instagram facebook
Powered by Blogger.
  • About Us
  • Natural Dyes
  • Stores & Hours
  • maiwa.com
  • School of Textiles

the MAIWA JOURNAL

Above, yarns being dyed with cochineal in Teotitlan del Valle, Mexico

One of the advantages of being involved in the natural colour community is how quickly news travels. At the same time that our stocks of cochineal began to get low and we looked to order more, we began to get emails from people looking for a better price for this red dyestuff. It was as if cochineal red was the new ... er ... red. It turns out that cochineal is once again in the grips of an extreme fluctuation in price.

How extreme? Sixfold.



A quick carmine background. In 1976 the notorious Red Dye #2 was banned from use in foods by the FDA. The food industry uses a significant amount of red colourant in everything from meats to candy to cosmetics. Cochineal was the natural alternative. A high concentration of carminic acid may be obtained from this parasitic scale insect. Dyers have used it since pre-columbian times.

One of our suppliers was kind enough to supply us with a set of prices for the past 28 years. He also gave us some information on what is behind the price changes. Above are the prices paid for large orders (over 500kg) in US dollars.

The first spike is the result of the switch to cochineal as a food dye. The second peaked in 1996 at $142/Kg. The changes to legislation in Brazil, made carmine the only viable colour for meat preserves (sausages, hams, etc). Brazil was suddenly the biggest user of cochineal carmine in the world.

And as our supplier has told us: "Last year of 2009 there was a change: the problem came from the supply and not from the demand corner. Farmers were fed up with carmine manufacturers, they had been kept with low prices for 9 years, making the rearing of cochineal, which is labour intensive and expensive, a very poor choice as a harvest. With plentiful supply, they could not defend themselves. We understand that the supply has gone down from around 2100 Metric Tons (MT) to less than 1000MT/Year. The outcome is fairly predictable. It will take at least until 2012-2013 for production to be up again."

A sixfold increase for large orders. We are cushioned a bit from this because we already pay an extra administrative fee for our small orders (almost doubling our per kilo price) - and that fee hasn't changed. Still, the end result is our prices have gone up by at least threefold.

Cochineal is a very important dye - especially for the artisan dyer. We have elected to keep our prices as low as possible in the hopes that when we next order the price will be much less. We've received a lot of requests to sell the whole cochineal bugs for less and the simple truth is we are already selling them at a loss.


The price of cochineal has been going up and down for centuries. Jeremy Baskes in his book Indians, merchants, and markets: a reinterpretation of the Repartimiento and Spanish-Indian economic relations in colonial Oaxaca, 1750-1821 documents the rise and fall of cochineal prices due to wars, threatened or realized between England France and Spain, and various trade agreements and restrictions. Interestingly, cochineal was actively traded on the London Exchange.



The book we always like to recommend for a history of cochineal and red in general is Amy Butler Greenfield's A Perfect Red.

Comments are welcome.


Sunday, August 01, 2010 1 comments

As you read this we'd like to let you in on a little secret. The people who do this blog are away from their computers and cameras right now - they don't even have a decent internet connection. They are probably on a sandy Gulf Island beach right now. But just so you don't think that they've gone away and forgotten you they have done this post ahead of time ...

Enjoy your summer ... we'll be back next week.



Thursday, July 29, 2010 No comments


Every week we get new arrivals from India of fabulous cotton and linen clothes.

These are slow clothes and we've been working for years to bring them to you at the height of summer. Come into the shop and we'll tell you that behind us are the block cutters and block printers, the natural dyers, the weavers, the tailors, pattern drafters, sewers, and finishers. The man who presses our garments, the wonderful man with the shy smile who specializes in pintucking. Our indigo dyer who is a master at his craft and lives to make all shades of blue, our button makers, working in the shade as they gossip and sew. When the garments arrive we recall the days spend in front of swatches of fabric, the network of connections necessary to get the best organic cotton on the market, the fine adjustments of a seam or hem that makes the garment perfect. When the garments arrive you cannot imagine our pride and happiness.



Monday, July 26, 2010 No comments


We've just put up the second part of the Artisan's Alliance of Jawaja's presentation as a series of video files. We've included the first one here, but all six may be found on our podcast page.

In this presentation the Artisan's Alliance of Jawaja answer questions from the audience and ask a few of their own. The Vancouver audience asks about the process of leatherworking but also about the position of artisans in the community and the challenges that must be overcome for success. This presentation is posted as a series of video files. Comments are welcome.

Recorded at the 2009 Maiwa Textile Symposium on October 27, 2009
Posted July 2010

Here is a link to the leather products made by the Artisan's Alliance of Jawaja.

Thursday, July 22, 2010 No comments
In our previous post "Collaborating with UBC Engineers" we outlined three problems that would benefit from the type of specialized knowledge that engineering and applied science students were developing. The first involved improvements to a bellmaker's kiln, while the second and third involved small scale textile processes which presently produce a disconcerting level of toxic waste.

We joined the students for their poster presentation and were deeply encouraged by their optimism. This was the second time we had met them. During our first meeting we outlined the problems with video and photographs and answered their questions. In neither meeting did we get the feeling that these problems were unsolvable. From the student's perspective it seemed that at least one and possibly many solutions existed, it was just a matter of finding them.

