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the MAIWA JOURNAL

2012 Maiwa Textile Symposium Workshop. Registration opens June 25th at 10am

Living Blue Indigo
Anowarul Haq and Apurba Deb Roy

$225 (includes $75 lab fee) class limit 16

September 12-13 (Wed-Thu) 10am–4pm
Maiwa East, 1310 Odlum Dr., Vancouver, Canada


The quilts of rural Bengal and Bangladesh are known as khetas. Made for one’s own use, they are both simple and robust. They are used daily, cycled and recycled, become frail with age, are mended and repaired, get thinner and thicker with time, and gradually take on the history of the users and their families. They not only have a life—they are life.

 In this workshop students will explore some of the design, dye, and stitch techniques that are traditionally used to make khetas. Students will learn the jod and bejod kheta stitch techniques that, when applied to layers of hand-spun, handwoven cotton create the dheu or “wave.” The stitch makes the surface of the textile undulate like flowing water.

 Students will prepare pieces for dyeing with nui shibori and folding. A vat will be prepared using natural indigo harvested and extracted by the Living Blue project. Recipes for the Living Blue natural vat will be given and explained.

 This workshop is a very limited opportunity to work with Anowarul Haq and Apurba Deb Roy who join us from Bangladesh. They will explain how simple techniques, when worked on cloth with personality and combined with indigo blue, can create exceptional works.

Living Blue will also present an exhibition and lecture.
Thursday, March 29, 2012 1 comments
2012 Maiwa Textile Symposium Workshop. Registration opens June 25th at 10am


Monoprinted Cloth and the Stitched Mark
Ilze Aviks

$295 (includes $50 lab fee) class limit 14

September 10-12 (Mon-Wed) 10am–4pm
Maiwa Loft, Granville Island, Vancouver, Canada



Monoprinting is a method used in printmaking as well as in textiles. It simply means a process whereby a one-of-a-kind print is produced. Pigment is painted onto glass, then fabric or paper is laid onto the glass, and a one-of-a-kind print is made. Using this delightful and spontaneous method, participants will create unique cloth for stitching and collaging.

Then, using basic hand-stitching, students will create a series of studies investigating the potent interaction of the stitched mark and painted cloth. Together the class will examine how stitching can transform cloth by enhancing colour, deepening space, and creating surprising textures.

Students should come ready to explore, experiment, and surprise themselves! Monoprinting is a great way to get past a creative roadblock. It is also a method that presents many happy “accidents,” such as new visual textures and colour combinations.

Ilze Aviks returns from Colorado to teach this popular workshop.

This workshop can be taken after Stitching as Markmaking but that workshop is not a prerequisite. Non-textile artists are welcome—no previous stitching experience required.

Bio

Ilze Aviks has maintained a studio in Durango, Colorado, for over 30 years. During the last 15 years she has taught Studio and Art Theory courses at Fort Lewis College and has been a Visiting Artist at many universities. She has conducted workshops in the USA, Canada, and Australia.

Ilze has contributed essays and reviews to Fibrearts, Surface Design Journal, and Telos Publications.

Articles featuring Ilze Aviks’ work can be found in Fibrearts Design, Fibrearts, SDA Gallery Issue, Contemporary Quilt Art by Kate Lenkowsky, Shuttle Spindle Dyepot, Australian Threads, American Craft, and Surface Design Journal.
ilzeaviks.com
Thursday, March 29, 2012 No comments
2012 Maiwa Textile Symposium Workshop. Registration opens June 25th at 10am

Stitching as Markmaking
Ilze Aviks

$225 (includes $30 lab fee) class limit 14

September 8, 9 (Sat, Sun) 10am–4pm
Maiwa Loft, Granville Island, Vancouver, Canada



Ilze Aviks returns from Durango, Colorado, to teach this two-day exploration of stitching. From poetic calligraphic lines to fields of vivid marks, stitching can be as personal and expressive as your own handwriting.

