and wool and then securing those shaped bundles before dyeing, students will create textiles that are subtle, evocative visual and textural memories of the shaping process. 

This process readily lends itself to infinite variation and invention. Economical, simple-to-use wash-fast acid dyes give saturated, transparent, vibrant hues to silk and wool, and they work perfectly with the shaped resist processes. 

This class, open to beginners and beyond, will explore shaped resist dyeing using wash-fast acid dyes and the discharge (colour removal) process. Discharging is a colour-removing process allowing for complex colour combinations otherwise impossible to achieve through conventional over-dyeing. We’ll concentrate on making samples of hand-stitched resist (though other ways of making shaped resist will be discussed and demonstrated). 

Feel free to bring your sewing machine. (It isn’t a replacement for hand-sewing, but you can get some wonderful effects with a machine.)

Joan Morris joins us from USA.


Saturday, May 10, 2014 No comments

[2014 Symposium registration opens June 23 at 10am.]

2014 Maiwa Textile Symposium
Workshop Bookbinding - The Artists Book
Gaye Hansen

$295 includes 70 lab fee
Oct 30, 31, Nov 1 - Class Limit 12
Maiwa Loft: Above the Net Loft, Granville Is. Vancouver BC



One of our most popular classes—the demand for professional bookbinding instruction has been overwhelming. As more people have seen the exquisite books created in these classes, interest has grown considerably.

Both of Gaye’s bookbinding courses include fundamental binding techniques such as Japanese stab binding, corner treatments, the pamphlet stitch, the use of book cloth, and signature procedures.

As the workshop progresses, students will be taken through the steps of making a 6” x 7” hardcover book using more advanced techniques: cloth covers, sewn signatures, interleaf pages, hinges, linen tapes, and headbands. The books become personalized through add-in techniques such as sewn-in envelopes, specialty papers, blockprinting, insertions, and pockets. A wide variety of handmade and commercial papers will be used for the final project.


Instructor Bio

Gaye Hansen is the maker of books of exceptional beauty that contain intriguing wonders. She has an extensive background in bookbinding and the textile arts and has taught our popular bookbinding courses for the last eight years. She is also a master weaver who has taught weaving workshops for over 30 years. In 2002 she was chair of the Convergence Conference of the Hand Weavers Guilds of America. She has also been active with the Vancouver Weavers and Spinners Guild and is author of five best-selling Canadian cookbooks.
Saturday, May 10, 2014 No comments

[2014 Symposium registration opens June 23 at 10am.]

2014 Maiwa Textile Symposium
Workshop Bookbinding - Ancient to Modern
Gaye Hansen

$295 includes 70 lab fee
October 27, 28, 29 - Class Limit 12
Maiwa Loft: Above the Net Loft, Granville Is. Vancouver BC



This new class is an overview of bookbinding techniques and basic procedures. Students are introduced to the book arts in a casual and practical three-day format.

Both of Gaye’s bookbinding courses include fundamental binding techniques such as Japanese stab binding, corner treatments, the pamphlet stitch, the use of book cloth, and signature procedures.

Students will learn how to make an accordion book and simple effective origami books. They will progress to full instruction on a simple hard-covered journal including sewn signatures and the application of end papers and spine cloth.

The main focus of the third day is the  technique of Coptic or open-spine bookbinding, the oldest known book format. Students will learn about traditional techniques: hard covers, linen threads, cloth covers, end papers, and variations.

Throughout the three days students are exposed to a wide range of materials, equipment, and techniques including the use of decorative papers, mounting film, text pages, book cloth, etc. Time is set aside for learning through visual examples, demonstrations, personal instruction, text books, and web resources to maximize exposure to the ancient but reviving creative field of hand bookbinding.


Instructor Bio

Gaye Hansen is the maker of books of exceptional beauty that contain intriguing wonders. She has an extensive background in bookbinding and the textile arts and has taught our popular bookbinding courses for the last eight years. She is also a master weaver who has taught weaving workshops for over 30 years. In 2002 she was chair of the Convergence Conference of the Hand Weavers Guilds of America. She has also been active with the Vancouver Weavers and Spinners Guild and is author of five best-selling Canadian cookbooks.
Saturday, May 10, 2014 No comments

[2014 Symposium registration opens June 23 at 10am.]

2014 Maiwa Textile Symposium
Workshop Felted Art Coat
Rutsuko Sakata 

$450 includes 75 lab fee
October 27, 28, 29, 30,  - Class Limit 14
Maiwa East: 1310 Odlum Drive, Vancouver BC



Rutsuko Sakata has spent the past twenty years working with silk and wool developing felting techniques. She has travelled around the world, exhibiting and teaching workshops. Sakata has taken the art to new heights both in terms of her exceptional designs and her mastery of technique.

Rutsuko Sakata lives across cultures, dividing her time between her Kyoto workshop in Japan and Finland, where she is a member of the Artisans, Designers and Artists of Fiskars Cooperative.

In this workshop students will work alongside Sakata to make a unique jacket that combines individuality, design, and comfort.

The jacket will be made of merino wool and a suitable thin fabric (silk organza, chiffon, or cotton organza). The garment will be felted and constructed entirely without seams. 

The finished coat will be wearable on both sides. It is cleverly designed to be warm in winter and cool in summer.