Often the students were thrown a curve ball by the projects they were working on. A student specializing in structural or electrical engineering suddenly had to know all about chemical processes right down to the street price of a certain substance in Bengal, India. That's a steep learning path. The students had only four weeks between our presentation of the problems and their presentation of some solutions.

Another aspect of the solutions was the modesty of the working budget and the requirement that solutions needed to be maintained without specialist knowledge, parts, or skills. Materials that were close at hand were preferable. These restrictions were offset by some of India's natural resources. Solar power is abundant making distillation schemes attractive methods of treating some of the toxic effluents. Human labour is also plentiful and so construction costs are reasonable. Moreover, the general attitude embraces recycling and people would rather treat the effluent to recover a substance that could be sold than allow it to run away.

All of the poster presentations were impressive. We had two main reactions as we toured the room and the students explained their approach to us. 1) How did you think of that? 2) Let's take this to India right away and try it out!

Here are some of the students standing before their poster presentation.


L to R: Youliang Mitchell Cheong, Maryam Kashi, Shasha Wang worked on the problem of toxic waste from chemical dyes used in Sanganer, India. They proposed an ingenious distillation set-up.




L to R: Julie Laws, J. Van, and Gleb Ganeline presented a solution to the problem of bleachworks on the banks of rivers in Bengal, India.




L to R: Jaskaranjit Singh, (Charllotte Kwon or the Maiwa Foundation) Harshul Srivastava, and Tony Lei presented kiln improvements and heating options using biogas for the bellmakers. This group made a long distance call and talked to KMVS director Punkaj Shah to get additional, on the ground information about the bellmakers and their community.

In one of our next posts we will introduce you to the people behind the course and give some background on how it got started and where it is going.

Comments are welcome.

Monday, July 19, 2010 No comments
[Update: News of the Baba Tree's closing has spread and demand has gone up for the remaining stock. We do sell these baskets but we don't sell them online. If you are interested please visit our store soon. If you live far away you can contact the Baba Tree directly through the contact info on their website: www.babatree.com]




We have carried baskets from Gregory MacCarthy's Company The Baba Tree for a number of years now. Last week we had a visit with him as he delivered his last load of baskets.

It is no small challenge to be an individual working in a different country, across the ocean, on a separate continent. This challenge is compounded when you are also trying to work on the ground and are hopeful that you can elevate the level and quality of craft. You have to work with the individual craftsperson, you have to work with their family, you have to work with the village, you have to work with local officials, custom's officers, government officials - in two countries. Those who have followed our Jawaja posts know how difficult this can be. Gregory has done all this with the Baba Tree, as anyone who has seen his baskets knows. These are tightly woven in a masterful way and have evolved over the years to feature innovations and an evolution of style.

And yet, as Gregory explained to us, a combination of health issues (from tropical diseases), changes in the attitudes of local officials, and the continued stress of trying to be both in North America to promote the baskests, and in Ghana to oversee production has led him to make the hard decision to close down. He wrote to us, saying

"I'm a romantic when it comes to offering quality and good service. To offer the best product that is available on the market requires one to micro manage the production process. You have to be in Bolgatanga. Also, one has to be there to make sure that the weavers are being compensated fairly and are being taken care of in terms of hospital expenses paid, that Ghana's national health insurance scheme doesn't cover, or to help with some cash for advanced education."

Gregory's African troubles were compounded by a change in policy of his North American shipping company:

"I have been informed by Greyhound employees at the depot that Greyhound is going to start "cubing" or charging by volume -just like Canada Post- and I sense that it will send shipping rates sky high. As you know, the sacks of baskets weigh about as much as a thimbleful of saffron and are about the size of a '63 Volkswagen. From Greyhound's perspective, the Baba Tree is ripe for the picking."

So it is sad for us as sellers of the baskets. We love to sell them to the public and to buy them for ourselves. It is sad for Gregory who has poured his heart and heath into a business venture that can make a positive change for craftspeople. Again in his words:

"The weavers will continue to weave. They will get poorly paid contracts from other folks or sell their baskets at the market.

"I am sad that The Baba Tree Basket Company never made the impact on the lives of the weaver's that it had set out to do. It was all in the realm of the attainable. I am saddened by it. I'm saddened by the prospect of saying goodbye to the weavers and to my incredibly committed staff like the "leather boys" (basket handles) who have become the finest at their craft in Bolga or my 4 "small boys" who have been with me for years - we have grown up together.

"It is in the realm of the possible that, through the exquisitely beautiful / functional baskets the weavers of Bolgatanga create, economic stability and sustainable development can be attained. It just requires compassionate but saavy business people to recognize the basket's worth in the age of the plastic bag and the toil that it took to bring the creative impulse to fruition.

"In most markets, particularly in the US and Europe, the work is undervalued which is reflected in the cheap price for Bolga baskets in those markets. If the weaver's story was properly told by the likes of me, then, perhaps, the buying public would dig a little deeper and bulk up their air miles with the added and justified expense.

"I returned to Bolga last October armed with a camcorder to document the whole industry and the "Tree's" place in it, but for personal reasons the camera never made it out of it's box and thus, customers are still left in the dark as to who exactly makes these baskets, what challenges they face and what victories are beheld.