In this workshop students will use crayon transfer, fabric collage, and simple stitches to create a series of small studies examining the powerful relationship of stitched mark and cloth.

Stitch without hesitation as we explore repetition, layering, density, and attaching as pathways to discovering a new visual language. Each day students will be guided through several exercises to help them focus on exploration and technique. Studies will emphasize intuition and spontaneity.

Bio

Ilze Aviks has maintained a studio in Durango, Colorado, for over 30 years. During the last 15 years she has taught Studio and Art Theory courses at Fort Lewis College and has been a Visiting Artist at many universities. She has conducted workshops in the USA, Canada, and Australia.

Ilze has contributed essays and reviews to Fibrearts, Surface Design Journal, and Telos Publications.

Articles featuring Ilze Aviks’ work can be found in Fibrearts Design, Fibrearts, SDA Gallery Issue, Contemporary Quilt Art by Kate Lenkowsky, Shuttle Spindle Dyepot, Australian Threads, American Craft, and Surface Design Journal.
ilzeaviks.com
Thursday, March 29, 2012 No comments



Here is the complete lineup for 2012.

We will post the full descriptions, prices, and instructor bios
here on the Maiwa Blog first and then on the website. 

Registration opens Monday June 25, at 10am
Registration FAQ is here.

Our printed calendar should be in the mail at the end of May.
We are very excited about 2012 and hope to see you
at a workshop, event, or lecture.