Sakata Rutsuko joins us from Japan.


Saturday, May 10, 2014 No comments

[2014 Symposium registration opens June 23 at 10am.]

2014 Maiwa Textile Symposium
Workshop The Colour Workshop
Natalie Grambow

$295 includes 75 lab fee
October 24, 25, 26,  - Class Limit 14
Maiwa Loft: Above the Net Loft, Granville Is. Vancouver BC



Few things can influence us in the way colour does. Working with our conscious desires or subtly playing off our deeper natures, colour can move our emotions and influence our thoughts.

This workshop will give students a theoretical and creative grounding in working with colour. Classical theories of colour put forth by Newton, Goethe, and Itten will be introduced. The language of colour will be covered, giving a grounding in harmony, value, saturation, and hue.

Students will be led through various exercises to help them observe the effects that colours have on each other, their relativity to the human eye, and the way they respond to different surfaces such as paper and cloth.Students will use various materials such as fabric paints, watercolours, colour crayons, pre-dyed fabric and fleece, and paint chips.  

This workshop will provide the tools for students to investigate and analyze the effects of colour, create their own colourways and palettes using inspiration from different directed sources, and develop their senses to better appreciate and work with the chromatic world.


Instructor Bio

Natalie Grambow has an extensive background in design, teaching, and textile arts. An accredited Interior Designer, she spent many years in Ottawa working within the architectural design field and teaching Design Theory. Natalie’s first deep exploration of textiles began during her Visual Arts/Photography studies at the University of Ottawa when she experimented with non-silver techniques of transferring photographic imagery onto cloth. She subsequently studied at the École d’Impression Textile à Montréal and later travelled to Asia and Latin America where she spent six months learning to weave with local Mayan weavers in Guatemala. Shortly after completing the Textile Arts program at Capilano College in 2001, she was awarded the BC Craft Association’s Award of Excellence. 

Natalie has exhibited her textile art installations in the Lower Mainland, Vancouver, Vancouver Island, and the Sunshine Coast. She  has also developed a line of naturally dyed and printed fabrics and has been commissioned by such clients as the city of North Vancouver. Currently living in Roberts Creek, BC, she continues her art practice and studies from her studio. 

Wednesday, May 07, 2014 No comments

[2014 Symposium registration opens June 23 at 10am.]

2014 Maiwa Textile Symposium
Workshop African Indigo and Batik
Gasali Adeyemo

$250 includes 65 lab fee
October 25, 26 - Class Limit 14
Maiwa East: 1310 Odlum Drive, Vancouver BC



In this class Gasali Adeyemo will take students through the steps of making the famous adire eleko (starch resist) cloth.

Adire eleko is the process of creating designs using cassava paste, a small broom, and a chicken feather. Imagery can be added either freehand or through the use of a stencil. Gasali will show the students how to prepare the paste, how to draw designs, how to dye the resisted cloth in indigo and finally, how to remove the cassava from the finished work.

Gasali will teach the meanings of traditional symbols and patterns as well as some of the fascinating traditional indigo lore.

Gasali joins us from the USA.




Wednesday, May 07, 2014 No comments

[2014 Symposium registration opens June 23 at 10am.]

2014 Maiwa Textile Symposium
Workshop Adire Tie and Dye
Gasali Adeyemo

$350 includes 75 lab fee
October 22, 23, 24 - Class Limit 14
Maiwa East: 1310 Odlum Drive, Vancouver BC



Join Gasali Adeyemo as he teaches the traditional Yoruba techniques of adire oniko (tied resist). In this class he will focus on folding, patterning, and the techniques used to create a tied resist with raffia. The resisted piece will be dyed with indigo using traditional methods. 

There are a few different raffia tie-dye techniques. One is a stitch resist where the design is made using a needle to stitch the raffia into the fabric. Another is tied by hand using raffia to create designs. Gasali will teach the students both tie-dye techniques as well as how to dye the fabric and remove the raffia.

Gasali will also explain the importance of indigo and tie-dye to both himself and his culture. Learn the meanings behind the designs of this distinctive African cloth.


Wednesday, May 07, 2014 No comments
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  • Natural Dyes - About The Organic Indigo Vat
    The Maiwa Guide to Natural Dyes What they are and how to use them These organic vats were originally developed by French dye chemist and...
  • Natural Dyes - Mordants Part 1
    The Maiwa Guide to Natural Dyes What they are and how to use them We've divided the section on Mordants into three parts. We start...
  • Natural Dyes - Scouring
    The Maiwa Guide to Natural Dyes What they are and how to use them Proper scouring is absolutely essential to good dyeing. Improperly sc...
  • Natural Dyes - Mordants Part 3
    The Maiwa Guide to Natural Dyes What they are and how to use them Cotton mordanted with alum. How To Mordant Here we give the pro...
  • Natural Dyes - Mordants Part 2
    The Maiwa Guide to Natural Dyes What they are and how to use them In our previous post we explained why mordanting was necessary and l...
  • Natural Dyes - Indigo, The Fruit Vat
    The Maiwa Guide to Natural Dyes What they are and how to use them This post give the recipe and procedure to make an organic indigo vat...
  • Natural Dyes - Indigo
    The Maiwa Guide to Natural Dyes What they are and how to use them Natural indigo is obtained from indigo bearing plants, the most si...

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