"The weavers of Bolgatanga can take care of themselves through their artistry and create spin off enterprises through seed capital saved once their daily needs have been met. But their collective poverty doesn't give them much leverage at the bargaining table and the weavers fall prey to the dictates of the market.

I will be in the warehouse, poised and standing ready, until the basket stock is exhausted.

I extend my gratitude to all of you, my customers.
I hold you all. I mean that.

Gregory MacCarthy
The Baba Tree





Friday, July 16, 2010 2 comments


These extracts are the result of a collaborbation between Maiwa and the French natural-dye research team Couleurs de Plantes. After years of research into dye plants, colour yields, extracts, and ecology, Couleurs de Plantes has perfected organic cultivation techniques and a sophisticated eco-friendly extraction process. We are happy to add the Couleurs de Plantes extracts to our own line of natural dyes and extracts.

Extracts easily dissolve in water and are so concentrated
that only small amounts are needed. They extend the art of natural dyeing into new realms giving the dyer both versatility and control. Here's what we have added:


Buckthorn species are native to the Middle East, and Mediterranean. Also known as Persian berries since the warm yellow colour comes from the unripe berries. Use cream of tartar along with mordants. Dyeing: Use extract on mordanted fibre at 2-6% WOF.

Chestnut trees grow in many parts of the world and contain a great source of tannin. They dye a warm brown colour. This dye is also well known for it’s ability to dye silk black with the addition of logwood and an iron mordant. Dyeing: Use extract on mordanted fibre at 5-10% WOF.

Cochineal is a parasitic insect that lives on the nopal cactus native to Central and South America. This dye has excellent light and washfastness and produces a powerful range of fuchsias, reds and purples mainly depending on mordents used and the dyes sensitivity to pH. Dyeing: Use extract on mordanted fibre at 0.5 - 2 % WOF.

Coreopsis has an abundant variety of plant species that are widespread throughout North and Central America. The dye is located in the flowers, which give a warm yellow - orange colour Dyeing: Use extract on mordanted fibre at 5-10% WOF. A reddish colour can be achieved when the pH level is more alkaline.

Dyer’s Broom or Greenweed is a small shrub that originates in the dry woodlands of Europe and has a long history of use for yellows. It contains the same colourant as weld, which is very lightfast. Dyeing: Use extract on mordanted fibre at 7-10% WOF.
Golden Rod is a wild flower found in North America and Europe where it continues to be a well known source of yellow. Dyeing: Use extract on mordanted fibre at 7-10% WOF.

Logwood is a bushy, thorny tree grown in Mexico, Central and South America and parts of Africa. The purple dye is concentrated in the heartwood of the tree. Dyeing: For a medium to dark colour use extract at only 1-2% WOF on mordanted fibre. Dye at temperatures no higher than 180 F and for no longer then 60 min or the colour will lack clarity and luminosity.

Madder (standard & rich) Madder is one of the oldest dyestuffs. It is most frequently used to produce turkey reds, mulberry and in combination with other dyes can yield crimson, purple, rust and browns. The primary dye component is called alizarin, which is found in the roots of the plant. Two concentrates of extracts are available giving a standard and a rich madder colour. Dyeing: Use madder standard on mordanted fibre at 5-10% WOF. Use madder rich at 2-5 % WOF. Do not allow the dye bath to go above 180ºF as this brings out the brown colour also found in madder.

Quebracho dye comes from a tree native to South America, which is very high in tannins. The dye can vary in colours from coral, warm red brown, yellow or green depending on the species. Dyeing: Use extract on mordanted fibre at 5-10% WOF. To deepen the quebracho colours add an alkali or iron mordant.

Weld or Dyer’s weed has been used as a dyeplant for many centuries in the Mediterranean, Europe and North Africa. It has been a long time favourite yellow due to its intense colour which has excellent lightfastness. Dyeing: Use extract on previously mordanted fibre at 7-10% WOF.

Tuesday, July 13, 2010 No comments


We've just put the first part of the Artisan's Alliance of Jawaja presentation up as a series of videos. Usually we distribute the symposium lectures as podcasts, but because we did this one through a Skype connection we've put it up in video format. You can see all five videos on the podcast page.




In response to the interest generated by the Jawaja presentation we have put up a large collection of products made by the Jawaja leatherworkers in our online store.

The question and answer portion of the presentation will be up next. Let us know what you think in the comments section of this blog.

Friday, July 09, 2010 2 comments

We have just added a new collection of buttons to our online store.

These buttons are hand-carved by Nepalese craftsmen. Some are wood, others are made from the horn and bones of domestic animals (mostly water buffalo) which have died of natural causes.

Maiwa has worked with this group of artisans for over 15 years. When we use a wooden or bone button on a garment or in our bedding it is always from this group. The designs that they come up with are inventive, charming and clearly illustrate the character of the carvers. When they send us new designs and we open the package, it is like unwrapping a collection of tiny treasures, each one is a world in itself.

Prices range from $2 - $5.

Available in a range of shapes and sizes. They are funky and wonderful art pieces.




Monday, July 05, 2010 No comments

When we think about Indigo we think about Jenny Balfour-Paul, author of the British Library publication Indigo. But who does Jenny think about when she thinks about indigo? Most probably it is Thomas Machell.