WORKSHOPS


Stitching as Markmaking
Sep 8, 9
Ilze Aviks

Monoprinted Cloth and the Stitched Mark
Sep 10–12
Ilze Aviks

Living Blue Indigo
Sep 12, 13 
Anowarul Haq and Apurba Deb Roy

The Stitch That Tells a Story
Sep 13, 14
Janet Bolton

The Stitch That Tells a Story
Sep 15, 16
Janet Bolton

Narrative Textiles
Sep 17
Janet Bolton

Two Japanese Natural Dyes
Sep 14, 15
Yoko and Kazuho Kano

Noren Workshop
Sep 16–18
Yoko and Kazuho Kano

The Art of Embroidery
Sep 18–20
Bonnie Adie

Weaving: From Thought to Fabric
Sep 19–22
Misao Iwamura and Chisako Hisamatsu

Painting with Machine Embroidery
Sep 21–24
Carol Shinn 

Felting Vision
Sep 24–27
Jorie Johnson

Bookbinding Basics
Sep 25, 26
Gaye Hansen

The Art of Bookbinding
Sep 27–29
Gaye Hansen

Encaustic with a Textile Sensibility
Sep 28–30
Daniella Woolf

Colour Institute
Oct 1–5
Michele Wipplinger

Natural Dyes
Oct 1–4
Charllotte Kwon

Blockprinting
 Oct 9, 10
Anne Babchuk

Filming the World
 (Morning) Oct 11
Mary Lance

Filming the World
 (Afternoon) Oct 11
Mary Lance

The Creative Studio
Oct 12–14
 Natalie Grambow

One Day Q&A with Michel Garcia
Oct 11
Michel Garcia

Secrets of the Dye Garden
Oct 12–14
Michel Garcia

Indigo: The Organic Vat
Oct 15, 16
Michel Garcia

Sources of Inspiration
Oct 16
Barbara Shapiro

The Greener Indigo
Oct 17–19
Barbara Shapiro

In Conversation with Sibella Court
Oct 18
Sibella Court 

Introduction to Dyes
Oct 19–21
Natalie Grambow

Banjara Embroidery (First Offering)
Oct 19, 20
Jan and Laxmi Duclos

Banjara Embroidery (Second Offering)
Oct 21, 22
Jan and Laxmi Duclos

Natural Dyes: Print and Pattern
Oct 22–25
Anne Babchuk and Danielle Bush

Weaving: Inspiration from the Sari
Oct 23–26
Jane Stafford

Designing Knitted Lace with Beads
Oct 27, 28
Sivia Harding

Hand-Hooked Rugs
Oct 29, 30
Michelle Sirois-Silver

Shaped Resist with Natural Dye Extracts
Oct 26–30
Joan Morris

Needle Felting: A New Adventure
Oct 31, Nov 1, 2
Briony Jean Foy

Needle Felting as an Art Medium
Nov 3, 4
Briony Jean Foy

The Photo Emulsion Screenprint
Nov 1, 2
Anne Babchuk

Phototransfer for Textiles
Nov 3, 4
Natalie Grambow

True Colours: Developing a Personal Palette
Nov 6–8
Carol Soderlund

Waxing Eloquent: Soy Wax Resist
Nov 9, 10
Carol Soderlund


LECTURES


Janet Bolton
Sep 12
Following a Narrative Thread

Yoko and Kazuho Kano
Sep 13 
Over the Threshold: The Noren Project

Misao Iwamura with Chisako Hisamatsu
Sep 18
A Life in Weaving 

Carol Shinn
 Sep 20 
The Photographic Stitch

Daniella Woolf
 Sep 27 
Crossing a Line: The Encaustic Studio 

Barbara Shapiro
 Oct 15
Change Is Good

Sibella Court
Oct 17
Still Life with Stylist

Joan Morris
 Oct 25
New Hybrids from Ancient Tools


EVENTS


LIVING BLUE
Anowarul Haq and Apurba Deb Roy
(Exhibition and Lecture)
 Sep 11

THE ART OF NOREN
Yoko and Kazuho Kano
(Artists’ Reception)
 Sep 14

結 MUSUBU: THE TIES THAT BIND 
Misao Iwamura and Chisako Hisamatsu 
(Exhibition Opening)
 Sep 21

BLUE ALCHEMY 
Mary Lance
(Film Screening)
 Oct 10

BANJARA EMBROIDERY 
Jan and Laxmi Duclos 
(Exhibition and Lecture)
Oct 20

WRAP PARTY & AUCTION
 Oct 26

Monday, March 26, 2012 3 comments


Maiwa on Granville Island
Have you seen us lately?


Two outfits presently on display in our store. Perfect for travel 
- whether it's around the block or around the world.

In black and white

Sahara Wrap Jacket 
blockprinted with natural dyes on organic cotton, 79.95

Mission Dress
 linen with a kalamkari natural dye blockprint inside trim on the bodice and hem, 149.95

Jawaja Bag
 handmade by the Artisan's Alliance of Jawaja, 59.95

Bai Lou Shawl 
handwoven in cotton and silk with a jamdani dot pattern, 139.95


In blue

Sahara Coat
bandhani tied, natural indigo on organic cotton, 89.95

Bhunai Crinkle Skirt
100% silk, hand blockprinted with natural dyes, 98.95

Sahara tank
100% silk dyed with natural dyes, 49.95

Bengal Shawl
handwoven in cotton and silk, 129.95

Dhebariya Rabari Tote
Hand embroidered, 159.95


Friday, March 09, 2012 No comments

Yard after yard of material dries in the sun. In India, even in winter, the sun does the work of thousands of tumble driers. It is an efficient way to dry fabric after each round of dyeing and it gives you an opportunity to look over your work to make certain it is perfect.


We are in India now, working on bedding, clothing, blockprinting and dyeing. We will be retracing our steps from the previous year, checking in with the kalamkari blockprinters and travelling a bit further afield. 


Sunday, February 26, 2012 No comments


We receive containers on a regular basis holding old furniture, carved doors & thresholds, teak cabinets, coffee tables, book cases, engraved water urns, ironwork chairs and tables, furniture handpainted by the renowned Abhi Shakar and Jetu Singh, and many other items both large and small. Below are some of our most recent arrivals.

