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the MAIWA JOURNAL



Here are photos of some of our auction pieces for the April 16th Fundraiser. The patterns shown will be available in a variety of colours. These are printed with natural dyes, double sided, so each step in the production (and there can be over twenty steps) must be completed on both sides. Some of the patterns require that special reverse blocks be cut so that front and back match exactly.



Ajrak double sided blockprint. Natural dyes on cotton (90" x 108")








Ajrak double sided blockprint. Natural dyes on cotton (90" x 108")














Ajrak double sided blockprint. Natural dyes on cotton (90" x 108")











Ajrak double sided blockprint. Natural dyes on cotton (72" x 80" two pieced stitched together)









Ajrak double sided blockprint. Natural dyes on cotton (90" x 108")









Ajrak double sided blockprint. Natural dyes on cotton (90" x 108")










Thursday, April 09, 2009 4 comments

2009 Maiwa Textile Symposium Lecture by
NILDA CALLAÑAUPA ALVAREZ

Monday October 19, 2009 at 7pm
Vancouver Museum (MacMillan Space Centre Auditorium)

“Simply put, Nilda is one of the most remarkable individuals I have known. She is a woman who transcends culture, who exists out of time and space, an artist and scholar of immense vision and achievement.” – Wade Davis

Textiles of Peru reflect the Inca heritage and represent the geography and history of their mountain birthplace. Every village has its own weaving patterns and traditions. Thousands of techniques, layouts, styles, and practices that on a tradition of over 2000 years. Yet all over the Andes textiles traditions are disappearing. At an early age Nilda Callañaupa noticed that only a few individuals of her generation were learning the traditional methods of weaving.

Concerned that this rich legacy would be lost to modernity, Nilda mastered Andean-style weaving with a backstrap loom, then began teaching the method to others. Now the director of the Center for Traditional Textiles of Cusco whose mission is to preserve and promote the indigenous Andean weaving traditions, Nilda has organized collectives in nine towns to support weavers and help market their works at a fair price. In this fascinating introduction to the world of Andean traditions, Nilda will explain how the distinct textiles of Peru are made and how they remain vehicles for both cultural identity and independence.

Nilda Callañaupa Alvarez is an expert weaver who has travelled extensively to teach and give presentations at Harvard, Cornell, the University of Vermont, Brown, the Textile Museum in Washington, DC, and other institutions. Her expertise is recognized by international scholars of Inca textiles and culture. Nilda joins us from Peru.

Nilda is the founder and director of the Center for Traditional Textiles of Cusco. She has established weaving associations throughout the Andean highlands to preserve a splendid tradition of fine handmade textiles and to promote economic development. She has appeared in documentaries as a spokesperson for her culture. Nilda’s weavings have been exhibited in Peru, the US, and elsewhere. Nilda lives in Cusco, Peru, with her husband and two children. Visit the centre at www.textilescusco.org.

Bibliography

Weaving in the Peruvian Highlands: Dreaming Patterns, Weaving Memories

Wednesday, April 08, 2009 1 comments
Maiwa Textile Symposium Lecture
by MORIMOTO KIKUO

Sunday October 18, 2009
at 7pm Vancouver Museum (MacMillan Space Centre Auditorium)

Under the Khmer Rouge almost all of Cambodia’s traditional culture was wiped out. Yet a recovery is under way. The story of that recovery will be presented by Morimoto Kikuo, a Japanese man trained in the art of kimono painting who has founded a traditional weaving village in rural Cambodia.

The village grows everything it needs – all the plants needed for dyeing, the fibres for ikat resist tying, cotton for spinning, mulberry trees as food for silk moths, and the moths for silk. Women work at the looms, throw the shuttle, and rock a sleeping infant in a hammock with a string tied to a finger.

The village is more than an idyllic dream: it may be the model needed to counter Cambodia’s deforestation and regain both textile and farming traditions lost during the tragic civil war.


MORIMOTO KIKUO

Morimoto Kikuo was born in Kyoto, Japan, in 1948. In 1975, after a five-year apprenticeship, he started his career in yuzen; the Japanese textile technique of painting and dyeing kimono fabric. In 1980 he made his first visit to Bangkok where he discovered Khmer traditional silk ikat textiles at the National Museum.

In 1983, Morimoto moved to Thailand to serve as a volunteer in refugee camps in the northeast. In the following years he worked encouraging natural dye traditions and in 1990, as a collaborating researcher for The Textile Museum (Washington, DC), he compiled a report entitled “Traditional Dyeing Methods in Northeast Thailand.”

In 1995, Morimoto was asked by UNESCO Cambodia to serve as a consultant for the revival of traditional silk weaving. He remained in Cambodia where he started another project, this time to raise silkworms in Takaor village, Kampot province.

In 1996, Morimoto founded IKTT (the Institute for Khmer Traditional Textiles) in a suburb of Phnom Penh. Four years later the Institute moved to Siem Reap and added a workshop for weaving and dyeing with the goal of enabling elder craftspeople to hand on their skills to younger generations.