In 1999 Jenny discovered the journals of Machell in the British Library. It was a remarkable find. Born in 1824, he began traveling at the age of 16. He sketched (the image above is a self portrait) and kept notes and writings. Before he died in 1862 he had gathered the materials together into a 3000 page journal. In it he details his love of Indigo and Bengal. He saw many things, including the opium wars and the transformation of Hong Kong from a tiny fishing village into an international seaport.

Recently The Telegraph (which still has "Calcutta" on its masthead) ran a story about Jenny Balfour-Paul and her interest in the Thomas Machell journals. Jenny is working on the Story of Machells life which will be “the opposite of biography”, because she feels that the parallels between her life and his are so strong that it is almost as if they were the same person.



See the Telegraph for the full story.

Saturday, July 03, 2010 No comments

We have just received our new summer garments. On a sunny summer day just last week we did a photo shoot to show off some of the new arrivals.

Introducing an enticing selection of prints and weaves, coloured with natural dyes on organic cotton and fine linen. Created by today’s master craftspeople.

Cotton garments from 39.95 to 98.95.
Linen garments from 59.95 to 129.95
Shawls from 39.95 to 189.95

Here are some of our favourites from the day.










Wednesday, June 30, 2010 2 comments

It was a full house on Thursday evening as we welcomed the founders of Thr3fold: The Journal of Creative Vision. Pictured above (L-R): Linda Kemshall, Catherine Nicholls, Laura Kemshall, and Maiwa Owner Charllotte Kwon. The trio gave a visual presentation which outlined each one's creative background and their unique approach to quilt-making, journaling and surface design. The group works from a set of challenges. It would be thrilling enough to see the results that each of the three artsist produce to meet the challenge, but there is an added dimension that results from the juxtaposition of similar ideas interpreted three ways.


The three work within the overarching project of a series of books: the Thr3fold Journal. It inspires them and is the collaborative space that has brought them together across oceans and continents. The journal works as an exhibition space, that feeds their art just as their art feeds the publication. On Thursday they launched issue number five which focuses on the face. An exhibit pieces featured in issue #5 is on at Fibreworks Studio on the Sunshine Coast of BC until August 1, 2010.


Issue #5, #4 and #3 are available in the Maiwa stores and our Online Store. The books are lush, beautifully printed in the UK and contain a multimedia CD.

The audience had the pleasure of inspecting the artist's journals which were on hand. They were a perfect compliment to the large format quilts which were hanging at the opening.



7 pieces were generously donated by the group to the Maiwa Foundation for auction, including the only piece that all three had worked on directly. The bidding went quickly and the items raised $2050. Here Catherine Nicholls tours the room with a quilt and below, Maiwa's Anne Babchuk shows off one of the works for auction. Comments are welcome.





Saturday, June 26, 2010 No comments

THR3FOLD
This Thursday June 24th at 7:30 PM
Hosted by
Maiwa
in the Net Loft
Granville Island, Vancouver, Canada

There are a limited number of spaces available for this free event.
Please RSVP to hold a place.

See our previous post for full details.
Tuesday, June 22, 2010 No comments

2010 marks the second year that the Maiwa Foundation has collaborated with the UBC Engineering Department. We were approached by Carla Paterson, Annette Berndt, and Joanne Nakonechny to help with Applied Science 263: Technology and Development.

The course description reads in part:
"In accord with UBC’s commitment to 'prepare students to become exceptional global citizens, and promote the values of a civil and sustainable society', this course focuses on technology in the context of poverty and development."
The Maiwa Foundation proposed three problems that would benefit from specialized engineering knowledge. A key part of the problems was the context in which solutions would be workable and appropriate. In this post we will outline the problems. In a later post we will follow up with some thoughts from this year's poster session.

1) Furnace improvements for rural bellmakers.

In the India's Kutch desert, located in western Gujarat, metal bells are made with simple hand tools and then plated through a process that involves the use of a kiln. The bells are dipped in a powdered mixture of copper and brass, covered with a clay jacket to keep the coating on, and fired. The kiln uses charcoal as a fuel and an electric blower to increase the flow of oxygen and raise the temperature. Charcoal is expensive and increasingly difficult to obtain in the quantities needed. Variations in temperature sometimes result in a failure of the coating.



2) Toxic dyeing outside Jaipur.

Jaipur is known as a historic centre for blockprinting. Over time many blockprinters switched to using the much faster silkscreening process with chemical dyes. When Jaipur prepared for the historic Heritage Festival (which comes with a UNESCO heritage city designation) one of the recommendations was that the toxic silkscreening shops be cleaned up. A very large number relocated to just outside Jaipur in Sanganer. Silkscreening is done with Rapid dyes, Napthol dyes and Azo dyes (certain Azo dyes have been banned in Europe since 2002). The wash water from dyeing is run into the fields or local ditch, this water has high concentrations of toxins and salt (salt is often used at an equal weight to the fabric being dyed). The spent dyes show up on local well water (often as far down as 200 feet). A number of health problems may be traced back to dye effluents.




3) Bleach works on the banks of the Ganges.