Each piece is unique. All hardwoods are old or reclaimed.



Four-door teak cabinet. Aprox 5' high x 33" wide x 18" deep. A great teak cabinet with a large, deep storage space. A perfect addition to a room without enough cubboards. Metal reinforcements add character. $699.00 


Three-level teak cabinet. Aprox 4' 5' high x 30" wide x 16" deep. Glass sides, glass front panels and glass doors make this cabinet ideal for both storage and display. We've filled it with brass singing bowls (not included) to give an idea of its potential. $699.00  


Very unusual storage bench. Part of the reason we love India is the personality of these pieces. This one features storage in the body of the bench and addional storage in the arms, accessed through hinged covers in the top. This bench is quite deep, the addition of some cusions would make a perfect reading spot. Approx. 36" high x 36" deep x 54" wide.  $699.00. 


Brass teapots and vessels. These items have all seen domestic use. They retain the character of special, everyday things. (we do not recommend use for food as some items are occsionally repaired with solder). Prices start at $39.95.


Cast brass bells. Available in a range of sizes and shapes. Some, like the one on the left have figures and faces. Rung to signal a call to temple, the start of school or just because they sound nice. Prices range from $19.95 for the bell on the right to $49.95 for the bell on the left.


Antique lantern with wooden handle and metal chimney protector. An unusual item. $198.95.  


Maiwa East
Open 10 - 5 Thursday, Friday, Saturday.
Open 11 - 5 Sunday


Free delivery on furniture purchased between February 23rd and March 4, 2012. Spend $500 or more at Maiwa East and receive a coupon for free delivery anywhere in Vancouver.*
*Delivery must be booked with our delivery company. For destinations outside of Vancouver customers will receive a $60 credit coupon good toward delivery charges. This special cannot be combined with other discounts. No cash value.
Monday, February 20, 2012 No comments

Each year when we visit we sit on these steps. It has become a tradition after the meeting is over, to take a group photo.  Each year we come a little further. Each year we accomplish a little more. Last year was a break-through year for the weavers. The year before that we were presented with a series of new designs that the leatherworkers had made. 2009, of course, was the year that members of the Artisan's Alliance of Jawaja (AAJ) almost came to Canada for our Symposium.

Each year we see a change in the village. A new coat of paint here, a wall repaired and cleaned up there, everything a little better, more welcoming, more content than it was before. As a group of artisans, both the leatherworkers and the weavers have great determination. It is a determination that is constant, exercised a little each day, and so when we look back over our relationship – five years ago, ten years ago, it fills us with a great sense of satisfaction and confidence. Here are some photos from our recent visit.

We've added most of the Jawaja leatherwork to our online store. Find it here.

Everything is discussed in a large group meeting in the "go down" (Indian name for warehouse).

Jawaja proudly displays their recent work on the walls.

The women are also present, not wanting to miss the excitement.

When we finally prepare to leave there are blessings all around.






Friday, February 17, 2012 No comments

Wild Silk and Wool Shawls

We have many ways to wrap-up this winter. Here we feature shawls made from a blend of wild Eri silk and wool. Most silks are reeled. But Eri silk is spun (like cotton), the result is a silk fibre that gives a warm feeling when used in cloth - especially when combined with wool. These shawls are soft and drape beautifully. We love the selvedge (edge) of these shawls. Handwoven in northern India by artisans from the Avani co-operative. Available in the four naturally-dyed colour combinations shown below.

$129.95/139.95 only at the Granville Island Store.


Wednesday, February 08, 2012 No comments

Himalayan Shoulder-Blankets

We have many ways to wrap-up this winter. Today's feature is a handwoven Himalayan shoulder-blanket. Woven by artisans in the Avani co-operative who live very close to the India - Tibet border, these are naturally dyed and made from the local sheep wool. Many of the artisans have migrated to India from Tibet and bring considerable weaving skills. The shoulder-blankets are used throughout the Himalayas, folded and draped over the shoulder when it is warm or wrapped around the body when it is cold. They are substantial, falling somewhere between a shawl and a blanket: 86" x 41" (220 x 104 cm.) They are good for covering your feet on the couch, or for wrapping up when you want to go outside. Who needs a coat? They also give many nice options for layering when combined with a lighter scarf around the neck.