In 2002, Morimoto purchased five hectares of land north of Angkor Wat to begin his next project, the establishment of a self-sufficient weaving village. He now lives and works there as he oversees a project named “Wisdom from the Forest.” The village grows locally everything needed (dyes, cotton, silk) to create traditional Camodian Ikat. In 2004, Morimoto received a Rolex Award for Enterprise. Visit IKTT at iktt.esprit-libre.org/en/.

Bibliography

Bayon Moon: Reviving Cambodia’s Textile Traditions
Monday, April 06, 2009 No comments

2009 Maiwa Textile Symposium Lecture by
STEPHEN HUYLER

Saturday October 17 at 7pm
Vancouver Museum (MacMillan Space Centre Auditorium)

“[A] dazzlingly prismatic, instructive, and affecting book. ... Huyler’s sensitive portraits provide evocative testimony to the persistence of creativity in even the starkest circumstances, and the transformative powers of art.” -- Booklist

Although one in every six women in the world lives in India, most of the western world knows little about them. Stephen Huyler has listened with great compassion to the voices of Indian women for over three decades. In this lecture he will present individual profiles and place them in the context of broader Indian textile arts and the development of women’s creativity as a part of their own personal empowerment.

These women are connected by a single thread: creative expression. Some view themselves as artists while others would be surprised to be identified in this manner, but each woman creatively embellishes her daily or seasonal life. Huyler seeks to dispel common western myths about Indian women and to reveal their incredible strength and determination to improve their lives and those of their children.


STEPHEN HUYLER

Stephen Huyler has been traveling in India since 1971, recording the common pulse of the peoples of South Asia and conveying his discoveries through books, exhibitions, and lectures. His work gives intimate insights into cultures that received little or no public exposure before his pioneering research.

Following two decades focused upon the documentation of folk arts and crafts, Huyler’s recent projects have examined the daily devotional practices of Hinduism. His extensive photographic archives contain one of the largest private visual surveys of India in existence. Stephen Huyler joins us from Maine, USA.

A site featuring excerpts and reviews of the book may be found at www.daughtersofindia.com. Author information is available at www.stephenhuyler.com.


Bibliography

Daughters of India:
Art and Identity

Gifts of Earth:
Terracottas & Clay Sculptures
of India

Meeting God:
Elements of Hindu Devotion

Mud, Mirror and Thread:
Folk Traditions of
Rural India

Painted Prayers:
Women’s Art in
Village India

Village India

Sunday, April 05, 2009 No comments
UPDATE: The Khatris have been successful in the purchase of new land.

Ajrakh cloth still wet from washing
Ajrakh blockprinters now face critical water shortages. The Maiwa Foundation seeks to raise $35,000 to aid in relocation.

The First Fundraising Auction Thursday April 16th at 7:30 pm in the Net Loft on Granville Island. RVSP to Maiwa 604 669 3939 or maiwa@maiwa.com

Water is vital to the production of ajrakh cloth. Through each stage of preparation, mordanting and dyeing, the character of the water will influence the final work - from the shades of the colours to the success or failure of the entire process.

The Khatri community lives in the Kutch Desert on India’s western border. The three famous brothers: Razzaque, Ismail, and Jabbar have come together to solve this crisis in traditional blockprinting. Falling water tables and impurities such as salt and iron have forced the group to scout a new site for their ajrakh studio. The group must raise funds to relocate.

Ismail and RazzaqueThe Khatris can trace their blockprinting heritage back nine generations. Razzaque has won the National Award for Craft (as did his father before him) and Ismail has received an honourary doctorate from De Montfort University, Leicester, UK.

The Khatri’s have produced a collection of exhibition quality double-sided Ajrakh to be auctioned for the cause. Maiwa has donated furniture and pieces from its textile collection Many guilds and other groups are working together with Maiwa to ensure that the artisans are able to relocate and the blockprinting craft may continue.


LINKS: Maiwa Foundation - Project Dhamadka
Thursday, April 02, 2009 No comments
New Podcast Uploaded

Excerpts from
Masters of the Art
The Khatri Blockprinters of Dhamadka and Ajrakhpur

Part 2 - Question and Answer
Razzaque Mohammed Khatri and Ismail Mohammed Khatri
with Eiluned Edwards

In this episode Razzaque and Ismail field questions from the audience. The questions explored trade patterns, the technique and culture of blockcutting, how the excavated textiles from Fustat, Egypt have found their way back into contemporary Ajrakh designs, tradition and the future of the art.
Razzaque Mohammed Khatri
Razzaque is the eldest son of Mohammed Siddique Khatri, a traditional ajrakh printer who won the national award for craft in 1981. Razzaque was to follow in his father’s footsteps, winning the national award himself in 1998. Razzaque has participated in numerous international exhibitions and workshops, achieving high honours wherever his blockprints are shown. In addition to his national award, he has also received two National Merit Certificates. He continues the tradition by training his sons in the family art, which can be traced back nine generations.