Here in the west we buy a lot of clothes. Often what has gone out of fashion, is no longer used or doesn't fit is given to thrift stores. When the thrift stores are overloaded containers of discarded clothing are sent to developing countries. In India container loads of used clothing arrive in small villages located one to two hours outside Kolkata (Calcutta). The garments are shredded and bleached with sodium hydrosulphite to be reused as mattress ticking (stuffing). Cement tanks are built on the banks of the river to take advantage of the ready supply of water. The spent bleach water is emptied from the cement tank onto the riverbank where it runs directly back into the river. The river is central to Indian life. Bathing, washing and fishing all take place within sight of the bleach works. The problem is new and growing quickly throughout India. In 2008 we sighted the first tank, in 2010 there were a dozen more. The impact is considerable. Small village roads cannot handle the large transport of shipping containers, but the most problematic element is, of course, the degradation of water quality.

Sunday, June 20, 2010 No comments


We came across this book more than a year ago when we were doing research for a presentation on natural fibers and slow clothes. Beautiful Sheep: Portraits of Champion Breeds is written by Kathryn Dun - and she has done an excellent job -but it is the portraits themselves which fascinated us. There is such diversity of character in the breeds, and we can see how some would have been encouraged for the fibres in their coats. Specific qualities that would make the wool good for hand-spinning or dyeing. In some cases, a renewed interest in hand spinning and knitting is all that has kept certain breeds from extinction.

Paul Farnham, a UK fashion photographer who trained with Annie Liebowitz, switched from thin women in urban settings to leggy ovines in the country. According to a review in the Telegraph the sheep were just as fussed over as his human models and there was the added problem of your car getting bogged down in farmer's fields. The results are wonderful, however, and the book makes for an entertaining and delightful entry into the world of UK sheep breeds.

We loved it so much we decided to carry it and put it in our online bookstore as well. We found a second review on Photoshelter and and after reading the book we have to agree with their summary: "I think Mr. Kerry Hill is the most handsome. But Zwartbles clearly has a better name."

Buy Beautiful Sheep.




Thursday, June 17, 2010 1 comments



Maiwa has removed this content because it was out of date.

Monday, June 14, 2010 No comments
2010 Maiwa Textile Workshops
Full listings are now up.

Dyeing to Discharge
Carol Soderlund

$495 (Includes $100 Lab Fee) - Five full days

November 1 - 5 (Mon - Fri) 9am - 5pm
Maiwa East - 1310 Odlum Drive, Vancouver, Canada
Class Limit 16

Registration Opens June 21, 2010

the possibilities of discharge – the removal of colour from dyed cloth. Using both commercial fabrics and cloth dyed specifically for discharge, the student will selectively remove and replace colour, gaining an in-depth understanding of both thiox and bleach discharge processes.

Immersion with clamp and pole-wrap techniques, as well as stencil, screen-printing, and block-printing techniques, will be used to create striking imagery with complex layering of colour. Illumination dyeing (the simultaneous removal and addition of colour) will be explored. Fabric samples showing specific dye colours and how they discharge will be produced for both cotton and silk. Safe studio practices are emphasized.


CAROL SODERLUND

Carol Soderlund’s works have been exhibited nationally and internationally since 1985 in such venues as Visions and American Quilting Society shows and have received numerous awards, including Best of Show at the 1989 International Quilt Festival and Best Use of Color at the Pennsylvania National Quilt Exhibition 2000. She has taught colour, fabric dyeing, colour-mixing techniques, and quilting throughout North America and is currently working on a book on these subjects.

“My work is primarily driven by a passion for colour interactions, the illusions they create, the luminosity they can bring to a surface. I love creating my own palette of fabric through painting, dyeing, and other surface design processes including discharge, shibori, stamping, screening, and foiling. My goal in design is to have a piece that intrigues the viewer at first glance and then continues to reveal surprises upon every inspection.”
www.carolsoderlund.com

Student Supply List

Apron and old clothes
Heavy dishwashing gloves
Respirator equipped with multi-gas, acid-gas or broad spectrum filter (These are available from hardware stores, Maiwa Handprints, and Pro Chem
Selection of black fabrics. One half-metre piece prewashed with synthrapol. Label each with manufacturer and location of purchase.
1 or 2 black cotton T-shirts. Hanes has discharged well. Note: Not all black fabrics will discharge and they will discharge differently depending on the discharge agent used. For bleach discharge, you can test a small swatch with a Clorox bleach pen. If you find one that discharges to white or a light tan, you might want to buy a lot of it.
Hand-dyed fabric - bring what you have on hand. You do not need to purchase any if you do not have some already. You may want to bring some of the commercial hand dyed or batik fabrics from Bali. Bring a few metres of each, washed at home in hot water and synthrapol. This is a great opportunity to radically change those "dogs" you have dyed. You will be amazed.
Found objects for stamping designs
One roll of double-stick tape
Notebook
2 plastic lasagna-sized pans, Rubbermaid, Takeaway, or Gladware brand
4 plastic square containers or bowls with lids (4-cup size) eg. Ziploc
1 box of heavy-duty 1-gallon Ziploc bags
Please bring a bag lunch. All other materials provided.


The full course calendar is on the web. Registration opens June 21, 2010.


Monday, June 14, 2010 No comments
2010 Maiwa Textile Workshops
Full listings are now up.