$139.95 only at the Granville Island Store. Available in a variety of colour combinations.



Wednesday, February 01, 2012 No comments

The current issue of Selvedge Magazine has a bit of Canadian focus: Trade Routes to Trading Post: Beyond the Blanket - Textiles in Canada, by Joe Lewis, contains a potted history of some Canadian textile facts. We are happy to say that we received mention as one of the highlights.



The same issue contains a wonderful article by Ptolemy Mann on Jacquard weaving and what it means to revert to manual when your "dobby" (a computerized loom) fails. Carol Outram contributes a story on traditional clothing of the Arctic with remarkable photography by Karim Rholem. We've just added issue # 44 to our online store so you can pick it up here.
Friday, January 27, 2012 1 comments

These have just arrived in the Maiwa store on Granville Island. Handwoven triple-layer shawls from Bengal. The top two layers feature a "thumb-weave" made by the weaver pressing his thumb into the warp as he weaves the cloth. The bottom, full-width layer, is a beautifully soft merino wool. Above this sits a three-quarter width layer of cotton mixed with zari (to give just a little shimmer) and above this is a half-width layer of cotton.

We like to hold these shawls up as a beautiful example of techniques that can only be done by hand. These shawls give endless possibilities - any of the three layers can be shown, or they can be twisted to bunch up all three layers and keep you cozy warm. $189 only at the Granville Island Store. Available in a variety of colour combinations.

Come down and see on Granville Island - the artisan heart of Vancouver. Open 10 - 7 every day of the week. 







Monday, January 23, 2012 1 comments
Sophena Kwon and Ja Pace caught at the Jaipur Literary Festival

Taking a little break from putting together next year's clothing line, some of Team Maiwa were caught by a photographer at the opening of the Jaipur Literary Festival. The very talented Sophena Kwon left and Ja Pace, right. Sophena is in India working on the clothing line, designing and photography. She is there with both her mother Charllotte Kwon and brother Alex Kwon. Ja, who regular readers will recognize as one of the dancers at our fashion show, and a model for some of our summer clothing. is traveling around  India with friends and family. Ja opened the festival together with 15 drummers on Friday morning. By coincidence Ja had met up with one of her drumming teachers who's band just happened to be the opening act - and so she was invited up on stage. Both women are wearing Maiwa clothing.

Saturday, January 21, 2012 No comments

Enter the promotional code "2012" in the COUPON CODE for 10% off when you add a product to your cart.
If we sell it online, you can get 10% off.

Discount is applied to items in the online store only.
Discount is applied before taxes and does not include shipping.

Saturday, January 14, 2012 No comments
We have been working hard behind the scenes to place more artisan work online. It looks like 2012 is going to be a well-patterned year. Here are some of the highlights:

Ajrakh Cloth
Eight new patterns of Ajrakh. Organic Cotton. 
Natural Dyes. Hand blockprinted in the Kutch Desert of western India.
More about Ajrakh  •  See online


Dabu Cloth
Four new patterns of Dabu. Organic Cotton.
Natural Dyes. Hand blockprinted in a traditional blockprinting Village
just outside of Jaipur, India.
More about Dabu  • See online


Kalamkari Cloth
Four new patterns of Kalamkari. Organic Cotton.
Natural Dyes. Hand blockprinted in Southeast India.
More about Kalamkari  •  See online

Boiled Kashmir Blankets

Boiled Kashmir Blankets. 
Handwoven from 100% merino wool. Slightly felted through a boiling process.
See online



Wednesday, January 11, 2012 No comments
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