Dr. Ismail Mohammed Khatri
Ismail was also taught the family art by his father, and his work has been acclaimed internationally. In 2002 he presented workshops and lectures at the Iowa Color Congress; in 2003 he was awarded an honourary doctorate from De Montfort University, Leicester, UK. Also in 2003 Ismail participated in the Resurgence Exhibition of the Manly Council in Australia, showcasing work specially designed to reflect the post-earthquake situation. Both brothers attended the UNESCO conference on Natural Dyes held in Hyderabad, India, in 2006.

LINKS: Maiwa Foundation: Cloth, Culture, Crisis – Ajrakh
Tuesday, March 31, 2009 No comments

KMVS Wallhanging 48" x 60"

From the Maiwa Store. Saturday March 14th.

A large hand-embroidered wallhanging with dense stitches done in the Jat style was stolen from the Maiwa Store on March 14th. This is a magnificent piece from the Maiwa collection. Textile enthusiasts are alerted to be suspicious of anyone offering this piece for sale as it is stolen.

Maiwa is asking for the help of the public and is offering a reward for information leading to the return of this textile. If anyone sees an embroidery like the one pictured or has any information that could lead to the recovery of this item please contact us at 1 604 669 3939. This piece is valued at $3500.00.

See our website for more information on the KMVS cooperative and its embroiderers.
Saturday, March 28, 2009 1 comments

Published in 2000, the original booklet was titled:

a quiet manifesto for the preservation of craft

It was designed and written by Charllotte Kwon and Bronwyn Chambers to be an introduction to the world of craft and craftspeople. The introduction is worth repeating as it clearly explains our approach and intentions.

" Cloth embodies the timeless need for human expression; it touches every part of our lives. It represents our heritage and our future. Cloth connects us with cultures around the world. It speaks a global language.

"Through understanding the process of textile construction we may learn about other communities, about identity – about other parts of our human family.

"For centuries Asia has drawn seekers of an experience un-namable, something misplaced along the industrialized road of bigger, faster – better. There is wisdom in the indigenous cultures of the world. Assimilated into craft, it reveals a web of interconnectedness, and reflects the voice of people living closely with and adapting to an ever-changing landscape.

"When asked by a reporter how one could understand India, Gandhi replied, "Study her villages." – and so we do. Over the past decades Maiwa has committed itself to ethical trade and craft practices. Our business mandate is to trade directly with the individual craftspeople, thereby offering the full value of the work to the creator. We've established many successful partnerships and continue to develop more with emerging artisans. By offering translation, training, and resources both locally and abroad Maiwa forms a bridge between consumer and craftsperson.

"Following the threads of their work, we look to craftspeople everywhere as a vital link to the sensual world. Their hands express an intimate understanding of the place they inhabit – the struggles, the joy and energy of creative expression that weave their way through the practice of craft.

"In many parts of the world cloth is used to sanctify rites of passage. In Indonesia, batik is revered as sacred cloth. It is a vehicle for meditation. The saffron robes of buddhist monks are ritually dyed to maintain their soft yet vibrant colour. The meanings of complex and sophisticated textiles from India are as ancient as its civilizations. The symbolism of cloth reaches deeply into all of Indian life. 

"Folk art tends to evolve in line with contemporary beliefs and traditions. It is transformed gradually by changes in economic and social structure. It offers a vivid perspective on both historic and current events.

"Craftspeople preserve traditions as they pass them on. Maiwa's passion for collection, teaching and honouring textiles is dedicated to these artisans. More than a collection of colours, textures, techniques and textiles, Maiwa is an intention to experience the incredible creative spirit which is alive in all of us.
Wednesday, March 25, 2009 No comments
100% Certified Organic Cotton.

Hand blockprinted and naturally dyed.

Made where peacocks land on the verandah and parrots swoop in the evening air. A line of bedding that fills your room with the exquisite delights of India. You will also enjoy the feeling of organic cotton, dyed naturally in a rich beautiful palette. Hand printed by the master craftspeope of Bagru who have practiced the art for generations.

For more details about organic certification and to see this sensual line of bedding please visit our Granville Island Store, located in the Net Loft, Granville Island, Vancouver.
Tuesday, March 10, 2009 No comments
What can you find here?


We were inspired to start these posts when we were putting together the descriptions for the 2009 textile symposium. There is a lot of great content that flows through our hands. This is another way for us to share it.

Post will include profiles from our workshop series and textile symposium. Updates on events that are of interest to the fiber arts community: subjects like natural dyes, weaving, embroidery, spinning, fibers, artisans, and culture. We'll post updates on some of the ongoing work of the Maiwa Foundation and we'll also let you know some of the timely activities going on at our stores.

Comments are welcome. Enjoy.
Thursday, March 05, 2009 No comments
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