Feltmaking
Rene Evans

$225 (Includes $70 Lab Fee) - Two full days

October 30, 31 (Sat - Sun) 10am - 4pm
Maiwa East - 1310 Odlum Drive, Vancouver, Canada
Class Limit 14

Registration Opens June 21, 2010

Felt is one of the oldest known forms of manipulated fibre. Felting appears coincidental with animal husbandry and produces a range of items from clothing and toys to sculpture, tents, and even industrial tools. Often an art and tradition of nomadic peoples, felting is making a worldwide resurgence and is gaining recognition.

In this two-day, project-oriented workshop, students will explore the many aspects of felt, from three-dimensional hats, boots, and bags to warm felt coats and lightweight, gossamer “nuno” felts. Students will learn basic feltmaking techniques by creating a sample binder of felts of different weights and felts from different wool fibres. Students will select a final project which can be a 3D project (such as a hat, bag, boots), flat felt yardage, or “nuno” yardage (such as scarf or vest fronts). The techniques learned in the workshop can be applied to all felted projects.


RENE EVANS

Born and educated in New Zealand, Rene Evans has always had a love for fine wools. But it was not until she returned to weaving in 1995 that she developed a deep love and appreciation for the art of feltmaking. In 1996 she was introduced to the Fashion Design Program at University College of the Fraser Valley (UCFV). In January 2001 she became the Weaving instructor within the Fashion Design Program at UCFV. From 1997 to 2002 Rene Evans served as the Exhibits Chair for Convergence 2002 Vancouver and sat as a member of the Steering Committee.

Student Supply List

A washboard (if you have one)
Plastic grocery bags for transporting wet felt
Rubber gloves
Please bring a bag lunch. All other materials provided.



The full course calendar is on the web. Registration opens June 21, 2010.


Monday, June 14, 2010 No comments
2010 Maiwa Textile Workshops
Full listings are now up.

Between the Colours: Creative Resist
Natalie Grambow

$225 (Includes $60 Lab Fee) Three full days

November 12 - 14 (Fri - Sun) 10am - 4pm
Maiwa East - 1310 Odlum Drive, Vancouver, Canada
Class Limit 14

Registration Opens June 21, 2010

This very popular workshop has expanded to three full days. Here students will obtain a comprehensive understanding of resists: what advantage each might have, what effects can be obtained, and what the proper techniques are for manipulating fabric, colour, and resist. This course is an ideal introduction to resist as a vital element of surface design.

The class will work with fibre-reactive dyes, fabric paints, discharge agents, and water-based paste resists including flour paste, potato starch, corn dextrin, and devore. Students will also study a variety of pre-made resists such as wax emulsion, Presist, Sabra-silk, gutta, glue gels, and puff pigments (to create puckered effects).

Finally, students will study hot wax resist and a range of Shibori resists including pole-wrapping clamped resist and stitch-bound resist. Students will leave the workshop with many samples showing a variety of techniques and effects. A final project will also be completed.




NATALIE GRAMBOW

Natalie Grambow has an extensive background in design, teaching, and textile arts. An accredited Interior Designer, she spent many years in Ottawa working within the architectural design field and teaching Design Theory. Natalie’s first deep exploration of textiles began during her Visual Arts/Photography studies at the University of Ottawa when she experimented with non-silver techniques of transferring photographic imagery onto cloth. She subsequently studied at the École d’Impression Textile à Montréal and later travelled to Asia and Latin America where she spent six months learning to weave with local Mayan weavers in Guatemala. Shortly after completing the Textile Arts program at Capilano College in 2001, she was awarded the BC Craft Association’s Award of Excellence. Natalie has developed a line of naturally dyed and printed fabrics and has been commissioned by such clients as the city of North Vancouver (to present an artist’s vision of North Vancouver on fabric).

Student Supply List

Please bring a bag lunch. All materials supplied.

The full course calendar is on the web. Registration opens June 21, 2010.


Thursday, June 10, 2010 No comments
2010 Maiwa Textile Workshops
Full listings are now up.

Works on Canvas
Natalie Grambow

$185 (Includes $60 Lab Fee) Two full days

October 28, 29 (Thur, Fri) 10 am - 4 pm
Maiwa East - 1310 Odlum Drive, Vancouver, Canada
Class Limit 14

Registration Opens June 21, 2010

Canvas is for artists, and an unstretched canvas is an open invitation for the surface designer to begin exploration. Using combinations of mixed-media, fabric paints, and succulent colour palettes, students will engage the canvas surface through altered art techniques, image transfer, collage, and deconstruction.

In this highly creative workshop, suitable for both the novice and experienced artist, participants will be guided through the steps of making an art cloth. The workshop will explore a number of pattern-making techniques, including block-printing, mono-printing, hand-painting, stencilling, screen-printing, and scratching. In addition, collage and piecing with image transfers, over-“inking,” antiquing, washes, and finishing will be covered. Students will complete several inspiring projects, including a finished art cloth.

The finished works can be used as floor coverings (floorcloth), wall mounted in traditional frames, used as table runners, hung as posters, or combined into other projects.


NATALIE GRAMBOW

Natalie Grambow has an extensive background in design, teaching, and textile arts. An accredited Interior Designer, she spent many years in Ottawa working within the architectural design field and teaching Design Theory. Natalie’s first deep exploration of textiles began during her Visual Arts/Photography studies at the University of Ottawa when she experimented with non-silver techniques of transferring photographic imagery onto cloth. She subsequently studied at the École d’Impression Textile à Montréal and later travelled to Asia and Latin America where she spent six months learning to weave with local Mayan weavers in Guatemala. Shortly after completing the Textile Arts program at Capilano College in 2001, she was awarded the BC Craft Association’s Award of Excellence. Natalie has developed a line of naturally dyed and printed fabrics and has been commissioned by such clients as the city of North Vancouver (to present an artist’s vision of North Vancouver on fabric).

