Check Out – The Natural Dyer's Reading List
Natural. Honest. Colour.
Sizes from 30g up to 2.5 kg. Our large sizes are priced at wholesale rates so that all artisans can participate in the magic that natural dyes bring.
OR VISIT US ON GRANVILLE ISLAND
Cooking up a pot of ground Madder Root.
Colour is unlike anything else. As an artist, to make colour with natural dyes is to experience a direct connection with your materials. And each of these materials, each dyestuff used, can be a doorway to a new world.
Putting natural colour on cloth involves the use of leaves (such as indigo and henna), barks and woods (logwood, osage), roots (madder), flowers (chamomile, marigold), fruits and nuts (walnut, myrobalan, pomegranate), minerals (alum, iron), and insects (cochineal, lac). These are just some of the classic materials that have been used for thousands of years.
The aromatic steam that rises into the air from the dyepot, especially when working outside on a cool morning, is one of the most compelling aspects of the dyer’s studio. Indeed, working with natural colour is such a sensual experience that many artisans work with natural dyestuff for the sheer pleasure of making the vat. The saturated colours of the immersed materials are also highly photogenic—as is the entire dyeing process.
Left:Henna on cotton yarn.
Right: Cutch on wool yarn.
Left: Cochineal, a powerful red..
Right: An indigo flower atop an organic natural indigo vat.
Right: An indigo flower atop an organic natural indigo vat.
Our role is a bit like that of a master vintner who evaluates multiple grape harvests to make an exceptional wine. We do a complete set of sample tests to evaluate the shade and strength of our shipment. Dyes from natural sources will change with each season. If there has been only little rain one year, the concentration of dyestuff in the plant will alter. So we often combine and blend stocks from multiple years to ensure that the raw dyestuff will yield consistent results.
At Maiwa our policy is to acquire the raw dyestuff in its most elemental form (wood chips, roots, petals) so that we can ensure purity. We then process it into the form (usually a powder) that works best for the artisan dyer. We use natural dyes extensively in our own production, so we can ensure that each package contains a product we would be proud to use ourselves.
Left: Osage on swatches of cotton.
Left: Marigold petals cooking for a vibrant golden yellow.
Right: Wool having a lovely soak in lac.
MAIWA'S NATURAL DYE READING LIST
RECOMMENDED RESOURCES
Make Ink - Jason Logan
Natural Color - Sasha Duerr
The Modern Natural Dyer - Kristine Vejar
A Handbook of Indigo Dyeing - Vivien Prideaux
Natural Color - Sasha Duerr
The Modern Natural Dyer - Kristine Vejar
A Handbook of Indigo Dyeing - Vivien Prideaux
Deeper than Indigo - Jenny Balfour-Paul
A Perfect Red - Amy Butler Greenfield
Natural Dyes - Judy Hardman, Sally Pinhey
The Art & Craft of Natural Dyeing - J.N. Liles
A Perfect Red - Amy Butler Greenfield
Natural Dyes - Judy Hardman, Sally Pinhey
The Art & Craft of Natural Dyeing - J.N. Liles
Natural Dyeing With Plants - Franziska Ebner, Romana Hasenohrl
The Handbook of Natural Plant Dyes - Sasha Duerr
The Handbook of Natural Plant Dyes - Sasha Duerr
Indigo - cultivate, dye, create - Kerstin Neumuller, Douglas Luhanko
Koekboya: Natural Dyes and Textiles: A Colour Journey from Turkey to India and Beyond - Harald Bohmer
Koekboya: Natural Dyes and Textiles: A Colour Journey from Turkey to India and Beyond - Harald Bohmer
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