Student Supply List

All materials supplied.

The full course calendar is on the web. Registration opens June 21, 2010.


Thursday, June 10, 2010 No comments
2010 Maiwa Textile Workshops
Full listings are now up.

Fair Isle Knitting
Venessa Bentley

$150 (Includes $50 Lab Fee) Two full days

October 27, 28 (Wed, Thu) 10 am - 4 pm
Maiwa Loft - Net Loft Granville Island, Vancouver, Canada
Class Limit 16

Registration Opens June 21, 2010

Fair Isle is a tiny isolated island off the coast of Scotland. Fair Isle knitting is a distinctive form of circular, stranded-colour knitting inspired by the seaside, meadows, moorlands, and skies of this distant place. The art of Fair Isle knitting is marked by rich colours and varied geometric designs.

Over the two days of this workshop, traditional Fair Isle patterns and techniques will be explored as we work through a small steeked (a knitted bridge, or temporary margin of stitches) project. Students will individualize their projects through pattern and placement while learning the skills needed to begin a larger Fair Isle project on their own.

Basic knitting skills are required for this class.


VENESSA BENTLEY

Venessa Bentley grew up knitting and stitching and now works as an instructor, designer, and consultant in the needle, fibre, and textile arts. Venessa graduated from the Textile Arts Diploma Program at Capilano College. She also holds a Bachelor’s degree, a Post-Baccalaureate Diploma in Fine Arts Education, and a Professional Teaching Certificate from Simon Fraser University. She is currently working on her Master Spinner certificate through Olds College, Alberta. Venessa serves on the board of directors for Circle Craft and is a member of the Langley Weavers and Spinners Guild, the Canadian Guild of Knitters, the Westcoast Knitters, the Knitting Guild of America, and the Surface Design Association. www.venessabentley.ca


Student Supply List

General knitting accessories kit.

The Maiwa studio is stocked with knitting needles for student's use in the classroom. If you have your own needles it is advisable to bring them so you can take unfinished work home on the needles to complete. The needles used in this class are: Both 4mm (US 6) and 4.5mm (US 7) in choice of double-pointed needles or short circular needles eg 30cm (12”) or 40cm (16”). Unlocking stitch markers will also be used.

All other materials supplied.



The full course calendar is on the web. Registration opens June 21, 2010.


Thursday, June 10, 2010 No comments
Newer Posts
Older Posts

Subscribe to our mailing list

* indicates required
Send me emails about Maiwa

Labels

Bags & Pouches Bandanas Banjara Bedding Bengal Weaving Block Print Dyeable Blanks Dyeable Clothing Embroidery Embroidery Supplies Exhibition Free Resources Handwoven Interiors Jawaja Carpets Jawaja Leather Kala Cotton Lecture Maiwa Books Maiwa Foundation Maiwa School of Textiles Merchant & Mills Natural Dye Kits Natural Dyes Quiet Manifesto Quilts & Blankets Scarves & Shawls Slow Clothes Table Cloths & Napkins Travel Yardage indigo

About Maiwa

Find out Who We Are ...

Voices On Cloth

Maiwa Podcasts


Maiwa Podcasts

Follow Us

Popular Posts

  • Natural Dyes - Mordants Part 1
    The Maiwa Guide to Natural Dyes What they are and how to use them We've divided the section on Mordants into three parts. We start...
  • Natural Dyes - About The Organic Indigo Vat
    The Maiwa Guide to Natural Dyes What they are and how to use them These organic vats were originally developed by French dye chemist and...
  • Natural Dyes - Mordants Part 3
    The Maiwa Guide to Natural Dyes What they are and how to use them Cotton mordanted with alum. How To Mordant Here we give the pro...
  • Natural Dyes - Mordants Part 2
    The Maiwa Guide to Natural Dyes What they are and how to use them In our previous post we explained why mordanting was necessary and l...
  • Natural Dyes - Our Approach
    The Maiwa Guide to Natural Dyes What they are and how to use them Our Approach to Dyeing Some thoughts on fugative colour and colour wi...
  • New to the Store: Natural Dyes at Wholesale Prices
    Looking at stocking your studio?  Starting a new dye project?  Working with a class or group?  We get asked to wholesale natural ...
  • Maiwa on the Road - Jawaja
    Maiwa has been on the road for a little over a month now. Visiting people and places throughout India and Bangladesh. Recently we stoppe...

Blog Archive

  • ▼  2025 (78)
    • ▼  September (5)
      • New Hand Painted Kalamkari Shawls from Silpinwita ...
      • 30-50% Off Select Maiwa Bedding — Online & In-Store
      • New Silk Pillowcases — The Perfect Surface for Nat...
      • At Home With Maiwa — Comfort Everywhere
      • Last Chance Before Registration Closes — Maiwa Sch...
    • ►  August (11)
    • ►  July (11)
    • ►  June (8)
    • ►  May (9)
    • ►  April (10)
    • ►  March (7)
    • ►  February (8)
    • ►  January (9)
  • ►  2024 (108)
    • ►  December (11)
    • ►  November (9)
    • ►  October (9)
    • ►  September (8)
    • ►  August (11)
    • ►  July (9)
    • ►  June (6)
    • ►  May (9)
    • ►  April (10)
    • ►  March (8)
    • ►  February (9)
    • ►  January (9)
  • ►  2023 (108)
    • ►  December (12)
    • ►  November (6)
    • ►  October (9)
    • ►  September (8)
    • ►  August (12)
    • ►  July (8)
    • ►  June (9)
    • ►  May (9)
    • ►  April (9)
    • ►  March (9)
    • ►  February (8)
    • ►  January (9)
  • ►  2022 (111)
    • ►  December (13)
    • ►  November (9)
    • ►  October (8)
    • ►  September (9)
    • ►  August (11)
    • ►  July (8)
    • ►  June (9)
    • ►  May (9)
    • ►  April (9)
    • ►  March (10)
    • ►  February (8)
    • ►  January (8)
  • ►  2021 (105)
    • ►  December (9)
    • ►  November (9)
    • ►  October (9)
    • ►  September (8)
    • ►  August (8)
    • ►  July (8)
    • ►  June (11)
    • ►  May (9)
    • ►  April (10)
    • ►  March (8)
    • ►  February (8)
    • ►  January (8)
  • ►  2020 (94)
    • ►  December (11)
    • ►  November (12)
    • ►  October (11)
    • ►  September (9)
    • ►  August (7)
    • ►  July (9)
    • ►  June (7)
    • ►  May (8)
    • ►  April (9)
    • ►  March (4)
    • ►  February (1)
    • ►  January (6)
  • ►  2019 (69)
    • ►  December (7)
    • ►  November (4)
    • ►  October (6)
    • ►  September (11)
    • ►  August (3)
    • ►  July (5)
    • ►  June (4)
    • ►  May (5)
    • ►  April (5)
    • ►  March (7)
    • ►  February (5)
    • ►  January (7)
  • ►  2018 (71)
    • ►  December (6)
    • ►  November (5)
    • ►  October (14)
    • ►  September (6)
    • ►  August (5)
    • ►  July (5)
    • ►  June (6)
    • ►  May (7)
    • ►  April (5)
    • ►  March (2)
    • ►  February (5)
    • ►  January (5)
  • ►  2017 (73)
    • ►  December (6)
    • ►  November (8)
    • ►  October (11)
    • ►  September (10)
    • ►  August (7)
    • ►  July (7)
    • ►  June (4)
    • ►  May (5)
    • ►  April (6)
    • ►  March (3)
    • ►  February (4)
    • ►  January (2)
  • ►  2016 (47)
    • ►  December (4)
    • ►  November (4)
    • ►  October (5)
    • ►  September (12)
    • ►  July (2)
    • ►  June (2)
    • ►  May (4)
    • ►  April (2)
    • ►  March (3)
    • ►  February (5)
    • ►  January (4)
  • ►  2015 (136)
    • ►  December (5)
    • ►  November (35)
    • ►  October (13)
    • ►  September (12)
    • ►  August (3)
    • ►  July (5)
    • ►  June (5)
    • ►  May (19)
    • ►  April (28)
    • ►  March (3)
    • ►  February (3)
    • ►  January (5)
  • ►  2014 (93)
    • ►  December (1)
    • ►  November (2)
    • ►  October (10)
    • ►  September (10)
    • ►  July (1)
    • ►  June (4)
    • ►  May (26)
    • ►  April (27)
    • ►  March (3)
    • ►  February (3)
    • ►  January (6)
  • ►  2013 (112)
    • ►  December (2)
    • ►  November (1)
    • ►  October (7)
    • ►  September (8)
    • ►  August (8)
    • ►  July (5)
    • ►  June (3)
    • ►  May (11)
    • ►  April (52)
    • ►  March (3)
    • ►  February (5)
    • ►  January (7)
  • ►  2012 (108)
    • ►  December (5)
    • ►  November (5)
    • ►  October (8)
    • ►  September (10)
    • ►  August (3)
    • ►  July (6)
    • ►  June (2)
    • ►  May (25)
    • ►  April (27)
    • ►  March (7)
    • ►  February (5)
    • ►  January (5)
  • ►  2011 (126)
    • ►  December (4)
    • ►  November (3)
    • ►  October (11)
    • ►  September (9)
    • ►  August (3)
    • ►  July (6)
    • ►  June (5)
    • ►  May (39)
    • ►  April (23)
    • ►  March (8)
    • ►  February (8)
    • ►  January (7)
  • ►  2010 (123)
    • ►  December (8)
    • ►  November (8)
    • ►  October (6)
    • ►  September (11)
    • ►  August (7)
    • ►  July (9)
    • ►  June (16)
    • ►  May (17)
    • ►  April (15)
    • ►  March (10)
    • ►  February (7)
    • ►  January (9)
  • ►  2009 (141)
    • ►  December (7)
    • ►  November (11)
    • ►  October (13)
    • ►  September (10)
    • ►  August (12)
    • ►  July (11)
    • ►  June (11)
    • ►  May (29)
    • ►  April (32)
    • ►  March (5)